Iranian Culture in Bahram Beyzaie's Cinema and Theatre

1. Bahram Beyzaie's Contour in Time: A Theory of Creativity
2. The Puppet Trilogy (1962-3): Beyzaie's Deconstruction of the Hero/Villain Binary
3. Uncle Moustache (1970): Beyzaie's Carnivalesque Deconstruction of Hegemonic Masculinity
4. Downpour (1971-2): The Creative Intellectual and the Meta-Cinematic Subversion of Hegemonic Masculinity
5. The Journey (1972): A Sisyphean Quest for Belonging in a World of Toxic Masculinity
6. The Stranger and the Fog (1974): Rituals of Existence: Homecoming, Becoming and Departing
7. The Crow (1977): City, Home, and the Pitfalls of Iranian Modernity
8. Conclusion: The Revolution and the End of an Era

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• História social e cultural
• História do Oriente Médio
• Estudos literários: peças e dramaturgos
• Biografia: literária
• Teoria e crítica de filmes
• Estudos literários: literatura pós-colonial

Bahram Beyzaie, Uncle Moustache, The Stranger and the Fog, Downpour, The Crow, Iranian Cinema, Iranian Theatre, Bashu, the Little Stranger, Killing Mad Dogs