Literary and Cultural Alternatives to Modernism

Introduction: Alternatives to Modernism: Dissonant Voices and Multiple Modernities 1890-1939

Kostas Boyiopoulos, Anthony Patterson, Mark Sandy

PART 1

Unsettled Voices: Imaginative and Cultural Encounters






Rhetoric and Feeling in Rupert Brooke
Andrew Hodgson




Strange Truths: Romantic Reimaginings in Wilfred Owen and Siegfried Sassoon
Mark Sandy




'Now I Climb Alone': Poetic Subjectivity in Thomas Hardy, Edward Thomas and Stephen Spender
Michael O'Neill

PART 2

Dissenting Voices: Aestheticism, Gender, and the Art of Identity






Pamela Colman Smith, Anansi and the Child: From The Green Sheaf (1903) to The Anti-Suffrage Alphabet (1912)
Katharine Cockin




Maverick Modernists: Sapphic Trajectories from Vernon Lee to D. H. Lawrence
Sondeep Kandola




'Modernistic Shone the Lamplight': Arthur Symons among the Moderns
Kostas Boyiopoulos




Richard Le Gallienne: A Jongleur Strayed into the Modern World
Margaret D. Stetz



PART 3





Double Voices: Central and Peripheral Transactions






'If I'm Not Very Careful, Something of This Kind May Happen To Me!': The Preordained Role of the Reader in M.R. James's Ghost Stories
Luke Seaber




A Large Mouth Shown to a Dentist: G. K. Chesterton's Surgical Parodying of T. S. Eliot
Michael Shallcross




Modernist or Realist?: The Double Vision of E. M. Forster
Kate Symondson




The Amateur Modernist: C. L. R. James in Bloomsbury
Saikat Majumdar

PART 4

Popular Voices: Questions of Realism, Politics, and Modernity




The Iconoclasm of H. G. Wells and the Modernist Canon
Carey Snyder




Writing for a New Age: Arnold Bennett and the Avant-Garde
Anthony Patterson




Parade's End and the Modernist Legacy of Nineteenth-Century Literary Toryism

Koenraad Claes

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• Estudos literários: desde ~ 1900
• Estudos literários: c 1800 a c 1900

Young Man;Du Mal;t.s. elliot;Le Gallienne;virginia woolf;Horror Movie;literary experimentation;De La Gardie;realism;Richard Le Gallienne;Victorian Realism;Ford Madox Ford's Parade;Aestheticism;Parade's End;fiction;La La La;lyric poetry;Hugh Selwyn Mauberley;Symbolist drama;Sapphic Modernists;critical essay;Canon Alberic's Scrap Book;heroic fantasy;Forster's Writing;epistolary writing;Green Sheaf;parody;Brooke's Poems;detective fiction;White Peacock;painting;Parsley Stalk;avant garde;Psychological Aesthetics;1890's;Charles Garvice;Woolfian;York Verse;war;Brooklyn Bridge;Wells;WSPU Colour;Bennett;Eliot's Early Work;E.M. Forster;Women's National Anti-Suffrage League;fin-de-siecle;Ghost Stories