Post-Digital Letterpress Printing

Post-Digital Letterpress Printing

Research, Education and Practice

Silva, Ana Catarina; Amado, Pedro; Quelhas, Vitor

Taylor & Francis Ltd

11/2021

128

Dura

Inglês

9781032001807

15 a 20 dias

299

Descrição não disponível.
Foreword

Johanna Drucker

Introduction

Part I:Research

The Seven Lives of a Typeface: Material and Immaterial Convergences

Amelia Hugill-Fontanel

1. Appropriating printing

Caroline Archer-Parre

2. Orlando Erasto Portela: relations between the creative process
and letterpress printing methods of an (almost) unknown designer from the mid-twentieth century

Nuno Coelho

3. The Mark on The Wall

Ane Thon Knutsen

Part 2: Education

Poiesis and purpose: lessons in making

Catherine Dixon

4. The role of the letterpress workshop

Ruben Dias & Sofia Meira

5. From letterpress to screen: Learning from a modular type system

Roberto Gamonal Arroyo and Andreu Balius Planelles

6. PDLPX: The Post-digital Letterpress Print Exchange. Methodological Innovation in the exploration of contemporary letterpress practice

Chris Wilson

7. Letterpress experiments in a design course

Rita Carvalho

Part 3: Practice

The Rising Letters - Seven criteria for the typographic design of a letterpress archive

Jorge dos Reis

8. Digital Fabrication: Expanding Access to and Preservation of Letterpress Printing

Erin Beckloff

9. Resisting Hyper-Digitalization Investigating Hybrid-Practices in Contemporary Graphic Design

Lucrezia Russo

10. Computational Design Letterpress: from procedural programming to modular printing

Pedro Amado and Ana Catarina Silva
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Letterpress Printing;Workshop;design;Hold;graphic design;Digital Fabrication;technology;White Space;educators;CNC Milling;education;Proof Press;pedagogy;Photopolymer Plates;communication;Laser Cutting;commercial;Provisional Press;experimental;CNC Machine;hybrid;Fab Labs;fabrication;Post-digital Era;printing;Typographic Composition;artists;Digital Revolution;methodology;Cardboard;typography;Digital Fabrication Tools;creative;Experimental Type Production;Wood Type;typeface;Heutagogical Approach;type;Computational Design;FDM;Cloister Initials;Cast;Ran Ran Ran