Genre Worlds

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• Companheiros literários, resenhas de livros e guias
• Indústria das publicações
• Cultura popular
• Estudos literários: geral

Romance; Crime; Fantasy; Transmedia; Transnational; writers; editors; typesetters; designers; digital production managers; fiction; inglobal fan cultures; local communities; textual features; Howard S. Becker; creative collaborations; industrial paradigms; affective communities; literary sociological approach; New York; London; Nora Roberts; Lee Child; George R. R. Martin; Paula Hawkins; Pascale Casanova; The World Republic of Letters; Samuel Beckett; Franz Kafka; David Carter; homogenized global market; transnational mobility; contemporary epic fantasy fiction; Kim Wilkins; contemporary Australian fantasy; Anna Hackett; Michael Robotham; genre theory; Northrop Frye; lyric; epic; drama; archetypal and ahistorical categories; Gerard Genette; Tzvetan Todorov; Hans Robert Jauss; combinatorial system; John Frow; T.G. Pavel; Heather Dubrow; Ria Cheyne’s; process of genre; Steve Neale; Jason Mittell; Jeremy Rosen; methodological axes of genrestudy; cultural; formal; industrial; John Cawelti; John Sutherland; Michael Butter; double otherness; Janice Radway; Brian Attebery; J. R. R. Tolkien; Rosemary Jackson; Lisa Fletcher; Jayashree Kamblé; Lynne Pearce; Pamela Regis; Hsu-Ming Teo; Jodi McAlister; Eric Selinger; John Clute; Farah Mendlesohn; Brian Stableford; Stephen Knight; John Scaggs; Sally Munt; feminist criticism; Anne Cranny-Francis; Henry James; Thomas J. Roberts; Jerry Palmer; Scott McCracken; Ken Gelder; Pierre Bourdieu; popular