Migrations, Arts and Postcoloniality in the Mediterranean

Introduction



Part One: Frames



Spaces and Borders, Transits and Repositioning










The Geography of Barriers and the Politics of Patrol







Border-crossings: Feminisms and the Bodies of Knowledge







Differencing the Canon: The Autobiography of Becoming







Collage Poetics and the Art of the Relations






Part Two: Narrations



Transcultural Memories and Migrations










The Postcolonial Art and The World-Museum







Lampedusa: a Living Archive of Modernity







The Fluid (Auto)biography of Zineb Sedira







Ursula Biemann's Videocartography and the Ecology of Art







The Matri-Archive of the Mediterranean






Part Three: Installations



Heritage, Belonging and Out-of-Place Legacies










Lara Baladi's Heterotopic Landscapes







Mona Hatoum's Displacing Maps







Emily Jacir's Reconfigured Properties and Identities







Kader Attia and Walid Raad's Reappropriations






Bibliography

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• História da Arte e estilos do design: desde ~ 1900
• Museus e museologia
• Migração de imigração, emigração e
• História da Europa
• Colonialismo, imperialismo e
• Estudos cultirais

Zineb Sedira;Museum Fridericianum;Mediterranean region;Space Confined;Mediterranean Sea;Dakar Biennial;transcultural;Defensive Strategy;contemporary art;Emily Jacir;contemporary art practice;Common Language;museum studies;Contemporary Society;migration;Catherine De Zegher;migrants;Ursula Biemann;exile;Roland Barthes's Semiology;diaspora;Cultural Reappropriation;transnationality;Transcultural Memory;curatorial studies;Hybrid Ecology;archives;Egyptian Chemistry;memory;Incessant Re-creation;postcolonial;Ontological Slippage;postcolonialism;Mona Hatoum;colonialism;Monoculturalist Culture;gender studies;Living Archive;feminism;Female Aesthetics;heritage;Europe;digital technology;nationalism;Occidental;borders;transit;movement;geography;feminist art history;feminist theory;feminist aesthetics;Algeria;Lampedusa;Lara Baladi;Lebanon;Egypt;Palestine;Walid Raad;Kader Attia;Middle East