Organizing Creativity in the Innovation Journey
portes grátis
Organizing Creativity in the Innovation Journey
Cohendet, Patrick; Svejenova, Silviya; Schuessler, Elke
Emerald Publishing Limited
09/2021
320
Dura
Inglês
9781839828751
15 a 20 dias
576
Descrição não disponível.
Organizing Creativity for Innovation: Situated Practices and Process Perspectives; Elke Schuessler, Silviya Svejenova, and Patrick Cohendet
PART I. Temporal Dynamics of Organizing Creativity in Art Fields
Chapter 1. Inside Out: When Ideas from the Core Are Radicalized on the Periphery; Stoyan V. Sgourev
Chapter 2. Trajectories of Consecration: Signature Style and the Pace of Category Spanning; Giovanni Formilan, Gino Cattani, and Simone Ferriani
Chapter 3. Arts Festivals: Configuring Creative Fields through Temporal Strategies; Candace Jones
PART II. Comparing Creative Processes in Arts and Science: Tensions and Uncertainties
Chapter 4. Auto-Tuned and R-Squared: Reflecting Audience Quality Evaluations in the Creative Process in Music Production and Cancer Research; Elizabeth Long Lingo and Hille C. Bruns
Chapter 5. Organizing Uncertainty as an Asset in Creative Collaboration: A Comparison of the Music and Pharmaceutical Industries; Oliver Ibert, Gregory Jackson, Tobias Theel, and Lukas Vogelgsang
Chapter 6. Between Anxiety and Hope? How Actors Experience Regulatory Uncertainty in Creative Processes in Music and Pharma; Leonhard Dobusch, Konstantin Hondros, Sigrid Quack, and Katharina Zangerle
PART III. Identity Struggles of Creative Agents in Organizations
Chapter 7. Organizational Misfits as Creative Agents of Change: The Case of Pracademics; Alice Lam
Chapter 8. Ambiguous Zones and Identity Processes of Innovation Experts in Organizations; Rotem Rittblat and Amalya L. Oliver
Chapter 9. Creative Identity Work in the Face of Ambiguity: Defending, Distancing, Differentiating; Heather Round
PART IV. The Communicative Journey of Ideas
Chapter 10. Do We Really Judge the Book by its Cover? Idea Selection During Start-Up Weekends; Guy Parmentier, Severine Le Loarne-Lemaire, and Maxime Mellard
Chapter 11. Making Creativity, not Innovation. A Critical Reflection based on Observations from the Fashion Industry; Raimund Hasse and Judith Nyfeler
Chapter 12. Feedback on Creative Ideas: Toward a Communicative and Creative Action Perspective; Michael Hartmann, Jochen Koch, and Matthias Wenzel
PART I. Temporal Dynamics of Organizing Creativity in Art Fields
Chapter 1. Inside Out: When Ideas from the Core Are Radicalized on the Periphery; Stoyan V. Sgourev
Chapter 2. Trajectories of Consecration: Signature Style and the Pace of Category Spanning; Giovanni Formilan, Gino Cattani, and Simone Ferriani
Chapter 3. Arts Festivals: Configuring Creative Fields through Temporal Strategies; Candace Jones
PART II. Comparing Creative Processes in Arts and Science: Tensions and Uncertainties
Chapter 4. Auto-Tuned and R-Squared: Reflecting Audience Quality Evaluations in the Creative Process in Music Production and Cancer Research; Elizabeth Long Lingo and Hille C. Bruns
Chapter 5. Organizing Uncertainty as an Asset in Creative Collaboration: A Comparison of the Music and Pharmaceutical Industries; Oliver Ibert, Gregory Jackson, Tobias Theel, and Lukas Vogelgsang
Chapter 6. Between Anxiety and Hope? How Actors Experience Regulatory Uncertainty in Creative Processes in Music and Pharma; Leonhard Dobusch, Konstantin Hondros, Sigrid Quack, and Katharina Zangerle
PART III. Identity Struggles of Creative Agents in Organizations
Chapter 7. Organizational Misfits as Creative Agents of Change: The Case of Pracademics; Alice Lam
Chapter 8. Ambiguous Zones and Identity Processes of Innovation Experts in Organizations; Rotem Rittblat and Amalya L. Oliver
Chapter 9. Creative Identity Work in the Face of Ambiguity: Defending, Distancing, Differentiating; Heather Round
PART IV. The Communicative Journey of Ideas
Chapter 10. Do We Really Judge the Book by its Cover? Idea Selection During Start-Up Weekends; Guy Parmentier, Severine Le Loarne-Lemaire, and Maxime Mellard
Chapter 11. Making Creativity, not Innovation. A Critical Reflection based on Observations from the Fashion Industry; Raimund Hasse and Judith Nyfeler
Chapter 12. Feedback on Creative Ideas: Toward a Communicative and Creative Action Perspective; Michael Hartmann, Jochen Koch, and Matthias Wenzel
