Drawing the Curtain

Introduction: The Poetics of the Imagined Stage
Esther Fernandez and Adrienne L. Martin

Part One: Alternate Theatricalities in Cervantes's Drama

1. Cervantes and the Simple Stage
Bruce R. Burningham

2. Queer Cambalaches in El rufian dichoso
John Slater

3. Of Players and Wagers: The Theatricality of Gambling for Salvation in El rufian dichoso
Sonia Velazquez

4. Writing to Rescue from Oblivion: The Phantasms of Captivity in El trato de Argel
Julia Dominguez

5. Captivating Music, Memory, and Emotions in Los banos de Argel
Sherry Velasco

6. In the Name of Love: Cervantes's Play on Captivity in La gran sultana
Ana Laguna

7. Revolving Sets: Spatial Revelations in the Entremeses
Esther Fernandez and Adrienne L. Martin

Part Two: Acts of Disclosure in Cervantes's Prose

8. Coups de theatre in the Novelas ejemplares
B.W. Ife

9. Captive Audiences: Performing Captivity in Cervantes's Prose Narrative
Catherine Infante

10. Painting into Theatre: "The Suicide of Lucretia" as a Tableau Vivant in El curioso impertinente
Mercedes Alcala-Galan

11. "Muchas y muy verdaderas senales": The Theatrics of Truth and Sincerity of Fiction in La Galatea
Paul Michael Johnson

12. Eavesdropping or Spying? Secret Places and Spaces in Don Quixote
Eduardo Olid Guerrero

13. Don Quixote and the Performance of Aging Masculinities in Early Modern Spain
Jose R. Cartagena Calderon

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• Gestão do teatro
• Actores e executantes individuais
• Estudos teatrais
• Outras artes do espectáculo

Miguel de Cervantes; Don Quixote; early modern Spanish literature; Spanish drama; theatricality; theatre; drama; performance; Peter Brook; empty space; Renaissance; revelations; dramatic works; prose; entremeses