Gender Hierarchy of Masculinity and Femininity during the Chinese Cultural Revolution

Introduction; Chapter One: Women, the Revolutionary Opera Films, and the Cultural Revolution; Chapter Two: Smashing of the Four Old Ways: Transformations of Gender Construction from Confucian China to Maoist China; Chapter Three: Masculine Honour, Feminine Shame: The Reconstruction of Gender in the Revolutionary Opera Films; Chapter Four: Patriarchal Power and Ideological Apparatuses: The Image of Female Warriors in the Revolutionary Opera Films; Coda

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• Os estudos de gênero, grupos de gênero

Red Detachment;women's social identity;Azalea Mountain;Chinese's cultural revolution;Maoist Ideology;masculinist power;Feminist Critical Discourse Analysis;Maoist's ideology;Yin Yang Philosophy;masculinist domination;Li Yuhe;Dragon River;Red Lantern;Gender Discourse;Xie Tieli;Jiang Qing;CCP's Propaganda;Beijing Opera;Female Warriors;Revolutionary Opera;Iron Girls;Female Communists;Revolutionary Masculinity;Yin Yang Symbolism;Counter-revolutionary Men;CCP Organisation;Female Soldiers;Hegemonic Masculinity;Cultural Revolution;Gender Equality