Imagined Truths
portes grátis
Imagined Truths
Realism in Modern Spanish Literature and Culture
Versteeg, Margot; Coffey, Mary L.
University of Toronto Press
05/2019
416
Dura
Inglês
9781487505172
15 a 20 dias
720
Descrição não disponível.
Acknowledgments
Introduction
Mary L. Coffey, Pomona College and Margot Versteeg, University of Kansas
Part One. Nineteeth-Century Spanish Realism: Root and Branch
1. Arabella's Veil: Translating Realism in Don Quijote con faldas (1808)
Catherine Jaffe, Texas State University, San Marcos
2. Between Costumbrista Sketch and Short Story: Armando Palacio Valdes's Aguas fuertes
Enrique Rubio Cremades, Universidad de Alicante
3. Money, Capital, Monstrosity: Metaphorical Matrices of Realism in Antonio Flores's Ayer, hoy y manana
Rebecca Haidt, The Ohio State University
Part Two. Modernity and the Parameters of Nineteenth-Century Spanish Realism
4. The Physician in the Narratives of Galdos and Clarin
Peter Bly, Queen's University
5. Travelling by Streetcar through Madrid with Galdos and Pardo Bazan
Maryellen Bieder, Indiana University, Bloomington
6. Urban Hyperrealism: Galdos's Dickensian Descriptions of Madrid
Linda M. Willem, Butler University
7. Observed versus Imaginative Communities: Creative Realism in Galdos's Misericordi
Susan M. McKenna, University of Delaware
Part Three. Stretching the Limits of Spanish Realism
8. Colonialism, Collages, and Thick Description: Pardo Bazan and the Rhetoric of Detail
Joyce Tolliver, University of Illinois at Urbana-Champaign
9. Embodied Minds: Critical Erotic Decisions in La Regenta
Randolph D. Pope, University of Virginia
10. Maria Zambrano on Women, Realism, and Freedom
Roberta Johnson, University of Kansas
Part Four. The Challenges of Genre: Spanish Realism beyond the Novel
11. Writing (Un)clear Code: The Letters and Fiction of Emilia Pardo Bazan and Benito Perez Galdos
Cristina Patino Eirin, Universidad de Santiago de Compostela
12. "Volvia Galdos triunfante": Fortunata y Jacinta on Stage (1930)
David T. Gies, University of Virginia
13. When Reality Is Too Harsh to Bear: Role-Play in Juan Marse's "Historia de detectives"
Stephanie Sieburth, Duke University
Contributors
Index
Introduction
Mary L. Coffey, Pomona College and Margot Versteeg, University of Kansas
Part One. Nineteeth-Century Spanish Realism: Root and Branch
1. Arabella's Veil: Translating Realism in Don Quijote con faldas (1808)
Catherine Jaffe, Texas State University, San Marcos
2. Between Costumbrista Sketch and Short Story: Armando Palacio Valdes's Aguas fuertes
Enrique Rubio Cremades, Universidad de Alicante
3. Money, Capital, Monstrosity: Metaphorical Matrices of Realism in Antonio Flores's Ayer, hoy y manana
Rebecca Haidt, The Ohio State University
Part Two. Modernity and the Parameters of Nineteenth-Century Spanish Realism
4. The Physician in the Narratives of Galdos and Clarin
Peter Bly, Queen's University
5. Travelling by Streetcar through Madrid with Galdos and Pardo Bazan
Maryellen Bieder, Indiana University, Bloomington
6. Urban Hyperrealism: Galdos's Dickensian Descriptions of Madrid
Linda M. Willem, Butler University
7. Observed versus Imaginative Communities: Creative Realism in Galdos's Misericordi
Susan M. McKenna, University of Delaware
Part Three. Stretching the Limits of Spanish Realism
8. Colonialism, Collages, and Thick Description: Pardo Bazan and the Rhetoric of Detail
Joyce Tolliver, University of Illinois at Urbana-Champaign
9. Embodied Minds: Critical Erotic Decisions in La Regenta
Randolph D. Pope, University of Virginia
10. Maria Zambrano on Women, Realism, and Freedom
Roberta Johnson, University of Kansas
Part Four. The Challenges of Genre: Spanish Realism beyond the Novel
11. Writing (Un)clear Code: The Letters and Fiction of Emilia Pardo Bazan and Benito Perez Galdos
Cristina Patino Eirin, Universidad de Santiago de Compostela
12. "Volvia Galdos triunfante": Fortunata y Jacinta on Stage (1930)
David T. Gies, University of Virginia
13. When Reality Is Too Harsh to Bear: Role-Play in Juan Marse's "Historia de detectives"
Stephanie Sieburth, Duke University
Contributors
Index
Assunto não disponível.
