Music in Twin Peaks
portes grátis
Music in Twin Peaks
Listen to the Sounds
Wissner, Reba; Reed, Katherine
Taylor & Francis Ltd
05/2021
242
Dura
Inglês
9780367423131
15 a 20 dias
476
Descrição não disponível.
Introduction
1 Pitching the Peaks: Media Advertising for the Original Series
James Deaville
2 "Listen to the Sounds": Fan Engagement with the Soundtrack of Twin Peaks: The Return (2017)
Jessica Getman
3 Where Music is Always in the Air: Voice and Nostalgia in Twin Peaks
Brooke McCorkle Okazaki
4 The Bang Bang Bar, Silencio, and Lynch's Audiences: Meaning and Musical Performance in Twin Peaks: The Return
Katherine M. Reed
5 The Music is Not What It Seems: An Examination of Labor and Capital in the Music of Twin Peaks: The Return
Martha Schulenburg
6 "Singer"; "Girl Singer"; "Roadhouse Singer"; "Herself": Julee Cruise in the World of Twin Peaks
David Sweeney
7 "The Thread Will Be Torn": Sound Design as a Measure of Self-Knowledge in Twin Peaks: Fire Walk With Me
Andrew Burt
8 Sound Design, Music, and The Birth of Evil in Twin Peaks: The Return
Kingsley Marshall and Rupert Loydell
9 "What is Gordon Cole Listening To?": The Rhetoric of Subjective Sound in Twin Peaks: The Return
Zeynep Toraman
10 David Lynch's Metaphysical Sound Design: The Acousmatic Personification of Judy
Steven Wilson
11 Americana on the Internet: Listening to Twin Peaks
William Weston Bennett
12 "Like Some Haunting Melody": The Laura Palmer Theme in the World of Twin Peaks
Andrew Kohler
13 Listen to the Skins: Drumming and Time in Twin Peaks
Kai West
14 Chaos and Creation: Music, Redemption, and the Atomic Bomb in Twin Peaks: The Return
Reba A. Wissner
1 Pitching the Peaks: Media Advertising for the Original Series
James Deaville
2 "Listen to the Sounds": Fan Engagement with the Soundtrack of Twin Peaks: The Return (2017)
Jessica Getman
3 Where Music is Always in the Air: Voice and Nostalgia in Twin Peaks
Brooke McCorkle Okazaki
4 The Bang Bang Bar, Silencio, and Lynch's Audiences: Meaning and Musical Performance in Twin Peaks: The Return
Katherine M. Reed
5 The Music is Not What It Seems: An Examination of Labor and Capital in the Music of Twin Peaks: The Return
Martha Schulenburg
6 "Singer"; "Girl Singer"; "Roadhouse Singer"; "Herself": Julee Cruise in the World of Twin Peaks
David Sweeney
7 "The Thread Will Be Torn": Sound Design as a Measure of Self-Knowledge in Twin Peaks: Fire Walk With Me
Andrew Burt
8 Sound Design, Music, and The Birth of Evil in Twin Peaks: The Return
Kingsley Marshall and Rupert Loydell
9 "What is Gordon Cole Listening To?": The Rhetoric of Subjective Sound in Twin Peaks: The Return
Zeynep Toraman
10 David Lynch's Metaphysical Sound Design: The Acousmatic Personification of Judy
Steven Wilson
11 Americana on the Internet: Listening to Twin Peaks
William Weston Bennett
12 "Like Some Haunting Melody": The Laura Palmer Theme in the World of Twin Peaks
Andrew Kohler
13 Listen to the Skins: Drumming and Time in Twin Peaks
Kai West
14 Chaos and Creation: Music, Redemption, and the Atomic Bomb in Twin Peaks: The Return
Reba A. Wissner
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Twin Peaks;Fireman;David Lynch;Fire Walk;television studies;Vice Versa;media studies;Black Lodge;television music;Lynch's Work;screen music;Red Lodge;soundtrack;Blue Velvet;film music;Sound Design;soundtrack studies;Fantastical Gap;Twin Peaks music;Golden Orb;Twin Peaks score;Show's Soundtrack;Fire Walk With Me;Lost Highway;Pre-existing Music;music and the moving image;Diegetic Sound;Laura Palmer;Del Rio;Fan Engagement;Musical style;Television Promos;Fannish play;Flexible Touch;Film studies;Ziggy Stardust;World Spins;Acousmatic Voice;Pop Star;Screen Promotion;Solo Percussion
