Fragmentation of the Photographic Image in the Digital Age
portes grátis
Fragmentation of the Photographic Image in the Digital Age
Rubinstein, Daniel
Taylor & Francis Ltd
12/2021
254
Mole
Inglês
9781032240169
15 a 20 dias
508
Descrição não disponível.
Chapter One: The New Paradigm - Daniel Rubinstein; Part I: From Pictorial Practices to Algorithmic Capitalism, Chapter Two: Images Without Worlds - Claire Colebrook; Chapter Three: Undoing Imperial Modernity - Ariella Azoulay; Chapter Four: Between Topography and Topology - Susan Trangmar; Chapter Five: Creating London's Image - Pat Naldi; Chapter Six: Drone Alliances - Sarah Tuck; Psrt II: The Image Between Representation and Automation, Chapter Seven: From Photographic Representation to the 'Photographic Genotype' - Yael Eylat Van Essen; Chapter Eight: Graven Images: Photography after Heidegger, Lyotard and Deleuze - Daniel Rubinstein; Chapter Nine: Refuse to Let the Syntaxes of (a) History Direct Our Futures - Rosa Menkman; Chapter Ten: Atoms and Worms (Ontologies of Fragments) - Jamie Brassett; Chapter Eleven: Photographic Futures - Armen Avanessian and Anke Hennig; Part III: The Materialism of Networked Intelligence, Chapter Twelve: Empathy and Gesture: Aby Warburg in La cappella Sassetti - Andrew Benjamin; Chapter Thirteen: Post-Photographic Frenzy - Joseph Nechvatal; Chapter Fourteen: The Defragmenting Image: Stories in Cinematic Time-Travel - John O Maoilearca; Chapter Fifteen: Introduction to Natural Language Processing - Anamarija Ami Podrebarac; Chapter Sixteen: The Photograph of Thought - Johnny Golding
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
DNA Coil;Social Anxiety Disorders;image technology;IRA Bomb;photography;Cobbled Stones;contemporary photography;Photographic Futures;contemporary art;Van Diemen's Land;history of photography;Adobe Systems Incorporated;media age;Sternberg Press;interdisciplinary;Collective Individuation;digital;Vice Versa;digital-born images;Attention Deficit Disorder;online;View Points;internet;Litte Ja;website;Sioux Tribe;semiotics;Tv Writer;image;Norrbotten County;society;Minority Indigenous Communities;aesthetics;Drone Technologies;politics;Standing Rock;art and technology;Noise Art;art and politics;Latent Excess;art and society;Viewing Corridors;algorithm;Image Explosion;coding;Residential Tower Blocks;Deleuze;Santa Trinita;Heidegger;Stengers;Barad;Google Images;cybernetic photography;glitch;5D imaging;cinema;film;light;Hiroshi Sugimoto;Levinas;cybernetic cultures;augmented intelligence;digital technologies;visual art
Chapter One: The New Paradigm - Daniel Rubinstein; Part I: From Pictorial Practices to Algorithmic Capitalism, Chapter Two: Images Without Worlds - Claire Colebrook; Chapter Three: Undoing Imperial Modernity - Ariella Azoulay; Chapter Four: Between Topography and Topology - Susan Trangmar; Chapter Five: Creating London's Image - Pat Naldi; Chapter Six: Drone Alliances - Sarah Tuck; Psrt II: The Image Between Representation and Automation, Chapter Seven: From Photographic Representation to the 'Photographic Genotype' - Yael Eylat Van Essen; Chapter Eight: Graven Images: Photography after Heidegger, Lyotard and Deleuze - Daniel Rubinstein; Chapter Nine: Refuse to Let the Syntaxes of (a) History Direct Our Futures - Rosa Menkman; Chapter Ten: Atoms and Worms (Ontologies of Fragments) - Jamie Brassett; Chapter Eleven: Photographic Futures - Armen Avanessian and Anke Hennig; Part III: The Materialism of Networked Intelligence, Chapter Twelve: Empathy and Gesture: Aby Warburg in La cappella Sassetti - Andrew Benjamin; Chapter Thirteen: Post-Photographic Frenzy - Joseph Nechvatal; Chapter Fourteen: The Defragmenting Image: Stories in Cinematic Time-Travel - John O Maoilearca; Chapter Fifteen: Introduction to Natural Language Processing - Anamarija Ami Podrebarac; Chapter Sixteen: The Photograph of Thought - Johnny Golding
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
DNA Coil;Social Anxiety Disorders;image technology;IRA Bomb;photography;Cobbled Stones;contemporary photography;Photographic Futures;contemporary art;Van Diemen's Land;history of photography;Adobe Systems Incorporated;media age;Sternberg Press;interdisciplinary;Collective Individuation;digital;Vice Versa;digital-born images;Attention Deficit Disorder;online;View Points;internet;Litte Ja;website;Sioux Tribe;semiotics;Tv Writer;image;Norrbotten County;society;Minority Indigenous Communities;aesthetics;Drone Technologies;politics;Standing Rock;art and technology;Noise Art;art and politics;Latent Excess;art and society;Viewing Corridors;algorithm;Image Explosion;coding;Residential Tower Blocks;Deleuze;Santa Trinita;Heidegger;Stengers;Barad;Google Images;cybernetic photography;glitch;5D imaging;cinema;film;light;Hiroshi Sugimoto;Levinas;cybernetic cultures;augmented intelligence;digital technologies;visual art
