Performing by the Book?
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Performing by the Book?
Musical Negotiations between Text and Act
Forment, Bruno
Leuven University Press
10/2024
208
Mole
9789462704145
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Introduction. Musical Texts and Contexts: Stairway to Heaven or Highway to Hell?
Bruno Forment
Mind the Gap: Reimagining Incomplete Medieval Music
Niels Berentsen
Performing by the Book (Next to the Book You Were Looking For), or: Aby Warburg's "Good Neighbour"
Bjoern Schmelzer
Pluralising the Musical Text: Improvising on Canonic Repertoire
Jonathan Ayerst
A la recherche du chant perdu: The airs serieux in the Recueils d'airs serieux et a boire de differents auteurs (1695-99) as a Lens on Vocal Practices in the Seventeenth-Century Parisian Salon
Elizabeth Dobbin
From Beethoven Performance to Beethoven Interpretation: Carl Czerny and Franz Liszt's Evolving Relationship, 1822-57
Camilla Koehnken
Nineteenth-Century Texts in the Twenty-First Century
George Kennaway
The Flexible Text: Published and Unpublished Alterations to the Schumann Cello Concerto in the Nineteenth Century
Kate Bennett Wadsworth
The Romantic Conductor-Scholar: What I Learned from the Archives
Nir Cohen-Shalit
Relocating Ravel's "Sad Birds" in Alternative Forests of Place and Time
Xiangning Lin
The Virgin Act: Mediating Supplement and Repetition in Performance
Clare Lesser
Online materials
Notes on Contributors
Index
Bruno Forment
Mind the Gap: Reimagining Incomplete Medieval Music
Niels Berentsen
Performing by the Book (Next to the Book You Were Looking For), or: Aby Warburg's "Good Neighbour"
Bjoern Schmelzer
Pluralising the Musical Text: Improvising on Canonic Repertoire
Jonathan Ayerst
A la recherche du chant perdu: The airs serieux in the Recueils d'airs serieux et a boire de differents auteurs (1695-99) as a Lens on Vocal Practices in the Seventeenth-Century Parisian Salon
Elizabeth Dobbin
From Beethoven Performance to Beethoven Interpretation: Carl Czerny and Franz Liszt's Evolving Relationship, 1822-57
Camilla Koehnken
Nineteenth-Century Texts in the Twenty-First Century
George Kennaway
The Flexible Text: Published and Unpublished Alterations to the Schumann Cello Concerto in the Nineteenth Century
Kate Bennett Wadsworth
The Romantic Conductor-Scholar: What I Learned from the Archives
Nir Cohen-Shalit
Relocating Ravel's "Sad Birds" in Alternative Forests of Place and Time
Xiangning Lin
The Virgin Act: Mediating Supplement and Repetition in Performance
Clare Lesser
Online materials
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
music;texts;artistic research;performance studies;musical interpretation;historically informed performance
Introduction. Musical Texts and Contexts: Stairway to Heaven or Highway to Hell?
Bruno Forment
Mind the Gap: Reimagining Incomplete Medieval Music
Niels Berentsen
Performing by the Book (Next to the Book You Were Looking For), or: Aby Warburg's "Good Neighbour"
Bjoern Schmelzer
Pluralising the Musical Text: Improvising on Canonic Repertoire
Jonathan Ayerst
A la recherche du chant perdu: The airs serieux in the Recueils d'airs serieux et a boire de differents auteurs (1695-99) as a Lens on Vocal Practices in the Seventeenth-Century Parisian Salon
Elizabeth Dobbin
From Beethoven Performance to Beethoven Interpretation: Carl Czerny and Franz Liszt's Evolving Relationship, 1822-57
Camilla Koehnken
Nineteenth-Century Texts in the Twenty-First Century
George Kennaway
The Flexible Text: Published and Unpublished Alterations to the Schumann Cello Concerto in the Nineteenth Century
Kate Bennett Wadsworth
The Romantic Conductor-Scholar: What I Learned from the Archives
Nir Cohen-Shalit
Relocating Ravel's "Sad Birds" in Alternative Forests of Place and Time
Xiangning Lin
The Virgin Act: Mediating Supplement and Repetition in Performance
Clare Lesser
Online materials
Notes on Contributors
Index
Bruno Forment
Mind the Gap: Reimagining Incomplete Medieval Music
Niels Berentsen
Performing by the Book (Next to the Book You Were Looking For), or: Aby Warburg's "Good Neighbour"
Bjoern Schmelzer
Pluralising the Musical Text: Improvising on Canonic Repertoire
Jonathan Ayerst
A la recherche du chant perdu: The airs serieux in the Recueils d'airs serieux et a boire de differents auteurs (1695-99) as a Lens on Vocal Practices in the Seventeenth-Century Parisian Salon
Elizabeth Dobbin
From Beethoven Performance to Beethoven Interpretation: Carl Czerny and Franz Liszt's Evolving Relationship, 1822-57
Camilla Koehnken
Nineteenth-Century Texts in the Twenty-First Century
George Kennaway
The Flexible Text: Published and Unpublished Alterations to the Schumann Cello Concerto in the Nineteenth Century
Kate Bennett Wadsworth
The Romantic Conductor-Scholar: What I Learned from the Archives
Nir Cohen-Shalit
Relocating Ravel's "Sad Birds" in Alternative Forests of Place and Time
Xiangning Lin
The Virgin Act: Mediating Supplement and Repetition in Performance
Clare Lesser
Online materials
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