Introduction
1 Pitching the Peaks: Media Advertising for the Original Series
James Deaville
2 "Listen to the Sounds": Fan Engagement with the Soundtrack of Twin Peaks: The Return (2017)
Jessica Getman
3 Where Music is Always in the Air: Voice and Nostalgia in Twin Peaks
Brooke McCorkle Okazaki
4 The Bang Bang Bar, Silencio, and Lynch's Audiences: Meaning and Musical Performance in Twin Peaks: The Return
Katherine M. Reed
5 The Music is Not What It Seems: An Examination of Labor and Capital in the Music of Twin Peaks: The Return
Martha Schulenburg
6 "Singer"; "Girl Singer"; "Roadhouse Singer"; "Herself": Julee Cruise in the World of Twin Peaks
David Sweeney
7 "The Thread Will Be Torn": Sound Design as a Measure of Self-Knowledge in Twin Peaks: Fire Walk With Me
Andrew Burt
8 Sound Design, Music, and The Birth of Evil in Twin Peaks: The Return
Kingsley Marshall and Rupert Loydell
9 "What is Gordon Cole Listening To?": The Rhetoric of Subjective Sound in Twin Peaks: The Return
Zeynep Toraman
10 David Lynch's Metaphysical Sound Design: The Acousmatic Personification of Judy
Steven Wilson
11 Americana on the Internet: Listening to Twin Peaks
William Weston Bennett
12 "Like Some Haunting Melody": The Laura Palmer Theme in the World of Twin Peaks
Andrew Kohler
13 Listen to the Skins: Drumming and Time in Twin Peaks
Kai West
14 Chaos and Creation: Music, Redemption, and the Atomic Bomb in Twin Peaks: The Return
Reba A. Wissner
1 Pitching the Peaks: Media Advertising for the Original Series
James Deaville
2 "Listen to the Sounds": Fan Engagement with the Soundtrack of Twin Peaks: The Return (2017)
Jessica Getman
3 Where Music is Always in the Air: Voice and Nostalgia in Twin Peaks
Brooke McCorkle Okazaki
4 The Bang Bang Bar, Silencio, and Lynch's Audiences: Meaning and Musical Performance in Twin Peaks: The Return
Katherine M. Reed
5 The Music is Not What It Seems: An Examination of Labor and Capital in the Music of Twin Peaks: The Return
Martha Schulenburg
6 "Singer"; "Girl Singer"; "Roadhouse Singer"; "Herself": Julee Cruise in the World of Twin Peaks
David Sweeney
7 "The Thread Will Be Torn": Sound Design as a Measure of Self-Knowledge in Twin Peaks: Fire Walk With Me
Andrew Burt
8 Sound Design, Music, and The Birth of Evil in Twin Peaks: The Return
Kingsley Marshall and Rupert Loydell
9 "What is Gordon Cole Listening To?": The Rhetoric of Subjective Sound in Twin Peaks: The Return
Zeynep Toraman
10 David Lynch's Metaphysical Sound Design: The Acousmatic Personification of Judy
Steven Wilson
11 Americana on the Internet: Listening to Twin Peaks
William Weston Bennett
12 "Like Some Haunting Melody": The Laura Palmer Theme in the World of Twin Peaks
Andrew Kohler
13 Listen to the Skins: Drumming and Time in Twin Peaks
Kai West
14 Chaos and Creation: Music, Redemption, and the Atomic Bomb in Twin Peaks: The Return
Reba A. Wissner
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Twin Peaks;Fireman;David Lynch;Fire Walk;television studies;Vice Versa;media studies;Black Lodge;television music;Lynch's Work;screen music;Red Lodge;soundtrack;Blue Velvet;film music;Sound Design;soundtrack studies;Fantastical Gap;Twin Peaks music;Golden Orb;Twin Peaks score;Show's Soundtrack;Fire Walk With Me;Lost Highway;Pre-existing Music;music and the moving image;Diegetic Sound;Laura Palmer;Del Rio;Fan Engagement;Musical style;Television Promos;Fannish play;Flexible Touch;Film studies;Ziggy Stardust;World Spins;Acousmatic Voice;Pop Star;Screen Promotion;Solo Percussion
