Conflict and Survival in Contemporary Western European Film

Foreword, Alexandra Hagen and John A. Williams

Part I: Historical Memory and National Identity: Representations of the Violent 20th Century



Who Gets to Be a National Hero? The Representation of North African Muslims in Days of Glory and Free Men, Priscilla Charrat Nelson
Screen Warriors: Danish Soldiers and National Identity in April 9th and A War, Ian Roberts
Escaping the Labyrinth of Silence: Cultural Change and the Frankfurt Auschwitz Trials in Contemporary German Film, Susanne Lenne Jones
Normalizing the Nazi Past in German Comedy? The Complexities of Laughter in Look Who's Back, Marina Durnin

Part II: Moving to and from Western Europe: Migrants, Their Enemies, and Their Allies



Refugees and Asylum Seekers in Contemporary German Film: Portrayals of a Nation between Tolerance and Xenophobia in We Are Young. We Are Strong and A Very German Welcome, Markus Spitz
Transnational Mobility and Migration in The Edge of Heaven, Sarra Kassem
Eastern Passage: Emigration from Romania to Western Europe in Code Unknown and Occident, Maria Ioni?a

Part III: Personhood: Everyday Lives and Ethical Values



Toni Erdmann: A Thought-Provoking Depiction of European 'Modernization' Processes, Patricia de Almeida Kruger and Marcos Soares
The Kindness of Men: Compassion in The Great Beauty and Weekend, John Alexander Williams

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• Estudos de meios de comunicação
• Política e governo
• Filmes, cinema
• Estudos sobre a paz e resolução de conflitos

Cinema;Conflict;European;Film;Movie;Screen;Survival;World History