Painting, Science, and the Perception of Coloured Shadows
portes grátis
Painting, Science, and the Perception of Coloured Shadows
'The Most Beautiful Blue'
Smith, Paul
Taylor & Francis Ltd
05/2024
176
Mole
9780367716424
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
1. The Science 2. Light and Dark 3. Physics 4. Contrast 5. Constancy 6. The Criterion 7. Aesthetic Value 8. Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Coloured Shadows;color theory;La Farge;color;Edward III;aesthetics;Blue Shadows;philosophy;NGA Image;philosophy of art;Manchester Art Gallery;epistemology;Vice Versa;phenomenology;Beautiful Blue;vision;Bridgeman Images;art and science;Simultaneous Contrast;art and theory;Leonardo's Ideas;theory;Oil On Canvas;art history;Ford Madox Brown;psychology;Hamburger Kunsthalle;neuroscience;Accidental Colours;color constancy;Monge's Theory;history of science;Green Shadows;Wittgenstein;Staatliche Museen Zu Berlin;Merleau-Ponty;Trattato Della Pittura;Leonardo da Vinci;Sun Shine;Pierre-Henri de Valenciennes;Gauguin;perspective;Paul Gauguin;Jacques-Fabien Gautier d'Agoty;Snowy Surface;Goethe;Reduction Screen;dawn;Leonardo's Trattato;dusk;physics;Henry Richter;Philipp Otto Runge;reflections;Carl Gustav Carus;pre-Raphaelites;Impressionists;Count Rumford;Eugene Chevreul;George Field;sixteenth century;seventeenth century;eighteenth century;nineteenth century;Augustus Wall Callcott;John Lafarge;Eugene Delacroix;Pissarro;Gaspard Monge;David Brewster;Charles Blanc;Isaac Milner;John Ruskin;the eye;beauty;Colour constancy;Physical theory;Aesthetic value
1. The Science 2. Light and Dark 3. Physics 4. Contrast 5. Constancy 6. The Criterion 7. Aesthetic Value 8. Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Coloured Shadows;color theory;La Farge;color;Edward III;aesthetics;Blue Shadows;philosophy;NGA Image;philosophy of art;Manchester Art Gallery;epistemology;Vice Versa;phenomenology;Beautiful Blue;vision;Bridgeman Images;art and science;Simultaneous Contrast;art and theory;Leonardo's Ideas;theory;Oil On Canvas;art history;Ford Madox Brown;psychology;Hamburger Kunsthalle;neuroscience;Accidental Colours;color constancy;Monge's Theory;history of science;Green Shadows;Wittgenstein;Staatliche Museen Zu Berlin;Merleau-Ponty;Trattato Della Pittura;Leonardo da Vinci;Sun Shine;Pierre-Henri de Valenciennes;Gauguin;perspective;Paul Gauguin;Jacques-Fabien Gautier d'Agoty;Snowy Surface;Goethe;Reduction Screen;dawn;Leonardo's Trattato;dusk;physics;Henry Richter;Philipp Otto Runge;reflections;Carl Gustav Carus;pre-Raphaelites;Impressionists;Count Rumford;Eugene Chevreul;George Field;sixteenth century;seventeenth century;eighteenth century;nineteenth century;Augustus Wall Callcott;John Lafarge;Eugene Delacroix;Pissarro;Gaspard Monge;David Brewster;Charles Blanc;Isaac Milner;John Ruskin;the eye;beauty;Colour constancy;Physical theory;Aesthetic value