realism; costumbrismo; modernity; gender; empire and post-imperial turn; Spain; emotions; economics; philosophy; Don Quijote; Spanish literature; literary realism
Acknowledgments
Introduction
Mary L. Coffey, Pomona College and Margot Versteeg, University of Kansas
Part One. Nineteeth-Century Spanish Realism: Root and Branch
1. Arabella's Veil: Translating Realism in Don Quijote con faldas (1808)
Catherine Jaffe, Texas State University, San Marcos
2. Between Costumbrista Sketch and Short Story: Armando Palacio Valdes's Aguas fuertes
Enrique Rubio Cremades, Universidad de Alicante
3. Money, Capital, Monstrosity: Metaphorical Matrices of Realism in Antonio Flores's Ayer, hoy y manana
Rebecca Haidt, The Ohio State University
Part Two. Modernity and the Parameters of Nineteenth-Century Spanish Realism
4. The Physician in the Narratives of Galdos and Clarin
Peter Bly, Queen's University
5. Travelling by Streetcar through Madrid with Galdos and Pardo Bazan
Maryellen Bieder, Indiana University, Bloomington
6. Urban Hyperrealism: Galdos's Dickensian Descriptions of Madrid
Linda M. Willem, Butler University
7. Observed versus Imaginative Communities: Creative Realism in Galdos's Misericordi
Susan M. McKenna, University of Delaware
Part Three. Stretching the Limits of Spanish Realism
8. Colonialism, Collages, and Thick Description: Pardo Bazan and the Rhetoric of Detail
Joyce Tolliver, University of Illinois at Urbana-Champaign
9. Embodied Minds: Critical Erotic Decisions in La Regenta
Randolph D. Pope, University of Virginia
10. Maria Zambrano on Women, Realism, and Freedom
Roberta Johnson, University of Kansas
Part Four. The Challenges of Genre: Spanish Realism beyond the Novel
11. Writing (Un)clear Code: The Letters and Fiction of Emilia Pardo Bazan and Benito Perez Galdos
Cristina Patino Eirin, Universidad de Santiago de Compostela
12. "Volvia Galdos triunfante": Fortunata y Jacinta on Stage (1930)
David T. Gies, University of Virginia
13. When Reality Is Too Harsh to Bear: Role-Play in Juan Marse's "Historia de detectives"
Stephanie Sieburth, Duke University
Contributors
Index
Introduction
Mary L. Coffey, Pomona College and Margot Versteeg, University of Kansas
Part One. Nineteeth-Century Spanish Realism: Root and Branch
1. Arabella's Veil: Translating Realism in Don Quijote con faldas (1808)
Catherine Jaffe, Texas State University, San Marcos
2. Between Costumbrista Sketch and Short Story: Armando Palacio Valdes's Aguas fuertes
Enrique Rubio Cremades, Universidad de Alicante
3. Money, Capital, Monstrosity: Metaphorical Matrices of Realism in Antonio Flores's Ayer, hoy y manana
Rebecca Haidt, The Ohio State University
Part Two. Modernity and the Parameters of Nineteenth-Century Spanish Realism
4. The Physician in the Narratives of Galdos and Clarin
Peter Bly, Queen's University
5. Travelling by Streetcar through Madrid with Galdos and Pardo Bazan
Maryellen Bieder, Indiana University, Bloomington
6. Urban Hyperrealism: Galdos's Dickensian Descriptions of Madrid
Linda M. Willem, Butler University
7. Observed versus Imaginative Communities: Creative Realism in Galdos's Misericordi
Susan M. McKenna, University of Delaware
Part Three. Stretching the Limits of Spanish Realism
8. Colonialism, Collages, and Thick Description: Pardo Bazan and the Rhetoric of Detail
Joyce Tolliver, University of Illinois at Urbana-Champaign
9. Embodied Minds: Critical Erotic Decisions in La Regenta
Randolph D. Pope, University of Virginia
10. Maria Zambrano on Women, Realism, and Freedom
Roberta Johnson, University of Kansas
Part Four. The Challenges of Genre: Spanish Realism beyond the Novel
11. Writing (Un)clear Code: The Letters and Fiction of Emilia Pardo Bazan and Benito Perez Galdos
Cristina Patino Eirin, Universidad de Santiago de Compostela
12. "Volvia Galdos triunfante": Fortunata y Jacinta on Stage (1930)
David T. Gies, University of Virginia
13. When Reality Is Too Harsh to Bear: Role-Play in Juan Marse's "Historia de detectives"
Stephanie Sieburth, Duke University
Contributors
Index