Clackamas Chinook Performance Art

List of Tables
Preface
Introduction: Interpreting, Editing, and Valorizing Traditional Works from Ethnographical Recordings
Personal Landscapes
The Wag???t
Nayma ganulayt wag?skix (I Lived with My Mother's Mother)
Summer in the Mountains
My Grandmother Never Explained Childbirth to Me
Weeping about a Dead Child
A Molale Hunter Who Was Never Frightened
A Shaman Doctored Me for My Eyes
Ic??cgmam gan?at? aga Dusdaq ningid??layt (I Was Ill, Dusdaq Doctored Me)
Nayka k?aliwi wag?lxt (I and My Sister-Cousin)
A Tualatin Woman Shaman and Transvestite
A Shaman at My Mother's Last Illness
Historical Landscapes
Spearfishing at Grand Ronde
Slaughtering of Chinook Women
Captives Escape Snake Indians
Walxayu icamxix gal?ilayt (Seal and Her Younger Brother Lived There)
Wis??liq isq'ixanapx gasdasguqam (Two Maidens, Two Stars Came to Them)
Wasusgani and Wacinu
Inventions and New Customs as Sources of Amusement
Cultural Landscapes
Isknulmapx (Two Grass Widows)
Restrictions on Women
Laughing at Missionaries
The Honorable Milt
Isk'askas skawxaw gasd??u? (Two Children, Two Owls, They Became)
Joshing during a Spirit-Power Dance
Fun-Dances Performed by Visitors
Notes
References
Index

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• Povos indígenas
• História social e cultural
• Historia da arte / estilos de arte e design
• Artes de representação (performativas)

Native American History; Native American Studies; Indigenous Studies; Ethnic Studies; Ethnohistory; Corpus; Native American Culture; Narrative Art; Confederated Tribes of Grand Ronde; Oregon; Native American Shaman; Molalla; Native American Chief; Vocabulary; Native American Songs; Indigenous Songs; Melville Jacobs; Native American Myths; Native American Folktales; Ethnography; Pacific Northwest; Oral Literature; Native American Literature; Clackamas; Oral Tradition; Spoken Word Performance