Moralizing the Italian Marvellous in Early Modern England

Moralizing the Italian Marvellous in Early Modern England

Fuga, Beatrice; Petrina, Alessandra

Taylor & Francis Ltd

11/2024

234

Dura

9781032526751

Pré-lançamento - envio 15 a 20 dias após a sua edição

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List of Contributors

1. Introduction: the taming of the mirabile

Beatrice Fuga

Section 1: The moralization of tragedy

2. George Turberville and the politics of tragedy, power and love in the Tragical Tales (1574)

Alice Equestri

3. 'States in woe' and 'wretched wights': George Turberville's Tragical Tales and the Italian novelle

Flavia Palma

4. Geoffrey Fenton and 'the Italian manner': moralizing Bandello, exoticizing Italy

Luigi Marfe

Section 2: Moralizing custom

5. Urbino Englished: Castiglione in unfamiliar clime

Francisco Nahoe

6. 'Polished and filed according to the right sence of the author': domesticating Leonardo Fioravanti's Il reggimento della peste in Elizabethan England

Luca Baratta

Section 3: From Orlando to Othello

7. Reverberations of Rodomonte in and around Othello

Richard Hillman

8. 'The immortal part': Othello, Giraldi Cinzio's novella, and the power of words

Alessandra Petrina

9. Charlotte Lennox as translator and critic: feminine subjectivity and Italian identity in Giraldi Cinzio's Gli Ecatommiti and Shakespeare's Othello

Kiawna Brewster

Section 4: Moralizing Women

10. Appropriating morality: the tale of Ghismonda and the English Decameron

Elena Spinelli

11. Anne Geoffroy

'What followed it were folly to describe': representing Venice in William Painter's Palace of Pleasure (1566) and the poetics of edification

12. Resounding fame in Matteo Bandello's Novelle (1554) and Geoffrey Fenton's Tragicall Discourses (1567)

Beatrice Fuga

Index
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Translation;Early Modern England;Italian Renaissance;Moralization;Italian novella