Picturing the Workers' Olympics and the Spartakiads

Picturing the Workers' Olympics and the Spartakiads

Modernist and Avant-Garde Engagement with Sport in Central Europe and the USSR, 1920-1932

Strozek, Przemyslaw

Taylor & Francis Ltd

05/2024

216

Mole

9781032017594

Pré-lançamento - envio 15 a 20 dias após a sua edição

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1. The New Great Power. The First Workers' Olympics in Frankfurt am Main as a Socialist Olympia, 1925 2. The Giants at the Prater Stadium. Visualising the Second Workers' Olympics in the Socialist Paradise: the Red Vienna, 1931 3. 'Every Worker-Athlete Must be a Soldier of the Revolution'. From Vsevobuch to Gustav Klucis's Spartakiada series, 1928 4. The Communist Workers' Sport for the Revolution, for the Proletariat, for the People. Devetsil, FPT and the Visual Propaganda of the Second Spartakiad in Prague, 1928 5. The Collective Embodiment of the Red Man. Workers' Physical Training Association, Munka Circle and Worker Photography in Budapest 6. 'Overcoming all Obstacles - Red Sport!' Visualising solidarity and hope for Communist Sport in Berlin, 1931-1932 7. Conclusion
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Sokol;Red Sport International;Socialist Workers' Sport International;Workers' Olympics;International Festival of Workers' Sports Associations;Kassak and Moholy-Nagy;Kuhle Wampe;Vsevolod Mikhels;Vkhutemas;Staatliche Kunstsammlungen Dresden;Visual Propaganda;Olympic Art Competitions;Mass Sporting Events;Worker Athlete;Sport Propaganda;MTE;Physical Culture;FPT;Communist Sport;Soviet Constructivists;Young Man;Sport Festival;Weimar Germany;Sport Associations;Red Sport;Red Vienna;Hungarian Olympic;Ancient Greece;Red Man;Red Megaphones;John Heartfield;Moholy Nagy's Work