Form and Meaning in Avant-Garde Collage and Montage

Part One: Theories of intermediality: form and meaning

1. The history

2. The theory

Part Two: Collage

3. A heterogeneous articulation of meaning: avant-garde visual and verbal collage

4. "The whole shebang!": musical collage and meaning

Part Three: From collage to montage

5. 'Transparent' replacements: visual collage and heterogeneous photomontage

6. Intermedial models: film montage and homogeneous photomontage

7. Chasing the 'greased pig' of meaning: literary and musical montage

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• Formas de arte
• Fotografia e fotógrafos
• Teoria de arte
• Gráficas e aplicativos de mídia digital,
• Estudos literários: desde ~ 1900
• Humanidades
• Estilos de arte não definido por data
• Estudos de meios de comunicação
• Música

Intermedial Theory;Devin Fore;collage;Intermedial Reference;montage;Dos Passos;avant garde;Dos Passos's Manhattan Transfer;modern art;Program Music;politics;Picasso's Collages;photomontage;John Dos Passos;photography;System Reference;twentieth century;Werner Wolf;transmedia;Musical Montage;intermedia;Musical Fugues;medium;Berlin Alexanderplatz;fine arts;Photomontage Artists;literature;John Heartfield;music;Visual Collage;film;Political Photomontage;philosophy;Intellectual Montage;art history;Early Avant Garde;aesthetics;Verbal Collage;musicology;Film Montage;literary criticism;Rembrandt Harmensz Van Rijn;modernism;Concord Sonata;semiotics;Literary Montage;Klee;Manhattan Transfer;Schwitters;Apollinaire;Tzara;Charles Ives;Dziga Vertov;Moholy-Nagy;Heartfield;Russia