Female Portraiture and Patronage in Marie Antoinette's Court

Introduction Chapter 1: From wife to widow: early portraits of the princesse de Lamballe Chapter 2: Paying court: careerism, sentiment and sorority in portraits of the princesse de Lamballe Chapter 3: The Anglophile princesse de Lamballe: portraits, prints, gardens and Anglomania at the court of Marie-Antoinette Chapter 4: 'Protector of the Fine Arts': the private collection and public patronage of the princesse de Lamballe, a courtier-collector Chapter 5 Epilogue Bibliography Index

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• Museus e museologia
• Guias de arte, museus, locais históricos e galerias
• Estudos regionais
• Sociologia
• Estudos de gênero: as mulheres
• História da Europa
• Artes: temas gerais
• Início da história moderna: c 1450/1500 a c 1700
• História da Arte e estilos do design: desde ~ 1900

Princesse De Lamballe;Marie-Antoinette;Young Man;eighteenth century;Duchesse De Polignac;France;Blanc De Chine;French art;Gustav III;eighteenth century art;Duchesse De Chartres;art history;Petit Trianon;Duc De Chartres;art patronage;George III;patronage;De Genlis;collecting;Lady Elizabeth Foster;art collecting;Elizabeth Foster;court taste;Mme De Genlis;Neoclassicism;Duchesse De Bourbon;revolution;Antoine De Baecque;history of France;Walters Art Museum;French history;Jardin Anglais;visual culture;De Toulouse;portraiture;Biscuit Porcelain;decorative arts;Princesse De;gardens;Duchesse De;architecture;English Garden;Marie Therese Louise de Savoie-Carignan;Madame De Pompadour;early modern;Palazzo Carignano;early modern art;early modern history;early modern France;gender studies;female patronage;women artists;female agency;history of collecting;musical patronage;literary patronage