Japanese Art - Transcultural Perspectives
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Japanese Art - Transcultural Perspectives
Trede, Melanie; Guth, Christine; Wakita, Mio
Brill
11/2024
Dura
9789004337701
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Acknowledgments
List of Figures
List of Tables
Notes on Contributors
Notes to Reader
Japanese Art: Transcultural Perspectives
?Melanie Trede, Mio Wakita and ChristineM.E. Guth
Part1 Methodologies, Texts, and Discourses
Commentary
?Monica Juneja
1 The Origin of Species and the Rise of World Art History: Ernst Grosse's Encounter with the Beginnings of Art
?Ingeborg Reichle
2 Inverting the Cultural Order: Naito Konan and East Asian Art History
?Tamaki Maeda
3 Artifactual Hybridity and the Dynamics of Global Integration
?ChristineM.E. Guth
4 A View of the Avant-Garde from Postwar Japanese Calligraphy
?Eugenia Bogdanova-Kummer
5 How to Build a World Art History on Stones: Robert Smithson, Horikawa Michio, and 1960s Art in Japan
?Reiko Tomii
Part2 Images, Imaginations, and Visions: Japan and Beyond
Commentary
?Bernd Schneidmueller
6 The Uncultured in the Photography of Miyamoto Tsuneichi: Its Historical Complexity and Affective Dimension
?Michio Hayashi
7 Stripes and Feathers: Trade and the Spatial Imaginary in Late Seventeenth-Century Japan
?Radu Leca
8 Japan, Cartography, and the Art of World-Making
?D.Max Moerman
9 The World of Mount Sumeru Diagrams: Representations and Discourses
?Komine Kazuaki
Part3 Artifacts and Materialities
Commentary
?Craig Clunas
10 Japanese Export Porcelain for the Chinese and Korean Markets in the Meiji Period
?Maezaki Shinya
11 Lacquerware as a Global Commodity: Distribution and Imitation of Maki-e
?Hidaka Kaori with Sono Yuan Werhahn
12 Mediating Tradition: Japanese Copperplate Printing and Art Reproduction in 1880s Shanghai
?Lai Yu-chih
13 Asahi Gyokuzan: Defining Sculpture in an Age of Change
?Martha Chaiklin
14 Gao Jianfu's Aesthetic of Dilapidation: Modern Chinese Visuality and Its Relations to Japan and the Stele School
?AidaYuen Wong
15 Fields of Contested Vision and Materiality: Globetrotter Tourism, Living Dolls, and Meiji Souvenir Photography
?Mio Wakita
16 A World Somewhere between the New World and Asia
?Sofia Sanabrais
Part4 Collecting and Display: Authority and Eccentricity of Japanese Art in Transcultural Fields
Commentary
?Noriko Murai
17 Comparing East and West: The Collections of Enrico Cernuschi
?Silvia Davoli
18 Hayashi Tadamasa, Art Historian, Collector, and Dealer: Negotiating the Concept of "Fine Arts" in Europe and "Bijutsu" in Japan
?Yamanashi Emiko
19 Collecting and Exhibiting Japanese Art in the German Empire (1871-1918)
?Doris Croissant
20 An Evolving Appreciation of Japanese Premodern Art
The 1910 Japan-British Exhibition in London and the 1939 Exhibition of Old Japanese Art in Berlin
?Yasumatsu Miyuki
21 Exhibiting Manga, Representing "Japan"
?Jaqueline Berndt
22 Ganbare, Nippon: Curator's Notes for the Japan Pavilion at the Venice Biennale-A Map of the World
?Kuraya Mika
Index
List of Figures
List of Tables
Notes on Contributors
Notes to Reader
Japanese Art: Transcultural Perspectives
?Melanie Trede, Mio Wakita and ChristineM.E. Guth
Part1 Methodologies, Texts, and Discourses
Commentary
?Monica Juneja
1 The Origin of Species and the Rise of World Art History: Ernst Grosse's Encounter with the Beginnings of Art
?Ingeborg Reichle
2 Inverting the Cultural Order: Naito Konan and East Asian Art History
?Tamaki Maeda
3 Artifactual Hybridity and the Dynamics of Global Integration
?ChristineM.E. Guth
4 A View of the Avant-Garde from Postwar Japanese Calligraphy
?Eugenia Bogdanova-Kummer
5 How to Build a World Art History on Stones: Robert Smithson, Horikawa Michio, and 1960s Art in Japan
?Reiko Tomii
Part2 Images, Imaginations, and Visions: Japan and Beyond
