I'm Not a Film Star
portes grátis
I'm Not a Film Star
David Bowie as Actor
Dixon, Ian; Black, Brendan
Bloomsbury Publishing Plc
08/2022
336
Dura
Inglês
9781501368684
15 a 20 dias
Descrição não disponível.
List of Contributor Bios
List of Figures
Acknowledgements
Preface
Shelton Waldrep, University of Southern Maine, USA
Introduction
Ian Dixon (Nanyang Technological University, Singapore) and Brendan Black (Independent Scholar, Australia)
1. Ziggy Stardust, Direct Cinema and the Multi-modal Performance of Gesamtkunstwerk
Lisa Perrot (University of Waikato, New Zealand)
2. David Bowie Is...Actor, Star and Character: Entangled Agencies in The Man Who Fell To Earth
Dene October (University of the Arts, London, UK)
3. The Posed and the Unposed: Inhabited Clowns and Grotesques in Bowie's Scary Monsters and The Elephant Man
Amedeo d'Adamo (American Film Institute, USA)
4. Consuming Bowie: Christiane F' and the Transgressive Allure of Anglo-American Pop Culture in Cold-War West Berlin
Susanne Hillman (San Diego State University, USA)
5. Gesturing Dust: Sensing David Bowie's Performance in Merry Christmas Mr. Lawrence
Sean Redmond (Deakin University, Australia)
6. The Hunger's deathly shadow: The sweet annihilation of David Bowie, NYC, circa. 1980-83
Mitch Goodwin (University of Melbourne, Australia)
7. 'Who Can I Be Now?': Codpieces, carnival and the blurring of identity in Labyrinth
Brendan Black (Independent Scholar, Australia)
8. Bowie as Actor/Bowie as Icon: Authenticity versus Iconography in Martin Scorsese's The Last Temptation of Christ
Ian Dixon (Nanyang Technological University, Singapore)
9. The Surveillant Power of the (A)Temporal Cameo In Twin Peaks: Fire Walk with Me (1992)
Tyne Daile Sumner (The University of Melbourne, Australia)
10. Loving the Alienation: Bowie, Basquiat, Brecht
Glenn D'Cruz (Deakin University, Australia)
11. Performative Emotional Symbolism and Stylistic Gesture in Christopher Nolan's The Prestige
Toija Cinque (Deakin University, Australia)
12. 'Just Like the Films': Lazarus and Cinematic Melancholia
Denis Flannery (University of Leeds, UK)
Filmography/Discography
Bibliography
Index
List of Figures
Acknowledgements
Preface
Shelton Waldrep, University of Southern Maine, USA
Introduction
Ian Dixon (Nanyang Technological University, Singapore) and Brendan Black (Independent Scholar, Australia)
1. Ziggy Stardust, Direct Cinema and the Multi-modal Performance of Gesamtkunstwerk
Lisa Perrot (University of Waikato, New Zealand)
2. David Bowie Is...Actor, Star and Character: Entangled Agencies in The Man Who Fell To Earth
Dene October (University of the Arts, London, UK)
3. The Posed and the Unposed: Inhabited Clowns and Grotesques in Bowie's Scary Monsters and The Elephant Man
Amedeo d'Adamo (American Film Institute, USA)
4. Consuming Bowie: Christiane F' and the Transgressive Allure of Anglo-American Pop Culture in Cold-War West Berlin
Susanne Hillman (San Diego State University, USA)
5. Gesturing Dust: Sensing David Bowie's Performance in Merry Christmas Mr. Lawrence
Sean Redmond (Deakin University, Australia)
6. The Hunger's deathly shadow: The sweet annihilation of David Bowie, NYC, circa. 1980-83
Mitch Goodwin (University of Melbourne, Australia)
7. 'Who Can I Be Now?': Codpieces, carnival and the blurring of identity in Labyrinth
Brendan Black (Independent Scholar, Australia)
8. Bowie as Actor/Bowie as Icon: Authenticity versus Iconography in Martin Scorsese's The Last Temptation of Christ
Ian Dixon (Nanyang Technological University, Singapore)
9. The Surveillant Power of the (A)Temporal Cameo In Twin Peaks: Fire Walk with Me (1992)
Tyne Daile Sumner (The University of Melbourne, Australia)
10. Loving the Alienation: Bowie, Basquiat, Brecht
Glenn D'Cruz (Deakin University, Australia)
11. Performative Emotional Symbolism and Stylistic Gesture in Christopher Nolan's The Prestige
Toija Cinque (Deakin University, Australia)
12. 'Just Like the Films': Lazarus and Cinematic Melancholia
Denis Flannery (University of Leeds, UK)
Filmography/Discography
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
