Etudes on the Philosophy of Music
portes grátis
Etudes on the Philosophy of Music
Rimas Jr., Juozas; Rimas Sr., Juozas
Springer International Publishing AG
09/2024
304
Dura
9783031639647
Pré-lançamento - envio 15 a 20 dias após a sua edição
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1. Introduction.- 2. The Origin of Music and Its Specific Characteristics (the Historical-Ontological Aspect).- 3. Music - a Part of Spiritual Culture.- 4. The Fundamental Elements of Musical Expression.- 5. Some Principles of Baroque Aesthetics which are Important for Musical Expression.- 6. Voice and Sound.- 7. Music and Language.- 8. Music and Time.- 9. Musical Rhythm.- 10. Musical Articulation.- 11. Musical Agogics.- 12. Musical Phrasing.- 13. Sign and Expression.- 14. The Foreground and Background (Inner) Dimensions (Forms) of a Musical Work.- 15. The Text and the Work.- 16. Interpretation (the Main Form of the Manifestation of Music).- 17. The Transcendental Quality of a Musical Work.- 17. The Concept of Creativity (and its Importance for Musical Expression).- 18. Instrumentalising Creativity - Depriving Musical Expression of Meaning.- 19. The Logic of Music.- 20. A Philosophical Approach to Musical Expression: Necessity or Possibility.- 21. Significance and Meaning (the Given and the Goal).- 23. Musical Thinking.- 24. Arnold choenberg on Musical Thought.- 25. Anton Webern on the "Saying" of Music.- 26. Ernest Ansermet on Music and its Performance.- 27. The Phenomenological Approach to Musical Expression. 28. Conclusion.
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20th century music;music theory;Lithuanian music;classical music;musical work;ontology;expression;Open Access
1. Introduction.- 2. The Origin of Music and Its Specific Characteristics (the Historical-Ontological Aspect).- 3. Music - a Part of Spiritual Culture.- 4. The Fundamental Elements of Musical Expression.- 5. Some Principles of Baroque Aesthetics which are Important for Musical Expression.- 6. Voice and Sound.- 7. Music and Language.- 8. Music and Time.- 9. Musical Rhythm.- 10. Musical Articulation.- 11. Musical Agogics.- 12. Musical Phrasing.- 13. Sign and Expression.- 14. The Foreground and Background (Inner) Dimensions (Forms) of a Musical Work.- 15. The Text and the Work.- 16. Interpretation (the Main Form of the Manifestation of Music).- 17. The Transcendental Quality of a Musical Work.- 17. The Concept of Creativity (and its Importance for Musical Expression).- 18. Instrumentalising Creativity - Depriving Musical Expression of Meaning.- 19. The Logic of Music.- 20. A Philosophical Approach to Musical Expression: Necessity or Possibility.- 21. Significance and Meaning (the Given and the Goal).- 23. Musical Thinking.- 24. Arnold choenberg on Musical Thought.- 25. Anton Webern on the "Saying" of Music.- 26. Ernest Ansermet on Music and its Performance.- 27. The Phenomenological Approach to Musical Expression. 28. Conclusion.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
