Dali
portes grátis
Dali
Ades, Dawn
Thames & Hudson Ltd
04/2022
304
Mole
Inglês
9780500204764
15 a 20 dias
640
Descrição não disponível.
Preface
Chronology
1. Early years: Early influences; Madrid School of Fine Arts; Cubism and Purism; first one-man exhibitions.
2. Dali and the Catalan avant-garde: The Catalan Anti-Artistic Manifesto and the L'Amic de les Arts group; Dali's early writings on painting, photography and film; Luis Bunuel and the making of Un Chien Andalou; Surrealism in Spain and its influence on Dali.
3. Dali, Surrealism and psycho-analysis: Dali's official affiliation with the Surrealist movement; the influence of Freud and psycho-analysis on his painting; collage; the legend of William Tell as obsessive theme; Dali's theoretical differences with Breton, and relationship with Surrealism on questions of taste and politics; Dali, history and tradition.
4. Painting and the paranoiac-critical method: Theory and practice of paranoia-criticism; influence of Lacan; relationship with other Surrealist methods like automatism and the dream; The Tragic Myth of Millet's Angelus as paranoiac-critical analysis.
5. Dali and the Surrealist object: Dali's 'Surrealist object functioning symbolically'; the object in relation to Surrealist theory; found or 'involuntary' and imaginary objects; furniture, spectacle, installations and exhibitions; Dali's jewels. 6. Dali's post-war painting: Modern science and mysticism; variety of visual experiment; use of photography, holography and stereoscopy.
7. Dali and the cinema: Dali and L'Age d'or; Short Critical History of the Cinema; unrealized scenarios; Hollywood collaborations and other film projects.
Select Bibliography
Chronology
1. Early years: Early influences; Madrid School of Fine Arts; Cubism and Purism; first one-man exhibitions.
2. Dali and the Catalan avant-garde: The Catalan Anti-Artistic Manifesto and the L'Amic de les Arts group; Dali's early writings on painting, photography and film; Luis Bunuel and the making of Un Chien Andalou; Surrealism in Spain and its influence on Dali.
3. Dali, Surrealism and psycho-analysis: Dali's official affiliation with the Surrealist movement; the influence of Freud and psycho-analysis on his painting; collage; the legend of William Tell as obsessive theme; Dali's theoretical differences with Breton, and relationship with Surrealism on questions of taste and politics; Dali, history and tradition.
4. Painting and the paranoiac-critical method: Theory and practice of paranoia-criticism; influence of Lacan; relationship with other Surrealist methods like automatism and the dream; The Tragic Myth of Millet's Angelus as paranoiac-critical analysis.
5. Dali and the Surrealist object: Dali's 'Surrealist object functioning symbolically'; the object in relation to Surrealist theory; found or 'involuntary' and imaginary objects; furniture, spectacle, installations and exhibitions; Dali's jewels. 6. Dali's post-war painting: Modern science and mysticism; variety of visual experiment; use of photography, holography and stereoscopy.
7. Dali and the cinema: Dali and L'Age d'or; Short Critical History of the Cinema; unrealized scenarios; Hollywood collaborations and other film projects.
Select Bibliography
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Surrealism;20th Century Art;Painting
Preface
Chronology
1. Early years: Early influences; Madrid School of Fine Arts; Cubism and Purism; first one-man exhibitions.
2. Dali and the Catalan avant-garde: The Catalan Anti-Artistic Manifesto and the L'Amic de les Arts group; Dali's early writings on painting, photography and film; Luis Bunuel and the making of Un Chien Andalou; Surrealism in Spain and its influence on Dali.
3. Dali, Surrealism and psycho-analysis: Dali's official affiliation with the Surrealist movement; the influence of Freud and psycho-analysis on his painting; collage; the legend of William Tell as obsessive theme; Dali's theoretical differences with Breton, and relationship with Surrealism on questions of taste and politics; Dali, history and tradition.
4. Painting and the paranoiac-critical method: Theory and practice of paranoia-criticism; influence of Lacan; relationship with other Surrealist methods like automatism and the dream; The Tragic Myth of Millet's Angelus as paranoiac-critical analysis.
5. Dali and the Surrealist object: Dali's 'Surrealist object functioning symbolically'; the object in relation to Surrealist theory; found or 'involuntary' and imaginary objects; furniture, spectacle, installations and exhibitions; Dali's jewels. 6. Dali's post-war painting: Modern science and mysticism; variety of visual experiment; use of photography, holography and stereoscopy.
7. Dali and the cinema: Dali and L'Age d'or; Short Critical History of the Cinema; unrealized scenarios; Hollywood collaborations and other film projects.
Select Bibliography
Chronology
1. Early years: Early influences; Madrid School of Fine Arts; Cubism and Purism; first one-man exhibitions.
2. Dali and the Catalan avant-garde: The Catalan Anti-Artistic Manifesto and the L'Amic de les Arts group; Dali's early writings on painting, photography and film; Luis Bunuel and the making of Un Chien Andalou; Surrealism in Spain and its influence on Dali.
3. Dali, Surrealism and psycho-analysis: Dali's official affiliation with the Surrealist movement; the influence of Freud and psycho-analysis on his painting; collage; the legend of William Tell as obsessive theme; Dali's theoretical differences with Breton, and relationship with Surrealism on questions of taste and politics; Dali, history and tradition.
4. Painting and the paranoiac-critical method: Theory and practice of paranoia-criticism; influence of Lacan; relationship with other Surrealist methods like automatism and the dream; The Tragic Myth of Millet's Angelus as paranoiac-critical analysis.
5. Dali and the Surrealist object: Dali's 'Surrealist object functioning symbolically'; the object in relation to Surrealist theory; found or 'involuntary' and imaginary objects; furniture, spectacle, installations and exhibitions; Dali's jewels. 6. Dali's post-war painting: Modern science and mysticism; variety of visual experiment; use of photography, holography and stereoscopy.
7. Dali and the cinema: Dali and L'Age d'or; Short Critical History of the Cinema; unrealized scenarios; Hollywood collaborations and other film projects.
Select Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