Commentary
?Bernd Schneidmueller
6 The Uncultured in the Photography of Miyamoto Tsuneichi: Its Historical Complexity and Affective Dimension
?Michio Hayashi
7 Stripes and Feathers: Trade and the Spatial Imaginary in Late Seventeenth-Century Japan
?Radu Leca
8 Japan, Cartography, and the Art of World-Making
?D.Max Moerman
9 The World of Mount Sumeru Diagrams: Representations and Discourses
?Komine Kazuaki
Part3 Artifacts and Materialities
Commentary
?Craig Clunas
10 Japanese Export Porcelain for the Chinese and Korean Markets in the Meiji Period
?Maezaki Shinya
11 Lacquerware as a Global Commodity: Distribution and Imitation of Maki-e
?Hidaka Kaori with Sono Yuan Werhahn
12 Mediating Tradition: Japanese Copperplate Printing and Art Reproduction in 1880s Shanghai
?Lai Yu-chih
13 Asahi Gyokuzan: Defining Sculpture in an Age of Change
?Martha Chaiklin
14 Gao Jianfu's Aesthetic of Dilapidation: Modern Chinese Visuality and Its Relations to Japan and the Stele School
?AidaYuen Wong
15 Fields of Contested Vision and Materiality: Globetrotter Tourism, Living Dolls, and Meiji Souvenir Photography
?Mio Wakita
16 A World Somewhere between the New World and Asia
?Sofia Sanabrais
Part4 Collecting and Display: Authority and Eccentricity of Japanese Art in Transcultural Fields
Commentary
?Noriko Murai
17 Comparing East and West: The Collections of Enrico Cernuschi
?Silvia Davoli
18 Hayashi Tadamasa, Art Historian, Collector, and Dealer: Negotiating the Concept of "Fine Arts" in Europe and "Bijutsu" in Japan
?Yamanashi Emiko
19 Collecting and Exhibiting Japanese Art in the German Empire (1871-1918)
?Doris Croissant
20 An Evolving Appreciation of Japanese Premodern Art
The 1910 Japan-British Exhibition in London and the 1939 Exhibition of Old Japanese Art in Berlin
?Yasumatsu Miyuki
21 Exhibiting Manga, Representing "Japan"
?Jaqueline Berndt
22 Ganbare, Nippon: Curator's Notes for the Japan Pavilion at the Venice Biennale-A Map of the World
?Kuraya Mika
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Acknowledgments
List of Figures
List of Tables
Notes on Contributors
Notes to Reader
Japanese Art: Transcultural Perspectives
?Melanie Trede, Mio Wakita and ChristineM.E. Guth
Part1 Methodologies, Texts, and Discourses
Commentary
?Monica Juneja
1 The Origin of Species and the Rise of World Art History: Ernst Grosse's Encounter with the Beginnings of Art
?Ingeborg Reichle
2 Inverting the Cultural Order: Naito Konan and East Asian Art History
?Tamaki Maeda
3 Artifactual Hybridity and the Dynamics of Global Integration
?ChristineM.E. Guth
4 A View of the Avant-Garde from Postwar Japanese Calligraphy
?Eugenia Bogdanova-Kummer
5 How to Build a World Art History on Stones: Robert Smithson, Horikawa Michio, and 1960s Art in Japan
?Reiko Tomii
Part2 Images, Imaginations, and Visions: Japan and Beyond
Commentary
?Bernd Schneidmueller
6 The Uncultured in the Photography of Miyamoto Tsuneichi: Its Historical Complexity and Affective Dimension
?Michio Hayashi
7 Stripes and Feathers: Trade and the Spatial Imaginary in Late Seventeenth-Century Japan
?Radu Leca
8 Japan, Cartography, and the Art of World-Making
?D.Max Moerman
9 The World of Mount Sumeru Diagrams: Representations and Discourses
?Komine Kazuaki
Part3 Artifacts and Materialities
Commentary
?Craig Clunas
10 Japanese Export Porcelain for the Chinese and Korean Markets in the Meiji Period
?Maezaki Shinya
11 Lacquerware as a Global Commodity: Distribution and Imitation of Maki-e
?Hidaka Kaori with Sono Yuan Werhahn
12 Mediating Tradition: Japanese Copperplate Printing and Art Reproduction in 1880s Shanghai
?Lai Yu-chih
13 Asahi Gyokuzan: Defining Sculpture in an Age of Change
?Martha Chaiklin
14 Gao Jianfu's Aesthetic of Dilapidation: Modern Chinese Visuality and Its Relations to Japan and the Stele School
