Race and Gender in the Western Music History Survey

Race and Gender in the Western Music History Survey

A Teacher's Guide

Maxile, Jr., Horace J.; Turner, Kristen M.

Taylor & Francis Ltd

06/2022

162

Dura

Inglês

9780367491192

15 a 20 dias

312

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List of Scores

List of Figures

Acknowledgements

Introduction






Western Classical Music until 1600
Introduction

Vittoria Aleotti, "Hor che la vaga Aurora"

The Cantigas de Santa Maria and the Arabic Influence on Western Art Music

Bibliography

Score/Recording

Selected Secondary Sources




Music Between 1600 and 1750
Introduction

Manuel de Sumaya, Miserere

The Network of Women around J.S. Bach

Bibliography

Score/Recording

Selected Secondary Sources




Music Between 1750 and 1815
Introduction

Marianna Martines, Sonata in E Major

Sonata in E-Flat Major, H. XVI: 52 by Joseph Haydn: A Study in Private and Public/Masculine and Feminine

Bibliography

Score/Recording

Selected Secondary Sources




Music Between 1815 and 1915
Introduction

Harry T. Burleigh, "Through Moanin' Pines," in From the Southland

African American Critical Response to Antonin Dvorak and the Problem of American Music

Bibliography

Score/Recording

Selected Secondary Sources




Music after 1915

Introduction

Chou Wen-Chung, Suite for Harp and Wind Quintet

American Nationalism: Florence Price in Counterpoint with Aaron Copland

Bibliography

Score/Recording

Selected Secondary Sources

Index
Western music;race;gender;music history;music education;music history survey;music pedagogy;music history curriculum;Women Composers;HBCUs;American Classical Music;Black Music;Classical Music;Western Classical Music;Personas;Board Of Trustees;Florence Price;Wolfgang Amadeus Mozart;Mozart;Copland's Music;Chapel Master;Accademia Filarmonica;Fernando III;Wind Quintet;American Nationalism;IMSLP;E-flat Major;Vauxhall Pleasure Gardens;Cleveland Gazette;Juba Dance;George's Episcopal Church;Faustina Bordoni