Interpreting Modernism in Korean Art
portes grátis
Interpreting Modernism in Korean Art
Fluidity and Fragmentation
Pyun, Kyunghee; Woo, Jung-Ah
Taylor & Francis Ltd
09/2021
218
Dura
Inglês
9780367367435
15 a 20 dias
680
Descrição não disponível.
Introduction; 1. Modernity, Modernism, and the Modern in Korean Art and Culture (Jung-Ah Woo and Kyunghee Pyun); Part I: Korean Modernity and Modernism; 2. Korean Art in the Historiography of Multiple Modernities (Kyunghee Pyun); 3. Modernism and Avant-Garde in Korean Art (Youngna Kim); Part II: Inventing a Modern Nation: Visual Culture at the Turn of the Century; 4. The Search for Modernity in Korean Ink-wash Painting (Mingi Kang); 5. Royal Propaganda and National Identity in Emperor Gojong's Portrait Photography (Heangga Kwon); 6. From Patriotism to Capitalism: Transformation of Korean National Symbols Under Colonial Rule (Soohyun Mok); Part III: Visualizing Colonial Modernities; 7. Modernity and Authenticity in Korean Pictorialism: From Pungsok Painting to Art Photography (Hye-ri Oh); 8. "Vernacular Modernism" in Korea: Lee Quede's Hyangtosaek and Yanagi Muneyoshi's Folk Art Movement (Yeon Shim Chung); 9. Korea, Last Retreat in Wartime for Murayama Tomoyoshi, a Modernist (Toshiharu Omuka); Part IV: Cultural Consumption and Modernism; 10. Magazine Covers and Colonial Modernity: Politics of the Korean Face (Yuri Seo); 11. Korean Modernists and the Nangnang Parlour Coffeehouse in the 1930s (Younjung Oh); 12. Cultural Network in 1930s Korea: Avant-Garde Practices and Individual Artistry (Inhye Kim); Part V: Modernism as Ideology: Revision and Appropriation; 13. Architecture as a Profession in Modern Korea (Hyunjung Cho); 14. Imitation or Necessity: A Framework for Postwar Korean Art in Contemporary Art Criticism (Chunghoon Shin); 15. Never a Failed Avant-Garde: Interdisciplinary Strategy of the Fourth Group in 1969-1970 (Sooran Choi); Epilogue; 16. Contemporaneity of Korean Contemporary Art (Jung-Ah Woo)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Korean Art;Korean Empire;modern art;Japanese Government General;art history;Colonial Korea;Korea;Ink Wash Painting;South Korea;Yi Sang;Asian studies;Joseon Dynasty;Asian art;Emperor Gojong;contemporary art;National Art Exhibition;Oil On Canvas;Late Joseon Dynasty;modernism;Western Style Oil Painter;nationalism;King Gojong;abstract expressionism;Postwar;globalization;Held;conceptual art;Murayama Tomoyoshi;abstract art;Traditional Korean House;photography;Young Men;painting;Museum Of Modern Art;Orientalism;Japan Korea Agreement;exoticism;East Asia;Free Artists;Japan;Maeil Sinbo;World War II;Hong Ik University;Dead End Alley
Introduction; 1. Modernity, Modernism, and the Modern in Korean Art and Culture (Jung-Ah Woo and Kyunghee Pyun); Part I: Korean Modernity and Modernism; 2. Korean Art in the Historiography of Multiple Modernities (Kyunghee Pyun); 3. Modernism and Avant-Garde in Korean Art (Youngna Kim); Part II: Inventing a Modern Nation: Visual Culture at the Turn of the Century; 4. The Search for Modernity in Korean Ink-wash Painting (Mingi Kang); 5. Royal Propaganda and National Identity in Emperor Gojong's Portrait Photography (Heangga Kwon); 6. From Patriotism to Capitalism: Transformation of Korean National Symbols Under Colonial Rule (Soohyun Mok); Part III: Visualizing Colonial Modernities; 7. Modernity and Authenticity in Korean Pictorialism: From Pungsok Painting to Art Photography (Hye-ri Oh); 8. "Vernacular Modernism" in Korea: Lee Quede's Hyangtosaek and Yanagi Muneyoshi's Folk Art Movement (Yeon Shim Chung); 9. Korea, Last Retreat in Wartime for Murayama Tomoyoshi, a Modernist (Toshiharu Omuka); Part IV: Cultural Consumption and Modernism; 10. Magazine Covers and Colonial Modernity: Politics of the Korean Face (Yuri Seo); 11. Korean Modernists and the Nangnang Parlour Coffeehouse in the 1930s (Younjung Oh); 12. Cultural Network in 1930s Korea: Avant-Garde Practices and Individual Artistry (Inhye Kim); Part V: Modernism as Ideology: Revision and Appropriation; 13. Architecture as a Profession in Modern Korea (Hyunjung Cho); 14. Imitation or Necessity: A Framework for Postwar Korean Art in Contemporary Art Criticism (Chunghoon Shin); 15. Never a Failed Avant-Garde: Interdisciplinary Strategy of the Fourth Group in 1969-1970 (Sooran Choi); Epilogue; 16. Contemporaneity of Korean Contemporary Art (Jung-Ah Woo)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Korean Art;Korean Empire;modern art;Japanese Government General;art history;Colonial Korea;Korea;Ink Wash Painting;South Korea;Yi Sang;Asian studies;Joseon Dynasty;Asian art;Emperor Gojong;contemporary art;National Art Exhibition;Oil On Canvas;Late Joseon Dynasty;modernism;Western Style Oil Painter;nationalism;King Gojong;abstract expressionism;Postwar;globalization;Held;conceptual art;Murayama Tomoyoshi;abstract art;Traditional Korean House;photography;Young Men;painting;Museum Of Modern Art;Orientalism;Japan Korea Agreement;exoticism;East Asia;Free Artists;Japan;Maeil Sinbo;World War II;Hong Ik University;Dead End Alley
