Rite, Flesh, and Stone
portes grátis
Rite, Flesh, and Stone
The Matter of Death in Contemporary Spanish Culture, 1959-2020
Mart?!n, Annabel; C??rdoba, Antonio; Moreras, Jordi; Fern?indez-Cebri?in, Ana; Loureiro, ?uengel; Moreiras-Menor, Cristina; Afinogu? (R)nova, Eugenia; Garc?!a-Donoso, Daniel; Keller, Patty; Aguilera-Mellado, Pedro
Vanderbilt University Press
09/2021
346
Mole
Inglês
9780826502186
15 a 20 dias
333
Descrição não disponível.
Introduction
Part I: Rite
"Executioners and Cultures of Capital Punishment in Franco's Spain (1959-1975),"
"State of Crucifixion: Tourism, Holy Week, and the Sacred Politics of the Cold War,"
"Carlos Saura: Death, Orphanhood and the Commoners' Transitions,"
"Martyrs and Saints of the Spanish Civil War Era: Enshrinement of the Right and Historical Memory,"
"The Future of the Dead: Reconciliation in PostETA Euskadi,"
Part II: Flesh
"Capturing Death: Photography, Performance, and Bearing Witness,"
"Death, Afterlife and the Question of Autobiography (Biutiful, 2010),"
"What Does One Do with the Dead? The Posthumous in Fernando LeOn's Amador,"
"On Dying Colonialisms and Postcolonial Phantasies in Recent Spanish Cinema,"
Part III: Stone
"A Stone that Makes Them Stumble: Mining the Lithic in Manuel Rivas's O lapis do carpinteiro,"
"Encounters between Memories and the Present: The Muslim Cemeteries in Contemporary Spain,"
"The Forensic Eulogy: Science and Invented Traditions in the Commemoration of Republican Dead from the Spanish Civil War,"
"After Biopolitics and Necropolitics: Death Disappearance and De-Metaphorization of 'the Other,' or 'Capitalism as Religion': A Reading of JesUs Carrasco's La tierra que pisamos,"
Part I: Rite
"Executioners and Cultures of Capital Punishment in Franco's Spain (1959-1975),"
"State of Crucifixion: Tourism, Holy Week, and the Sacred Politics of the Cold War,"
"Carlos Saura: Death, Orphanhood and the Commoners' Transitions,"
"Martyrs and Saints of the Spanish Civil War Era: Enshrinement of the Right and Historical Memory,"
"The Future of the Dead: Reconciliation in PostETA Euskadi,"
Part II: Flesh
"Capturing Death: Photography, Performance, and Bearing Witness,"
"Death, Afterlife and the Question of Autobiography (Biutiful, 2010),"
"What Does One Do with the Dead? The Posthumous in Fernando LeOn's Amador,"
"On Dying Colonialisms and Postcolonial Phantasies in Recent Spanish Cinema,"
Part III: Stone
"A Stone that Makes Them Stumble: Mining the Lithic in Manuel Rivas's O lapis do carpinteiro,"
"Encounters between Memories and the Present: The Muslim Cemeteries in Contemporary Spain,"
"The Forensic Eulogy: Science and Invented Traditions in the Commemoration of Republican Dead from the Spanish Civil War,"
"After Biopolitics and Necropolitics: Death Disappearance and De-Metaphorization of 'the Other,' or 'Capitalism as Religion': A Reading of JesUs Carrasco's La tierra que pisamos,"
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
death; funerals; funerary rites; ritual; burial; mourning; corpse; body; flesh; cemetery; memory; history of death; anthropology of death; Spanish culture and history; Covid-19; Luis García Berlanga; Francisco Franco; El verdugo film; executioners; death penalty; desarrollismo; Tourism; Holy Week; Manuel Fraga; religious festivals; Carlos Saura; Spanish Transition; La prima angélica film; Cría cuervos film; Elisa, vida mía film; children in cinema; orphanhood; Catholic Church; Spanish Civil War; beatification; sanctification; historical memory; Euskadi; reconciliation; Nanclares de Oca; victims of terrorism; Photography; performance; AIDS; Pepe Espaliú; Javier Codesal; Biutiful film; Alejandro González Iñárritu; afterlife; autobiography; restitution; Fernando León; Amador film; posthumous; migrants; 1898: Los últimos de Filipinas film; Palmeras en la nieve film; necropolitics; postcolonial theory; Spanish colonialism; Spain and the Philippines; Spain and Equatorial Guinea; Manuel Rivas; O lapis do carpinteiro novel; Portico da Gloria, Santiago de Compostela; cemeteries; Spanish Muslims; muslim cemeteries; religious cemeteries; migrants and Spain; Exhumations; forensic anthropology; forensic eulogy; mass graves; invented traditions; Jesús Carrasco; biopolitics; historical trauma; disappearance
