Cultures of Participation
portes grátis
Cultures of Participation
Arts, Digital Media and Cultural Institutions
Eriksson, Birgit; Valtysson, Bjarki; Stage, Carsten
Taylor & Francis Ltd
09/2021
252
Mole
Inglês
9781032177366
15 a 20 dias
360
Descrição não disponível.
Chapter One: Introduction: Cultures of participation Part I: Participatory art and aesthetics Chapter Two: Performance, public (re) assembly, and civic re-enactment Chapter Three: Autonomy and collectivity at the Echigo-Tsumari Art Triennale in Japan Chapter Four: Cross-cultural collaboration: Modes of participation for co-creation of the urban public space Chapter Five: Art and local communities: Inclusion, interests and ownership in participatory art projects with embroiderers and billiard players Part II: Digital media and technology Chapter Six: VR - the culture of (non)participation? Reframing the participative edge of virtual reality Chapter Seven: Photo-sharing as participatory surveillance Chapter Eight: Medialities of participation in sound art Chapter Nine: The participatory patient: Exploring the platformed multivalence and public value of cancer storytelling on social media Part III: Cultural policy and institutions Chapter Ten: The "problem" of participation in cultural policy Chapter Eleven: Public participation and agency in art museums Chapter Twelve: Reordering and re-performing: Re-placing cultural participation and re-viewing well-being measures Chapter Thirteen: Diving into the archive: Google Cultural Institute & the cultural politics of participation
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Good Life;UK's Response;Cultures of participation;Sound Art Environments;Participatory cultures;Vocational Education Degree;Arts;Cultural Participation;Cultural institutions;Participatory Art;Digital media;Google Cultural Institute;Participatory Art Projects;Cultural studies;Public Engagement;Cultural policy;Participatory Art Practice;Art;Street View;Aesthetics;Sound Artworks;Technology;Google's Privacy Policy;Sound Art Practice;Performance;Patient Blogs;Civic re-enactment;Sound Art;Art festivals;Cultural Policy Discourse;Japan;Spanish Pyrenees;VR;Virtual reality;Free Text Field;Participatory surveillance;Data Set;Photo sharing;Instagram;Participatory Practices;Social media participation;Virtual Acoustic Space;Creative places;Urban Public Space;Denmark;participatory cultural policies;social media;participatory digital media;museum studies
Chapter One: Introduction: Cultures of participation Part I: Participatory art and aesthetics Chapter Two: Performance, public (re) assembly, and civic re-enactment Chapter Three: Autonomy and collectivity at the Echigo-Tsumari Art Triennale in Japan Chapter Four: Cross-cultural collaboration: Modes of participation for co-creation of the urban public space Chapter Five: Art and local communities: Inclusion, interests and ownership in participatory art projects with embroiderers and billiard players Part II: Digital media and technology Chapter Six: VR - the culture of (non)participation? Reframing the participative edge of virtual reality Chapter Seven: Photo-sharing as participatory surveillance Chapter Eight: Medialities of participation in sound art Chapter Nine: The participatory patient: Exploring the platformed multivalence and public value of cancer storytelling on social media Part III: Cultural policy and institutions Chapter Ten: The "problem" of participation in cultural policy Chapter Eleven: Public participation and agency in art museums Chapter Twelve: Reordering and re-performing: Re-placing cultural participation and re-viewing well-being measures Chapter Thirteen: Diving into the archive: Google Cultural Institute & the cultural politics of participation
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Good Life;UK's Response;Cultures of participation;Sound Art Environments;Participatory cultures;Vocational Education Degree;Arts;Cultural Participation;Cultural institutions;Participatory Art;Digital media;Google Cultural Institute;Participatory Art Projects;Cultural studies;Public Engagement;Cultural policy;Participatory Art Practice;Art;Street View;Aesthetics;Sound Artworks;Technology;Google's Privacy Policy;Sound Art Practice;Performance;Patient Blogs;Civic re-enactment;Sound Art;Art festivals;Cultural Policy Discourse;Japan;Spanish Pyrenees;VR;Virtual reality;Free Text Field;Participatory surveillance;Data Set;Photo sharing;Instagram;Participatory Practices;Social media participation;Virtual Acoustic Space;Creative places;Urban Public Space;Denmark;participatory cultural policies;social media;participatory digital media;museum studies