David Bowie; rock legend; pop star; mask; mystery; sexual excess; genres; 20th century; music; acting; performance; musical persona; filmography; Labyrinth; The Man Who Fell To Earth; The Prestige; Merry Christmas, Mr. Lawrence; icon; mime
List of Contributor Bios
List of Figures
Acknowledgements
Preface
Shelton Waldrep, University of Southern Maine, USA
Introduction
Ian Dixon (Nanyang Technological University, Singapore) and Brendan Black (Independent Scholar, Australia)
1. Ziggy Stardust, Direct Cinema and the Multi-modal Performance of Gesamtkunstwerk
Lisa Perrot (University of Waikato, New Zealand)
2. David Bowie Is...Actor, Star and Character: Entangled Agencies in The Man Who Fell To Earth
Dene October (University of the Arts, London, UK)
3. The Posed and the Unposed: Inhabited Clowns and Grotesques in Bowie's Scary Monsters and The Elephant Man
Amedeo d'Adamo (American Film Institute, USA)
4. Consuming Bowie: Christiane F' and the Transgressive Allure of Anglo-American Pop Culture in Cold-War West Berlin
Susanne Hillman (San Diego State University, USA)
5. Gesturing Dust: Sensing David Bowie's Performance in Merry Christmas Mr. Lawrence
Sean Redmond (Deakin University, Australia)
6. The Hunger's deathly shadow: The sweet annihilation of David Bowie, NYC, circa. 1980-83
Mitch Goodwin (University of Melbourne, Australia)
7. 'Who Can I Be Now?': Codpieces, carnival and the blurring of identity in Labyrinth
Brendan Black (Independent Scholar, Australia)
8. Bowie as Actor/Bowie as Icon: Authenticity versus Iconography in Martin Scorsese's The Last Temptation of Christ
Ian Dixon (Nanyang Technological University, Singapore)
9. The Surveillant Power of the (A)Temporal Cameo In Twin Peaks: Fire Walk with Me (1992)
Tyne Daile Sumner (The University of Melbourne, Australia)
10. Loving the Alienation: Bowie, Basquiat, Brecht
Glenn D'Cruz (Deakin University, Australia)
11. Performative Emotional Symbolism and Stylistic Gesture in Christopher Nolan's The Prestige
Toija Cinque (Deakin University, Australia)
12. 'Just Like the Films': Lazarus and Cinematic Melancholia
Denis Flannery (University of Leeds, UK)
Filmography/Discography
Bibliography
Index
List of Figures
Acknowledgements
Preface
Shelton Waldrep, University of Southern Maine, USA
Introduction
Ian Dixon (Nanyang Technological University, Singapore) and Brendan Black (Independent Scholar, Australia)
1. Ziggy Stardust, Direct Cinema and the Multi-modal Performance of Gesamtkunstwerk
Lisa Perrot (University of Waikato, New Zealand)
2. David Bowie Is...Actor, Star and Character: Entangled Agencies in The Man Who Fell To Earth
Dene October (University of the Arts, London, UK)
3. The Posed and the Unposed: Inhabited Clowns and Grotesques in Bowie's Scary Monsters and The Elephant Man
Amedeo d'Adamo (American Film Institute, USA)
4. Consuming Bowie: Christiane F' and the Transgressive Allure of Anglo-American Pop Culture in Cold-War West Berlin
Susanne Hillman (San Diego State University, USA)
5. Gesturing Dust: Sensing David Bowie's Performance in Merry Christmas Mr. Lawrence
Sean Redmond (Deakin University, Australia)
6. The Hunger's deathly shadow: The sweet annihilation of David Bowie, NYC, circa. 1980-83
Mitch Goodwin (University of Melbourne, Australia)
7. 'Who Can I Be Now?': Codpieces, carnival and the blurring of identity in Labyrinth
Brendan Black (Independent Scholar, Australia)
8. Bowie as Actor/Bowie as Icon: Authenticity versus Iconography in Martin Scorsese's The Last Temptation of Christ
Ian Dixon (Nanyang Technological University, Singapore)
9. The Surveillant Power of the (A)Temporal Cameo In Twin Peaks: Fire Walk with Me (1992)
Tyne Daile Sumner (The University of Melbourne, Australia)
10. Loving the Alienation: Bowie, Basquiat, Brecht
Glenn D'Cruz (Deakin University, Australia)
11. Performative Emotional Symbolism and Stylistic Gesture in Christopher Nolan's The Prestige
Toija Cinque (Deakin University, Australia)
12. 'Just Like the Films': Lazarus and Cinematic Melancholia
Denis Flannery (University of Leeds, UK)
Filmography/Discography
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
