German Ways of War
portes grátis
German Ways of War
The Affective Geographies and Generic Transformations of German War Films
Fisher, Jaimey
Rutgers University Press
08/2022
250
Mole
Inglês
9781978829176
15 a 20 dias
Descrição não disponível.
Acknowledgements
1. Introduction: The Affective Geographies and Generic Transformations of German War Films, 1910s-2000s
2. Land into Landscape, Landscape into Territory: Transformations of Space in German War Cinema, 1914-1918 (The Diary of Dr. Hart, Sword and Hearth, Inexpiable)
3. "Landscapes of Death" and Memories of the Human: Distance, Scale, and the Double Map in the First "War-Sound-Film" (Westfront 1918, Kameradschaft)
4. Combat Films and their Aerial Spaces under the Nazi Regime (Medal of Honor, Squadron Luetzow, Above Everything in the World)
5. Out of the War Mode: Demobilizing the War Genre in the Postwar Rubble-Film (Request Concert [1940], The Great Love, Ways into Twilight, The Sons of Mr. Gaspary, Birds of Migration)
6. War in the Reconstructive 1950s: Genre, Espionage, and Cold-War Subjectivities in the 1950s War Film (Canaris, Fox of Paris, Rommel Calls Cairo)
7. Conclusion: Affective Geographies of the Fading Genre (Das Boot, Downfall)
Notes
Bibliography
Index
1. Introduction: The Affective Geographies and Generic Transformations of German War Films, 1910s-2000s
2. Land into Landscape, Landscape into Territory: Transformations of Space in German War Cinema, 1914-1918 (The Diary of Dr. Hart, Sword and Hearth, Inexpiable)
3. "Landscapes of Death" and Memories of the Human: Distance, Scale, and the Double Map in the First "War-Sound-Film" (Westfront 1918, Kameradschaft)
4. Combat Films and their Aerial Spaces under the Nazi Regime (Medal of Honor, Squadron Luetzow, Above Everything in the World)
5. Out of the War Mode: Demobilizing the War Genre in the Postwar Rubble-Film (Request Concert [1940], The Great Love, Ways into Twilight, The Sons of Mr. Gaspary, Birds of Migration)
6. War in the Reconstructive 1950s: Genre, Espionage, and Cold-War Subjectivities in the 1950s War Film (Canaris, Fox of Paris, Rommel Calls Cairo)
7. Conclusion: Affective Geographies of the Fading Genre (Das Boot, Downfall)
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
war; German; Germany; politics; film; propaganda; photography; geography; war film; battle; cinema; Nazi; WWII; WWI
Acknowledgements
1. Introduction: The Affective Geographies and Generic Transformations of German War Films, 1910s-2000s
2. Land into Landscape, Landscape into Territory: Transformations of Space in German War Cinema, 1914-1918 (The Diary of Dr. Hart, Sword and Hearth, Inexpiable)
3. "Landscapes of Death" and Memories of the Human: Distance, Scale, and the Double Map in the First "War-Sound-Film" (Westfront 1918, Kameradschaft)
4. Combat Films and their Aerial Spaces under the Nazi Regime (Medal of Honor, Squadron Luetzow, Above Everything in the World)
5. Out of the War Mode: Demobilizing the War Genre in the Postwar Rubble-Film (Request Concert [1940], The Great Love, Ways into Twilight, The Sons of Mr. Gaspary, Birds of Migration)
6. War in the Reconstructive 1950s: Genre, Espionage, and Cold-War Subjectivities in the 1950s War Film (Canaris, Fox of Paris, Rommel Calls Cairo)
7. Conclusion: Affective Geographies of the Fading Genre (Das Boot, Downfall)
Notes
Bibliography
Index
1. Introduction: The Affective Geographies and Generic Transformations of German War Films, 1910s-2000s
2. Land into Landscape, Landscape into Territory: Transformations of Space in German War Cinema, 1914-1918 (The Diary of Dr. Hart, Sword and Hearth, Inexpiable)
3. "Landscapes of Death" and Memories of the Human: Distance, Scale, and the Double Map in the First "War-Sound-Film" (Westfront 1918, Kameradschaft)
4. Combat Films and their Aerial Spaces under the Nazi Regime (Medal of Honor, Squadron Luetzow, Above Everything in the World)
5. Out of the War Mode: Demobilizing the War Genre in the Postwar Rubble-Film (Request Concert [1940], The Great Love, Ways into Twilight, The Sons of Mr. Gaspary, Birds of Migration)
6. War in the Reconstructive 1950s: Genre, Espionage, and Cold-War Subjectivities in the 1950s War Film (Canaris, Fox of Paris, Rommel Calls Cairo)
7. Conclusion: Affective Geographies of the Fading Genre (Das Boot, Downfall)
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
