Nelson Goodman and Modern Architecture
portes grátis
Nelson Goodman and Modern Architecture
A Belated Encounter
Laegring, Kasper
Taylor & Francis Ltd
07/2024
280
Dura
9781032347424
15 a 20 dias
Descrição não disponível.
Acknowledgements
List of Figures
Chapter 1: Introduction
Reckoning with the critique of modern architecture
A Goodmanian take on modern architecture and its critiques
Defining the object of study
Problems of demarcation
The ideological basis for modern architecture in functionalist theory
Current research into the praxis of modern architecture
Chapter 2: Applying Goodman's aesthetic theory to architecture
Aesthetics and cognition
Aesthetics and language
Goodman as nominalist
Right or wrong rather than true or false
When does architecture take place? Goodman's rejection of competing theories
Languages of Art
Symbol systems and symbol schemes
Syntactic and semantic, notation, digital and analog
Imperfect notational systems: Notational schemes
Allographic, autographic and the steps of the design process
Notational approaches: Score and script
Notation and mixed symbol systems in architecture
Denotation
Fictitious denotation
Exemplification
Exemplification in modern architecture
Expression (metaphorical exemplification)
Feelings or moods?
Complex and mediate modes of reference: Allusion, variation, style
Allusion
Variation
Style
Chapter 3: Symbolization in pre-modern architecture
Renaissance architecture
Mannerist architecture
Baroque architecture
Rococo architecture
Neoclassical architecture
Romanticist impulses
Historicist architecture
Chapter 4: Symbolization in the early phases of modern architecture
The Chicago School
Wainwright Building
Art Nouveau, Jugendstil, Wiener Secession, and Catalan Modernisme
Maison Coilliot
Maison Horta
Majolikahaus
Casa Mila
Willow Tearooms
Adolf Loos
Looshaus
Expressionist architecture
Het Schip
Einsteinturm
Glass architecture
Chapter 5: The aesthetic implications of the critique of modern architecture
The International Style exhibition in 1932 as a compass
The aesthetically oriented critique of modern architecture, circa 1970
Chapter 6: Symbolization in modern architecture
The International Style: Mies van der Rohe and the minimalism of glass and steel
Illinois Institute of Technology
General means of aesthetic symbolization in Mies' formalistic architecture
The International Style: Gropius, Bauhaus, and the factory aesthetic
The Bauhaus building in Dessau
Late works by Gropius
Formalism and classicism in American federal and corporate International Style
The International Style: Le Corbusier and Purism
Les Quartiers Modernes Fruges in Pessac
The white, cubist aesthetic of the villas of Loos and Le Corbusier
Le Corbusier's late works and the Brutalism of beton brut
Unite d'habitation in Marseille
Notre-Dame-du-Haut at Ronchamp
The imprint of Brutalism on late modernism
Frank Lloyd Wright and organic modernism
Late works by Wright
Fallingwater
From Alvar Aalto to the notion of another modernism
Chapter 7: Conclusion
The hegemony of exemplification in modern architectural praxis
The architecture of formalism: symbolic rather than silent
Bibliography
Index
List of Figures
Chapter 1: Introduction
Reckoning with the critique of modern architecture
A Goodmanian take on modern architecture and its critiques
Defining the object of study
Problems of demarcation
The ideological basis for modern architecture in functionalist theory
Current research into the praxis of modern architecture
Chapter 2: Applying Goodman's aesthetic theory to architecture
Aesthetics and cognition
Aesthetics and language
Goodman as nominalist
Right or wrong rather than true or false
When does architecture take place? Goodman's rejection of competing theories
Languages of Art
Symbol systems and symbol schemes
Syntactic and semantic, notation, digital and analog
Imperfect notational systems: Notational schemes
Allographic, autographic and the steps of the design process
Notational approaches: Score and script
Notation and mixed symbol systems in architecture
Denotation
Fictitious denotation
Exemplification
Exemplification in modern architecture
Expression (metaphorical exemplification)
Feelings or moods?
