Gregorio Ballabene's Forty-eight-part Mass for Twelve Choirs (1772)
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Gregorio Ballabene's Forty-eight-part Mass for Twelve Choirs (1772)
Bassani, Florian
Taylor & Francis Ltd
12/2021
120
Dura
Inglês
9781032128924
15 a 20 dias
272
Descrição não disponível.
Introduction
1. Twelve-choir performances
2. The presence of a glorious past
3. Burney's 'Mass'
4. Ballabene and his Mass in Martini's correspondence
5. The 'rehearsal' and its outcome
6. Consequences for Ballabene's professional advancement
7. Martini's approbation
8. Important compositional features
9. Pitoni's Mass
10. Ballabene and the twilight of an era
11. Fame and posthumous fame
12. The history of the score
13. Unfortunate anachronism or accomplishment of the Roman Baroque?
Appendix I: Documents (in chronological order)
Appendix II: Documented copies of Ballabene's Mass
Bibliography
1. Twelve-choir performances
2. The presence of a glorious past
3. Burney's 'Mass'
4. Ballabene and his Mass in Martini's correspondence
5. The 'rehearsal' and its outcome
6. Consequences for Ballabene's professional advancement
7. Martini's approbation
8. Important compositional features
9. Pitoni's Mass
10. Ballabene and the twilight of an era
11. Fame and posthumous fame
12. The history of the score
13. Unfortunate anachronism or accomplishment of the Roman Baroque?
Appendix I: Documents (in chronological order)
Appendix II: Documented copies of Ballabene's Mass
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
OFM;Cori Con;Cantus Firmus;Cappella Giulia;Dense;Berlin Sing Akademie;Pietro;Kyrie II;Padre;Baroque;Dixit Dominus;Portuguese Minister;Papal Chapel;Tutti Sections;Martini's Discourse;Polychoral Music;Ternary Metre;Consecutive Octaves;Large Family;Giuseppe Baini;Felix Mendelssohn;Cappella Pontificia;Roman Baroque;Accademia Filarmonica;St Peter's Basilica
Introduction
1. Twelve-choir performances
2. The presence of a glorious past
3. Burney's 'Mass'
4. Ballabene and his Mass in Martini's correspondence
5. The 'rehearsal' and its outcome
6. Consequences for Ballabene's professional advancement
7. Martini's approbation
8. Important compositional features
9. Pitoni's Mass
10. Ballabene and the twilight of an era
11. Fame and posthumous fame
12. The history of the score
13. Unfortunate anachronism or accomplishment of the Roman Baroque?
Appendix I: Documents (in chronological order)
Appendix II: Documented copies of Ballabene's Mass
Bibliography
1. Twelve-choir performances
2. The presence of a glorious past
3. Burney's 'Mass'
4. Ballabene and his Mass in Martini's correspondence
5. The 'rehearsal' and its outcome
6. Consequences for Ballabene's professional advancement
7. Martini's approbation
8. Important compositional features
9. Pitoni's Mass
10. Ballabene and the twilight of an era
11. Fame and posthumous fame
12. The history of the score
13. Unfortunate anachronism or accomplishment of the Roman Baroque?
Appendix I: Documents (in chronological order)
Appendix II: Documented copies of Ballabene's Mass
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
OFM;Cori Con;Cantus Firmus;Cappella Giulia;Dense;Berlin Sing Akademie;Pietro;Kyrie II;Padre;Baroque;Dixit Dominus;Portuguese Minister;Papal Chapel;Tutti Sections;Martini's Discourse;Polychoral Music;Ternary Metre;Consecutive Octaves;Large Family;Giuseppe Baini;Felix Mendelssohn;Cappella Pontificia;Roman Baroque;Accademia Filarmonica;St Peter's Basilica
