Mughal Occidentalism

Mughal Occidentalism

Artistic Encounters between Europe and Asia at the Courts of India, 1580-1630

Natif, Mika

Brill

11/2024

310

Mole

9789004699786

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Acknowledgments

List of Illustrations

Abbreviations and Conventions



Introduction

?Brief Historical Background

?Defining Mughal Occidentalism

?Christian and European Elements in Islamic Art

?Organization of the Book



1 Mughal Tolerance and the Encounters with Europe

?Religious Tolerance under Akbar and Jahangir

?Mughals and Europeans: The Encounters

?The Challenge of Primary Sources

?Diplomatic Gifts and "Special" Christian Articles

?The Mughal Elite and Pictures of Mary and Jesus



2 Mughal Masters and European Art: Tradition and Innovation at the Royal Workshops

?Copying and Innovation at the Imperial Workshops

?Repurposing the European Masters



3 European Articles in Mughal Painting

?European Prints in Mughal Albums

?Visualizing European Articles in Mughal Painting

?The Organ: Plato Making Music



4 Landscape Painting as Mughal Allegory: Micro-Architecture, Perspective and ?ul?-i kull

?The Mughal Interest in Topography

?Chronology of Change in Landscape Representation

?Images of Urbanism and Agriculture: Diversity and Prosperity

?The Virtuous City and the Circle of Justice

?European Techniques: Sfumato and Atmospheric Perspective


5 Concepts of Portraiture under Akbar and Jahangir

?Mughal Terminology and Praxis

?Form, Essence, and Physiognomy
?The Politics of Portraiture
Epilogue

Bibliography

Index
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