Musical Scenes and Social Class
portes grátis
Musical Scenes and Social Class
Debating Punk and Metal
Guibert, Gerome; Garbaye, Romain
Springer International Publishing AG
07/2024
240
Dura
9783031565052
15 a 20 dias
Descrição não disponível.
1.Romain Garbaye and Gerome Guibert, Universite Sorbonne Nouvelle.- Introduction : social class, punk and metalClass domination and class agency.- 2.Andy Brown, independent researcher : Resistance Through Music.- Exploring the role of class fraction appropriations and alliances in the subcultural formation of heavy metal, classic, post and present.- _3 .Deirdre Gilfedder, Universite? Paris-Dauphine : The early punk scene in Brisbane, Australia as site of social and postcolonial.- 4. Jeremy Tranmer, Universite de Lorraine: "Victory to the Miners!" Punk and the Miners' Strike of 1984/85.- Subcultures, sub-genres and social class.- 5.Timothy Heron, Universite de Strasbourg : '"Rotting in the suburbs" ? Voicing Working-Class Deprivation in 1970s Northern Ireland Punk Songs.- 6.Guillaume Clement, Universite de Rennes : Working-class and middle-class in the age of Brexit: social commentary by contemporary post-punk bands.- 7. Eric Smialek, Huddersfield University : Mapping Social-Class Divisions within Metal: Global Material Conditions, Disciplinary Priorities, Subgeneric Trends, and Stylistic Analyses.- Evolving audiences : ageing, gentrification, feminization?.- 8. Pierig Humeau, Universite? de Limoges : << We're dominated, So What" ? We Don't Give a F**k : Punk Stylistic Spaces, Social Classes and Political-artistic Ageing" inFrance.- 9.Rosemary Lucy Hill, Huddersfield University, Molly Megson, University of Hull, and David Hesmondhalgh, University of Leeds : Sexual Violence in the Pit.- 10. Corentin Charbonnier, Universite? de Tours : Gentrifying metal ? The Evolving Gender and Social Class characteristics of Metal Festival Audiences : A Statistical Study of the HellfestFestival (France).- 11.Charle?ne Be?nard, Universite Sorbonne Nouvelle: Who listens to << metal for girls >> ? Metal, orchestra and female voices: measuring the reception of symphonic metal.
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punk;Britain;France;metal;social class
1.Romain Garbaye and Gerome Guibert, Universite Sorbonne Nouvelle.- Introduction : social class, punk and metalClass domination and class agency.- 2.Andy Brown, independent researcher : Resistance Through Music.- Exploring the role of class fraction appropriations and alliances in the subcultural formation of heavy metal, classic, post and present.- _3 .Deirdre Gilfedder, Universite? Paris-Dauphine : The early punk scene in Brisbane, Australia as site of social and postcolonial.- 4. Jeremy Tranmer, Universite de Lorraine: "Victory to the Miners!" Punk and the Miners' Strike of 1984/85.- Subcultures, sub-genres and social class.- 5.Timothy Heron, Universite de Strasbourg : '"Rotting in the suburbs" ? Voicing Working-Class Deprivation in 1970s Northern Ireland Punk Songs.- 6.Guillaume Clement, Universite de Rennes : Working-class and middle-class in the age of Brexit: social commentary by contemporary post-punk bands.- 7. Eric Smialek, Huddersfield University : Mapping Social-Class Divisions within Metal: Global Material Conditions, Disciplinary Priorities, Subgeneric Trends, and Stylistic Analyses.- Evolving audiences : ageing, gentrification, feminization?.- 8. Pierig Humeau, Universite? de Limoges : << We're dominated, So What" ? We Don't Give a F**k : Punk Stylistic Spaces, Social Classes and Political-artistic Ageing" inFrance.- 9.Rosemary Lucy Hill, Huddersfield University, Molly Megson, University of Hull, and David Hesmondhalgh, University of Leeds : Sexual Violence in the Pit.- 10. Corentin Charbonnier, Universite? de Tours : Gentrifying metal ? The Evolving Gender and Social Class characteristics of Metal Festival Audiences : A Statistical Study of the HellfestFestival (France).- 11.Charle?ne Be?nard, Universite Sorbonne Nouvelle: Who listens to << metal for girls >> ? Metal, orchestra and female voices: measuring the reception of symphonic metal.
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