Claudio Monteverdi's Venetian Operas

PART I: Context and Sources

1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading of L'Incoronazione di Poppea

2. Jean-Francois Lattarico. L'incoronazione di Poppea within the Context of Le ore ociose (1656).

3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes

4. Hendrik Schulze. Editing Poppea: Source Provenance, Performance Practice, and Authorship

5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful Reversal" of il ritorno d'Ulisse in patria.

6. Nicola Usula Notes on the manuscript of il ritorno d'Ulisse in patria in the Music Collection of Leopoldo I in Vienna. 9 IMAGES

PART II: Performance and Interpretation

7. Wendy Heller "Una lingua sciolta": Listening to the Voice of Anna Renzi

8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and Hurdles.

9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno d'Ulisse.

10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence.

11. Mauro Calcagno. Otho's Perspective, Seneca's Lesson: On Recent Stagings of L'incoronazione di Poppea.

12. Jane Glover. Conducting Monteverdi's Venetian Operas.

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• Artes de representação (performativas)
• Humanidades
• Estudos de meios de comunicação
• Ópera
• Estudos teatrais
• Música barroca (desde ~1600 até ~1750)
• Artes: temas gerais

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