Complex and mediate modes of reference: Allusion, variation, style
Allusion
Variation
Style
Chapter 3: Symbolization in pre-modern architecture
Renaissance architecture
Mannerist architecture
Baroque architecture
Rococo architecture
Neoclassical architecture
Romanticist impulses
Historicist architecture
Chapter 4: Symbolization in the early phases of modern architecture
The Chicago School
Wainwright Building
Art Nouveau, Jugendstil, Wiener Secession, and Catalan Modernisme
Maison Coilliot
Maison Horta
Majolikahaus
Casa Mila
Willow Tearooms
Adolf Loos
Looshaus
Expressionist architecture
Het Schip
Einsteinturm
Glass architecture
Chapter 5: The aesthetic implications of the critique of modern architecture
The International Style exhibition in 1932 as a compass
The aesthetically oriented critique of modern architecture, circa 1970
Chapter 6: Symbolization in modern architecture
The International Style: Mies van der Rohe and the minimalism of glass and steel
Illinois Institute of Technology
General means of aesthetic symbolization in Mies' formalistic architecture
The International Style: Gropius, Bauhaus, and the factory aesthetic
The Bauhaus building in Dessau
Late works by Gropius
Formalism and classicism in American federal and corporate International Style
The International Style: Le Corbusier and Purism
Les Quartiers Modernes Fruges in Pessac
The white, cubist aesthetic of the villas of Loos and Le Corbusier
Le Corbusier's late works and the Brutalism of beton brut
Unite d'habitation in Marseille
Notre-Dame-du-Haut at Ronchamp
The imprint of Brutalism on late modernism
Frank Lloyd Wright and organic modernism
Late works by Wright
Fallingwater
From Alvar Aalto to the notion of another modernism
Chapter 7: Conclusion
The hegemony of exemplification in modern architectural praxis
The architecture of formalism: symbolic rather than silent
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Nelson Goodman;modern architecture;Modern Movement;formalism;minimalism;aesthetics;Charles Jencks;Robert Venturi;Denise Scott Brown;Peter Blake;Walter Gropius;Ludwig Mies van der Rohe;Le Corbusier;Frank Lloyd Wright;Alvar Aalto
Acknowledgements
List of Figures
Chapter 1: Introduction
Reckoning with the critique of modern architecture
A Goodmanian take on modern architecture and its critiques
Defining the object of study
Problems of demarcation
The ideological basis for modern architecture in functionalist theory
Current research into the praxis of modern architecture
Chapter 2: Applying Goodman's aesthetic theory to architecture
Aesthetics and cognition
Aesthetics and language
Goodman as nominalist
Right or wrong rather than true or false
When does architecture take place? Goodman's rejection of competing theories
Languages of Art
Symbol systems and symbol schemes
Syntactic and semantic, notation, digital and analog
Imperfect notational systems: Notational schemes
Allographic, autographic and the steps of the design process
Notational approaches: Score and script
Notation and mixed symbol systems in architecture
Denotation
Fictitious denotation
Exemplification
Exemplification in modern architecture
Expression (metaphorical exemplification)
Feelings or moods?