?AidaYuen Wong
15 Fields of Contested Vision and Materiality: Globetrotter Tourism, Living Dolls, and Meiji Souvenir Photography
?Mio Wakita
16 A World Somewhere between the New World and Asia
?Sofia Sanabrais
Part4 Collecting and Display: Authority and Eccentricity of Japanese Art in Transcultural Fields
Commentary
?Noriko Murai
17 Comparing East and West: The Collections of Enrico Cernuschi
?Silvia Davoli
18 Hayashi Tadamasa, Art Historian, Collector, and Dealer: Negotiating the Concept of "Fine Arts" in Europe and "Bijutsu" in Japan
?Yamanashi Emiko
19 Collecting and Exhibiting Japanese Art in the German Empire (1871-1918)
?Doris Croissant
20 An Evolving Appreciation of Japanese Premodern Art
The 1910 Japan-British Exhibition in London and the 1939 Exhibition of Old Japanese Art in Berlin
?Yasumatsu Miyuki
21 Exhibiting Manga, Representing "Japan"
?Jaqueline Berndt
22 Ganbare, Nippon: Curator's Notes for the Japan Pavilion at the Venice Biennale-A Map of the World
?Kuraya Mika
Index
List of Figures
List of Tables
Notes on Contributors
Notes to Reader
Japanese Art: Transcultural Perspectives
?Melanie Trede, Mio Wakita and ChristineM.E. Guth
Part1 Methodologies, Texts, and Discourses
Commentary
?Monica Juneja
1 The Origin of Species and the Rise of World Art History: Ernst Grosse's Encounter with the Beginnings of Art
?Ingeborg Reichle
2 Inverting the Cultural Order: Naito Konan and East Asian Art History
?Tamaki Maeda
3 Artifactual Hybridity and the Dynamics of Global Integration
?ChristineM.E. Guth
4 A View of the Avant-Garde from Postwar Japanese Calligraphy
?Eugenia Bogdanova-Kummer
5 How to Build a World Art History on Stones: Robert Smithson, Horikawa Michio, and 1960s Art in Japan
?Reiko Tomii
Part2 Images, Imaginations, and Visions: Japan and Beyond
Commentary
?Bernd Schneidmueller
6 The Uncultured in the Photography of Miyamoto Tsuneichi: Its Historical Complexity and Affective Dimension
?Michio Hayashi
7 Stripes and Feathers: Trade and the Spatial Imaginary in Late Seventeenth-Century Japan
?Radu Leca
8 Japan, Cartography, and the Art of World-Making
?D.Max Moerman
9 The World of Mount Sumeru Diagrams: Representations and Discourses
?Komine Kazuaki
Part3 Artifacts and Materialities
Commentary
?Craig Clunas
10 Japanese Export Porcelain for the Chinese and Korean Markets in the Meiji Period
?Maezaki Shinya
11 Lacquerware as a Global Commodity: Distribution and Imitation of Maki-e
?Hidaka Kaori with Sono Yuan Werhahn
12 Mediating Tradition: Japanese Copperplate Printing and Art Reproduction in 1880s Shanghai
?Lai Yu-chih
13 Asahi Gyokuzan: Defining Sculpture in an Age of Change
?Martha Chaiklin
14 Gao Jianfu's Aesthetic of Dilapidation: Modern Chinese Visuality and Its Relations to Japan and the Stele School
?AidaYuen Wong
15 Fields of Contested Vision and Materiality: Globetrotter Tourism, Living Dolls, and Meiji Souvenir Photography
?Mio Wakita
16 A World Somewhere between the New World and Asia
?Sofia Sanabrais
Part4 Collecting and Display: Authority and Eccentricity of Japanese Art in Transcultural Fields
Commentary
?Noriko Murai
17 Comparing East and West: The Collections of Enrico Cernuschi
?Silvia Davoli
18 Hayashi Tadamasa, Art Historian, Collector, and Dealer: Negotiating the Concept of "Fine Arts" in Europe and "Bijutsu" in Japan
?Yamanashi Emiko
19 Collecting and Exhibiting Japanese Art in the German Empire (1871-1918)
?Doris Croissant
20 An Evolving Appreciation of Japanese Premodern Art
The 1910 Japan-British Exhibition in London and the 1939 Exhibition of Old Japanese Art in Berlin
?Yasumatsu Miyuki
21 Exhibiting Manga, Representing "Japan"
?Jaqueline Berndt
22 Ganbare, Nippon: Curator's Notes for the Japan Pavilion at the Venice Biennale-A Map of the World
?Kuraya Mika
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
