Early Performance: Courts and Audiences
portes grátis
Early Performance: Courts and Audiences
Shifting Paradigms in Early English Drama Studies
McGavin, John J; Walker, Greg; Carpenter, Sarah
Taylor & Francis Ltd
04/2022
234
Mole
Inglês
9780367517236
15 a 20 dias
362
Descrição não disponível.
Introduction by John J McGavin and Greg Walker; PART I Courts; 1 Plays and playcoats: a courtly interlude tradition in Scotland?, Comparative Drama, 46:4 (2012), pp. 475-96; 2 'To thexaltacyon of noblesse': a herald's account of the marriage of Margaret Tudor and James IV, Medieval English Theatre, 29 (2009 for 2007), pp. 104-20; 3 'Gely wyth tharmys of Scotland England': word, image and performance at the marriage of James IV and Margaret Tudor, in 'Fresche Fontanis': Studies in the Culture of Medieval and Early Modern Scotland, ed. by Janet Hadley Williams and J. Derrick McClure (Newcastle: Cambridge Scholars Press, 2013), pp. 165-77. Published with the permission of Cambridge Scholars Publishing; 4 (with Graham Runnalls), The Entertainments at the marriage of Mary Queen of Scots and the French Dauphin Francois, 1558: Paris and Edinburgh, Medieval English Theatre, 22 (2000), pp. 145-61 [with thanks to Mrs Anne Runnalls]; 5 Performing diplomacies: the 1560s court entertainments of Mary Queen of Scots, Scottish Historical Review, LXXXII: 2 (October 2003), pp. 194-225. Reproduced with permission of the Licensor through PLSclear; 6 Love and chastity: political performance in Scottish, French, and English courts of the 1560s, in Joyous Sweit Imaginatioun: Essays in Honour of Professor R.D.S. Jack, ed. by Sarah Carpenter and Sarah Dunnigan, SCROLL (Amsterdam and New York: Rodopi, 2007), pp. 111-28; 7 Dramatising Ideology: Monarch, State, and People, Theta, 9 (2011), pp. 95-112; PART II Audiences; 8 New evidence: Vives and audience-response to biblical drama, Medieval English Theatre, 31 (2011 for 2009), pp. 3-12; 9 Verity's Bible: books, texts, and reading in Ane Satyre of the Thrie Estaitis, Medieval English Theatre, 33 (2011), pp. 58-74; 10 Towards a reformed theatre: David Lyndsay and Ane Satyre of the Thrie Estaitis, The Yearbook of English Studies, 43 (2013), pp. 203-22. Reproduced by permission of the Modern Humanities Research Association; 11 The sixteenth-century court audience: performers and spectators, Medieval English Theatre, 19 (1997), pp. 3-14; 12 'My Lady Tongue': Thomas Tomkis's Lingua, Medieval English Theatre, 24 (2002), pp. 3-14; 13 The politics of unreason: Ane Satyre of the Thrie Estaitis and the practices of folly, Theta, 10 (2013), pp. 35-52; 14 Laughing at natural fools, Theta, 11 (2014) pp. 3-22; 15 The places of foolery: Robert Armin and fooling in Edinburgh, Medieval English Theatre, 37 (2015), pp. 11-26.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Thrie Estaitis;Medieval drama;Natural Fool;Scottish Court;Young Men;Spectatorial turn;Follow;Morality plays;Divine Correction;Performance;Robert Armin;Medieval literature;Queen Regent;Courtly entertainment;Personae;Long sixteenth century;James IV;audience reaction;Deliberate Performances;court entertainments;King Humanitie;playcoats;Quenis Grace;international political spectacle;Royal Entries;Jack Miller;Barren;Qui;OED;Artificial Fool;Crimson;Ane Satyre;Countess;Hold;Thinges;Bishop's Palace;Thomas Tomkis
Introduction by John J McGavin and Greg Walker; PART I Courts; 1 Plays and playcoats: a courtly interlude tradition in Scotland?, Comparative Drama, 46:4 (2012), pp. 475-96; 2 'To thexaltacyon of noblesse': a herald's account of the marriage of Margaret Tudor and James IV, Medieval English Theatre, 29 (2009 for 2007), pp. 104-20; 3 'Gely wyth tharmys of Scotland England': word, image and performance at the marriage of James IV and Margaret Tudor, in 'Fresche Fontanis': Studies in the Culture of Medieval and Early Modern Scotland, ed. by Janet Hadley Williams and J. Derrick McClure (Newcastle: Cambridge Scholars Press, 2013), pp. 165-77. Published with the permission of Cambridge Scholars Publishing; 4 (with Graham Runnalls), The Entertainments at the marriage of Mary Queen of Scots and the French Dauphin Francois, 1558: Paris and Edinburgh, Medieval English Theatre, 22 (2000), pp. 145-61 [with thanks to Mrs Anne Runnalls]; 5 Performing diplomacies: the 1560s court entertainments of Mary Queen of Scots, Scottish Historical Review, LXXXII: 2 (October 2003), pp. 194-225. Reproduced with permission of the Licensor through PLSclear; 6 Love and chastity: political performance in Scottish, French, and English courts of the 1560s, in Joyous Sweit Imaginatioun: Essays in Honour of Professor R.D.S. Jack, ed. by Sarah Carpenter and Sarah Dunnigan, SCROLL (Amsterdam and New York: Rodopi, 2007), pp. 111-28; 7 Dramatising Ideology: Monarch, State, and People, Theta, 9 (2011), pp. 95-112; PART II Audiences; 8 New evidence: Vives and audience-response to biblical drama, Medieval English Theatre, 31 (2011 for 2009), pp. 3-12; 9 Verity's Bible: books, texts, and reading in Ane Satyre of the Thrie Estaitis, Medieval English Theatre, 33 (2011), pp. 58-74; 10 Towards a reformed theatre: David Lyndsay and Ane Satyre of the Thrie Estaitis, The Yearbook of English Studies, 43 (2013), pp. 203-22. Reproduced by permission of the Modern Humanities Research Association; 11 The sixteenth-century court audience: performers and spectators, Medieval English Theatre, 19 (1997), pp. 3-14; 12 'My Lady Tongue': Thomas Tomkis's Lingua, Medieval English Theatre, 24 (2002), pp. 3-14; 13 The politics of unreason: Ane Satyre of the Thrie Estaitis and the practices of folly, Theta, 10 (2013), pp. 35-52; 14 Laughing at natural fools, Theta, 11 (2014) pp. 3-22; 15 The places of foolery: Robert Armin and fooling in Edinburgh, Medieval English Theatre, 37 (2015), pp. 11-26.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Thrie Estaitis;Medieval drama;Natural Fool;Scottish Court;Young Men;Spectatorial turn;Follow;Morality plays;Divine Correction;Performance;Robert Armin;Medieval literature;Queen Regent;Courtly entertainment;Personae;Long sixteenth century;James IV;audience reaction;Deliberate Performances;court entertainments;King Humanitie;playcoats;Quenis Grace;international political spectacle;Royal Entries;Jack Miller;Barren;Qui;OED;Artificial Fool;Crimson;Ane Satyre;Countess;Hold;Thinges;Bishop's Palace;Thomas Tomkis
