Disseminating Shakespeare in the Nordic Countries

Acknowledgements
List of Illustrations
Notes on Contributors

Introduction
Nely Keinaenen and Per Sivefors

1: The First Danish Production of Hamlet (1813): A Theatrical Representation of a National Crisis
Annelis Kuhlmann (Aarhus University, Denmark)

2: Geijer's Macbeth - Page, Stage and the Seeds of Time
Kiki Lindell (Lund University, Sweden) and Kent Haegglund (Stockholm University, Sweden)

3: Cold Maids and Dead Men: Gender in Translation and Transition in Hamlet
Cecilia Lindskog Whiteley (Uppsala University, Sweden)

4: The Poetics of Adaptation and Politics of Domestication: Macbeth and J. F. Lagervall's Ruunulinna
Jyrki Nummi, Eeva-Liisa Bastman and Erika Laamanen (all University of Helsinki, Finland)

5: Soren Kierkegaard's Adaptation Of King Lear
James Newlin (Case Western Reserve University, USA)

6: 'A blot on Swedish hospitality': Ira Aldridge's Visit to Stockholm in 1857
Per Sivefors (Linnaeus University, Sweden)

7: Shakespeare's Legacy and Aleksis Kivi: Rethinking Kivi's Drama Karkurit [The Fugitives]
Riitta Pohjola-Skarp (University of Tampere, Finland)

8: Anne Charlotte Leffler's Shakespeare: The Perils of Stardom and Everyday Life
Lynn R. Wilkinson (University of Texas, USA)

9: Knut Hamsun's Criticism of Shakespeare
Martin Humpal (Charles University, Prague, Czech Republic)

Afterword: Towards a Regional Methodology of Culture
Alexa Alice Joubin (George Washington University, USA)

Appendix: Nordic Shakespeare until 1900: A Timeline

Index

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• Estudos e crítica shakespeareana
• Estudos teatrais
• Tradução e interpretação

Denmark; Sweden; Norway; early modern theatre; adaptation; translation; Ira Aldridge; 19th century theatre; comparative literature