Cold War American Exhibitions of Italian Art and Design

Chapter 1 - Introduction: Art and Politics in an Exhibition of "Design" Chapter 2 - Organizing Italy at Work under the Auspices of the Marshall Plan Chapter 3 - Italian Americans as Stakeholders in an American Exhibition of Western Culture Chapter 4 - Ceramic Sculpture's Special Role in Validating Italian Humanist Culture for an American Audience Chapter 5 - Displaying Italian Producers for American Consumers Chapter 6 - Thoughts on the Cultural Impacts of Italy at Work

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• História das Américas
• Artes: temas gerais
• Historia da arte / estilos de arte e design
• Museus e museologia
• A Guerra Fria
• História da Europa
• Campanhas políticas e publicidade
• História do século 20 do pós-guerra, de c 1945 a c 2000

art history;museum studies;museums;United States;1950s;government;modern;politics;propaganda;culture;capitalism;labor;Italy;economics;Marshall Plan;Fascist;Fascism;socialism;communism;Europe;Italian-Americans;Italian-American;postwar;modernism;Second World War;World War II;sculpture;Giacomo Manzu;Fausto Melotti;Lucio Fontana;soft power;fine art;visual art;craft;curatorial;xenophobia;material culture;consumerism;diplomacy;ceramics;Iras Baldessari;American Exhibition;Cultural Cold War;Rome Open City;Italian Design;MoMA Show;Good Democratic Citizen;Brooklyn Museum;Exhibition Design;Exhibition Catalogue;EIL;Van Sinderen;Campbell's Soup Cans;Miracolo Economico;Italian American Community;Ettore Sottsass;Unified Fits;York Herald;Max Ascoli;Ceramic Work;Department Store Displays;Palazzo Delle Esposizioni;Ceramic Sculpture;Duffle Bag