Creative Jazz Improvisation
portes grátis
Creative Jazz Improvisation
Walsh, Tom; Reeves, Scott
Taylor & Francis Ltd
08/2022
384
Mole
Inglês
9781032253985
15 a 20 dias
980
Descrição não disponível.
PART 1: THE ART OF IMPROVISATION / 1. Practicing and Performing Jazz / PART 2: DIATONIC CHORDS AND THE MODES IN THE MAJOR SCALE / 2. Major Scales and Major 7th Chords / 3. Dorian Scales and Minor 7th Chords / 4. Mixolydian and Dominant Bebop Scales, and Dominant 7th Chords / 5. The ii V I Progression and Functional Harmony / 6. Locrian and Aeolian Scales, and the iiO7 V7?9 i Progression / 7. Lydian and Phrygian Scales, and Major 7?5 Chords / PART 3: CHORD SUBSTITUTIONS, HARMONIC STRUCTURES, AND FORMS / 8. The Blues Scale, the Blues Form, and Chord Substitutions / 9. Sectional Forms and Rhythm Changes / 10. Harmonic Structures and Coltrane Substitutions / PART 4: ALTERED CHORDS, DIMINISHED MODES, WHOLE-TONE SCALES, AND HARMONIC MINOR AND MELODIC MINOR MODES / 11. Diminished Scales, Fully Diminished Chords, and Dominant 7?9 Chords / 12. Whole-Tone Scales and Augmented Chords / 13. Melodic and Harmonic Minor Scales, and Minor/Major 7th Chords / 14. Locrian #2 and Altered Scales, and Minor iiO9 V7 ?9?5 i Progressions / 15. Lydian Augmented and Lydian Dominant Scales, and Major 7th ?5 and Dominant 9th ?11 Chords / PART 5: BEYOND FUNCTIONAL HARMONY / 16. Free Improvisation / 17. Pentatonic Scales / 18. Four-Note Groupings Derived from Pentatonic Scales / 19. Intervallic Improvisation / 20. Odd Meters / Appendix I: Intervals / Appendix II: Modes in the Major Scale / Appendix III: Modes in the Melodic Minor Scale / Appendix IV: Diatonic 7th Chords in Major Keys / Appendix V: Diatonic 7th Chords in Minor Keys / Appendix VI: Chords and Their Relationship to Scales / Appendix VII: Upper Structure or "Slash" Chords / Appendix VIII: Creativity and an Overview of Kenny Werner's Effortless Mastery Method
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ear-training;improvisation;improvise;jazz;jazz theory;keyboard;soloing;transcriptions;Chord Progression;Jamey Aebersold;Dominant 7th Chords;Horace Silver;Play Back;Thelonious Monk;Half Step;7th Chords;Minor 7th Chords;Slash Chords;Wayne Shorter;Major 7th Chord;Melodic Minor Scale;Scale Degrees;Randy Brecker;Minor 3rd;6th Scale Degree;V7 Chord;Tritone Substitution;Minor Ii;Dominant Chord;Minor Pentatonic Scale;Jazz Compositions;Harmonic Dictation;Pentatonic
PART 1: THE ART OF IMPROVISATION / 1. Practicing and Performing Jazz / PART 2: DIATONIC CHORDS AND THE MODES IN THE MAJOR SCALE / 2. Major Scales and Major 7th Chords / 3. Dorian Scales and Minor 7th Chords / 4. Mixolydian and Dominant Bebop Scales, and Dominant 7th Chords / 5. The ii V I Progression and Functional Harmony / 6. Locrian and Aeolian Scales, and the iiO7 V7?9 i Progression / 7. Lydian and Phrygian Scales, and Major 7?5 Chords / PART 3: CHORD SUBSTITUTIONS, HARMONIC STRUCTURES, AND FORMS / 8. The Blues Scale, the Blues Form, and Chord Substitutions / 9. Sectional Forms and Rhythm Changes / 10. Harmonic Structures and Coltrane Substitutions / PART 4: ALTERED CHORDS, DIMINISHED MODES, WHOLE-TONE SCALES, AND HARMONIC MINOR AND MELODIC MINOR MODES / 11. Diminished Scales, Fully Diminished Chords, and Dominant 7?9 Chords / 12. Whole-Tone Scales and Augmented Chords / 13. Melodic and Harmonic Minor Scales, and Minor/Major 7th Chords / 14. Locrian #2 and Altered Scales, and Minor iiO9 V7 ?9?5 i Progressions / 15. Lydian Augmented and Lydian Dominant Scales, and Major 7th ?5 and Dominant 9th ?11 Chords / PART 5: BEYOND FUNCTIONAL HARMONY / 16. Free Improvisation / 17. Pentatonic Scales / 18. Four-Note Groupings Derived from Pentatonic Scales / 19. Intervallic Improvisation / 20. Odd Meters / Appendix I: Intervals / Appendix II: Modes in the Major Scale / Appendix III: Modes in the Melodic Minor Scale / Appendix IV: Diatonic 7th Chords in Major Keys / Appendix V: Diatonic 7th Chords in Minor Keys / Appendix VI: Chords and Their Relationship to Scales / Appendix VII: Upper Structure or "Slash" Chords / Appendix VIII: Creativity and an Overview of Kenny Werner's Effortless Mastery Method
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
ear-training;improvisation;improvise;jazz;jazz theory;keyboard;soloing;transcriptions;Chord Progression;Jamey Aebersold;Dominant 7th Chords;Horace Silver;Play Back;Thelonious Monk;Half Step;7th Chords;Minor 7th Chords;Slash Chords;Wayne Shorter;Major 7th Chord;Melodic Minor Scale;Scale Degrees;Randy Brecker;Minor 3rd;6th Scale Degree;V7 Chord;Tritone Substitution;Minor Ii;Dominant Chord;Minor Pentatonic Scale;Jazz Compositions;Harmonic Dictation;Pentatonic