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Creative Processes; Identity Processes; Structural Perspectives; Practice Perspectives; Idea Generation; Idea Journey
Organizing Creativity for Innovation: Situated Practices and Process Perspectives; Elke Schuessler, Silviya Svejenova, and Patrick Cohendet
PART I. Temporal Dynamics of Organizing Creativity in Art Fields
Chapter 1. Inside Out: When Ideas from the Core Are Radicalized on the Periphery; Stoyan V. Sgourev
Chapter 2. Trajectories of Consecration: Signature Style and the Pace of Category Spanning; Giovanni Formilan, Gino Cattani, and Simone Ferriani
Chapter 3. Arts Festivals: Configuring Creative Fields through Temporal Strategies; Candace Jones
PART II. Comparing Creative Processes in Arts and Science: Tensions and Uncertainties
Chapter 4. Auto-Tuned and R-Squared: Reflecting Audience Quality Evaluations in the Creative Process in Music Production and Cancer Research; Elizabeth Long Lingo and Hille C. Bruns
Chapter 5. Organizing Uncertainty as an Asset in Creative Collaboration: A Comparison of the Music and Pharmaceutical Industries; Oliver Ibert, Gregory Jackson, Tobias Theel, and Lukas Vogelgsang
Chapter 6. Between Anxiety and Hope? How Actors Experience Regulatory Uncertainty in Creative Processes in Music and Pharma; Leonhard Dobusch, Konstantin Hondros, Sigrid Quack, and Katharina Zangerle
PART III. Identity Struggles of Creative Agents in Organizations
Chapter 7. Organizational Misfits as Creative Agents of Change: The Case of Pracademics; Alice Lam
Chapter 8. Ambiguous Zones and Identity Processes of Innovation Experts in Organizations; Rotem Rittblat and Amalya L. Oliver
Chapter 9. Creative Identity Work in the Face of Ambiguity: Defending, Distancing, Differentiating; Heather Round
PART IV. The Communicative Journey of Ideas
Chapter 10. Do We Really Judge the Book by its Cover? Idea Selection During Start-Up Weekends; Guy Parmentier, Severine Le Loarne-Lemaire, and Maxime Mellard
Chapter 11. Making Creativity, not Innovation. A Critical Reflection based on Observations from the Fashion Industry; Raimund Hasse and Judith Nyfeler
Chapter 12. Feedback on Creative Ideas: Toward a Communicative and Creative Action Perspective; Michael Hartmann, Jochen Koch, and Matthias Wenzel
PART I. Temporal Dynamics of Organizing Creativity in Art Fields
Chapter 1. Inside Out: When Ideas from the Core Are Radicalized on the Periphery; Stoyan V. Sgourev
Chapter 2. Trajectories of Consecration: Signature Style and the Pace of Category Spanning; Giovanni Formilan, Gino Cattani, and Simone Ferriani
Chapter 3. Arts Festivals: Configuring Creative Fields through Temporal Strategies; Candace Jones
PART II. Comparing Creative Processes in Arts and Science: Tensions and Uncertainties
Chapter 4. Auto-Tuned and R-Squared: Reflecting Audience Quality Evaluations in the Creative Process in Music Production and Cancer Research; Elizabeth Long Lingo and Hille C. Bruns
Chapter 5. Organizing Uncertainty as an Asset in Creative Collaboration: A Comparison of the Music and Pharmaceutical Industries; Oliver Ibert, Gregory Jackson, Tobias Theel, and Lukas Vogelgsang
Chapter 6. Between Anxiety and Hope? How Actors Experience Regulatory Uncertainty in Creative Processes in Music and Pharma; Leonhard Dobusch, Konstantin Hondros, Sigrid Quack, and Katharina Zangerle
PART III. Identity Struggles of Creative Agents in Organizations
Chapter 7. Organizational Misfits as Creative Agents of Change: The Case of Pracademics; Alice Lam
Chapter 8. Ambiguous Zones and Identity Processes of Innovation Experts in Organizations; Rotem Rittblat and Amalya L. Oliver
Chapter 9. Creative Identity Work in the Face of Ambiguity: Defending, Distancing, Differentiating; Heather Round
PART IV. The Communicative Journey of Ideas
Chapter 10. Do We Really Judge the Book by its Cover? Idea Selection During Start-Up Weekends; Guy Parmentier, Severine Le Loarne-Lemaire, and Maxime Mellard
Chapter 11. Making Creativity, not Innovation. A Critical Reflection based on Observations from the Fashion Industry; Raimund Hasse and Judith Nyfeler
Chapter 12. Feedback on Creative Ideas: Toward a Communicative and Creative Action Perspective; Michael Hartmann, Jochen Koch, and Matthias Wenzel
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