Complex and mediate modes of reference: Allusion, variation, style
Allusion
Variation
Style
Chapter 3: Symbolization in pre-modern architecture
Renaissance architecture
Mannerist architecture
Baroque architecture
Rococo architecture
Neoclassical architecture
Romanticist impulses
Historicist architecture
Chapter 4: Symbolization in the early phases of modern architecture
The Chicago School
Wainwright Building
Art Nouveau, Jugendstil, Wiener Secession, and Catalan Modernisme
Maison Coilliot
Maison Horta
Majolikahaus
Casa Mila
Willow Tearooms
Adolf Loos
Looshaus
Expressionist architecture
Het Schip
Einsteinturm
Glass architecture
Chapter 5: The aesthetic implications of the critique of modern architecture
The International Style exhibition in 1932 as a compass
The aesthetically oriented critique of modern architecture, circa 1970
Chapter 6: Symbolization in modern architecture
The International Style: Mies van der Rohe and the minimalism of glass and steel
Illinois Institute of Technology
General means of aesthetic symbolization in Mies' formalistic architecture
The International Style: Gropius, Bauhaus, and the factory aesthetic
The Bauhaus building in Dessau
Late works by Gropius
Formalism and classicism in American federal and corporate International Style
The International Style: Le Corbusier and Purism
Les Quartiers Modernes Fruges in Pessac
The white, cubist aesthetic of the villas of Loos and Le Corbusier
Le Corbusier's late works and the Brutalism of beton brut
Unite d'habitation in Marseille
Notre-Dame-du-Haut at Ronchamp
The imprint of Brutalism on late modernism
Frank Lloyd Wright and organic modernism
Late works by Wright
Fallingwater
From Alvar Aalto to the notion of another modernism
Chapter 7: Conclusion
The hegemony of exemplification in modern architectural praxis
The architecture of formalism: symbolic rather than silent
Bibliography
Index
List of Figures
Chapter 1: Introduction
Reckoning with the critique of modern architecture
A Goodmanian take on modern architecture and its critiques
Defining the object of study
Problems of demarcation
The ideological basis for modern architecture in functionalist theory
Current research into the praxis of modern architecture
Chapter 2: Applying Goodman's aesthetic theory to architecture
Aesthetics and cognition
Aesthetics and language
Goodman as nominalist
Right or wrong rather than true or false
When does architecture take place? Goodman's rejection of competing theories
Languages of Art
Symbol systems and symbol schemes
Syntactic and semantic, notation, digital and analog
Imperfect notational systems: Notational schemes
Allographic, autographic and the steps of the design process
Notational approaches: Score and script
Notation and mixed symbol systems in architecture
Denotation
Fictitious denotation
Exemplification
Exemplification in modern architecture
Expression (metaphorical exemplification)
Feelings or moods?
Complex and mediate modes of reference: Allusion, variation, style
Allusion
Variation
Style
Chapter 3: Symbolization in pre-modern architecture
Renaissance architecture
Mannerist architecture
Baroque architecture
Rococo architecture
Neoclassical architecture
Romanticist impulses
Historicist architecture
Chapter 4: Symbolization in the early phases of modern architecture
The Chicago School
Wainwright Building
Art Nouveau, Jugendstil, Wiener Secession, and Catalan Modernisme
Maison Coilliot
Maison Horta
Majolikahaus
Casa Mila
Willow Tearooms
Adolf Loos
Looshaus
Expressionist architecture
Het Schip
Einsteinturm
Glass architecture
Chapter 5: The aesthetic implications of the critique of modern architecture
The International Style exhibition in 1932 as a compass
The aesthetically oriented critique of modern architecture, circa 1970
Chapter 6: Symbolization in modern architecture
The International Style: Mies van der Rohe and the minimalism of glass and steel
Illinois Institute of Technology
General means of aesthetic symbolization in Mies' formalistic architecture
The International Style: Gropius, Bauhaus, and the factory aesthetic
The Bauhaus building in Dessau
Late works by Gropius
Formalism and classicism in American federal and corporate International Style
The International Style: Le Corbusier and Purism
Les Quartiers Modernes Fruges in Pessac
The white, cubist aesthetic of the villas of Loos and Le Corbusier
Le Corbusier's late works and the Brutalism of beton brut
Unite d'habitation in Marseille
Notre-Dame-du-Haut at Ronchamp
The imprint of Brutalism on late modernism
Frank Lloyd Wright and organic modernism
Late works by Wright
Fallingwater
From Alvar Aalto to the notion of another modernism
Chapter 7: Conclusion
The hegemony of exemplification in modern architectural praxis
The architecture of formalism: symbolic rather than silent
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.