Raymond Jonson and the Spiritual in Modernist and Abstract Painting

Raymond Jonson and the Spiritual in Modernist and Abstract Painting

Hartel, Jr., Herbert R.

Taylor & Francis Ltd

06/2022

236

Mole

Inglês

9781032339238

15 a 20 dias

435

Descrição não disponível.
Contents

Acknowledgments

List of Illustrations

Introduction: Raymond Jonson and Twentieth Century American Art: Reconsidering the Canonical in American Art History and the Spiritual in American Modernist Painting

Chapter One: "Art Is as Broad as Space": Jonson's Early Years in the West and Chicago

Chapter Two: "The Land of Sunshine and Color and Tragedy": New Mexico and Jonson's Landscape Paintings and Compositions

Chapter Three: "These Are the Second Attack on the Abstract": the Thematic, Conceptual Series Paintings of 1929-1936

Chapter Four: "A More Intense Participation in the Life of the Spirit": Jonson's First Totally Abstract Paintings, His Theories of Art and the Transcendental Painting Group

Chapter Five: "Fast Arriving and Spontaneous Combustions of Color-space-line and Design": Absolute Painting, 1938-1950

Chapter Six: "Causing the Surface to Come to Life": Jonson's Late Career, 1950-1978

References

Index
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Mexico Art Museum;Absolute Painting;modern art;Abstract Painting;abstract art;Color Field Painting;twentieth century;Cor Ardens;American art;Chromatic Contrasts;Transcendental Painting Group;Arthur Dove;spirituality;Cadmium Red;painting;Dane Rudhyar;art and religion;American Southwest;Earth Rhythms;landscape painting;Switch Board;Herbert R. Hartel;Dynamic Symmetry;Vincent Van Gogh;Time Cycle;Interlocked Forms;post-World War Ii Development;Chicago Academy;Newman's Paintings;Southwest Arrangement;Space Moods;Jonson's Ideas;Jonson's Life;Trojan Women;Armory Show