Introduction
Part I: Rite
"Executioners and Cultures of Capital Punishment in Franco's Spain (1959-1975),"
"State of Crucifixion: Tourism, Holy Week, and the Sacred Politics of the Cold War,"
"Carlos Saura: Death, Orphanhood and the Commoners' Transitions,"
"Martyrs and Saints of the Spanish Civil War Era: Enshrinement of the Right and Historical Memory,"
"The Future of the Dead: Reconciliation in PostETA Euskadi,"
Part II: Flesh
"Capturing Death: Photography, Performance, and Bearing Witness,"
"Death, Afterlife and the Question of Autobiography (Biutiful, 2010),"
"What Does One Do with the Dead? The Posthumous in Fernando LeOn's Amador,"
"On Dying Colonialisms and Postcolonial Phantasies in Recent Spanish Cinema,"
Part III: Stone
"A Stone that Makes Them Stumble: Mining the Lithic in Manuel Rivas's O lapis do carpinteiro,"
"Encounters between Memories and the Present: The Muslim Cemeteries in Contemporary Spain,"
"The Forensic Eulogy: Science and Invented Traditions in the Commemoration of Republican Dead from the Spanish Civil War,"
"After Biopolitics and Necropolitics: Death Disappearance and De-Metaphorization of 'the Other,' or 'Capitalism as Religion': A Reading of JesUs Carrasco's La tierra que pisamos,"
Part I: Rite
"Executioners and Cultures of Capital Punishment in Franco's Spain (1959-1975),"
"State of Crucifixion: Tourism, Holy Week, and the Sacred Politics of the Cold War,"
"Carlos Saura: Death, Orphanhood and the Commoners' Transitions,"
"Martyrs and Saints of the Spanish Civil War Era: Enshrinement of the Right and Historical Memory,"
"The Future of the Dead: Reconciliation in PostETA Euskadi,"
Part II: Flesh
"Capturing Death: Photography, Performance, and Bearing Witness,"
"Death, Afterlife and the Question of Autobiography (Biutiful, 2010),"
"What Does One Do with the Dead? The Posthumous in Fernando LeOn's Amador,"
"On Dying Colonialisms and Postcolonial Phantasies in Recent Spanish Cinema,"
Part III: Stone
"A Stone that Makes Them Stumble: Mining the Lithic in Manuel Rivas's O lapis do carpinteiro,"
"Encounters between Memories and the Present: The Muslim Cemeteries in Contemporary Spain,"
"The Forensic Eulogy: Science and Invented Traditions in the Commemoration of Republican Dead from the Spanish Civil War,"
"After Biopolitics and Necropolitics: Death Disappearance and De-Metaphorization of 'the Other,' or 'Capitalism as Religion': A Reading of JesUs Carrasco's La tierra que pisamos,"
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
death; funerals; funerary rites; ritual; burial; mourning; corpse; body; flesh; cemetery; memory; history of death; anthropology of death; Spanish culture and history; Covid-19; Luis García Berlanga; Francisco Franco; El verdugo film; executioners; death penalty; desarrollismo; Tourism; Holy Week; Manuel Fraga; religious festivals; Carlos Saura; Spanish Transition; La prima angélica film; Cría cuervos film; Elisa, vida mía film; children in cinema; orphanhood; Catholic Church; Spanish Civil War; beatification; sanctification; historical memory; Euskadi; reconciliation; Nanclares de Oca; victims of terrorism; Photography; performance; AIDS; Pepe Espaliú; Javier Codesal; Biutiful film; Alejandro González Iñárritu; afterlife; autobiography; restitution; Fernando León; Amador film; posthumous; migrants; 1898: Los últimos de Filipinas film; Palmeras en la nieve film; necropolitics; postcolonial theory; Spanish colonialism; Spain and the Philippines; Spain and Equatorial Guinea; Manuel Rivas; O lapis do carpinteiro novel; Portico da Gloria, Santiago de Compostela; cemeteries; Spanish Muslims; muslim cemeteries; religious cemeteries; migrants and Spain; Exhumations; forensic anthropology; forensic eulogy; mass graves; invented traditions; Jesús Carrasco; biopolitics; historical trauma; disappearance
