Cinematic Art and Reversals of Power

Introduction: How the True World Finally Became a Bad Film

PART ONE: Power and the Outside
I. Power and the (In)Visible: Foucault and Deleuze
II: From Menace to Passion in Blanchot & Deleuze: 'The Sovereignty of the Void' & Experience of the Imaginary
III. Dreams: The Eclipse of the Day & its Incessant Return

PART TWO: Art, Literature, & Ideas
IV. The Conceptual Composition of the Work of Art: Chaos & the Outside
V. Literature's Radical Reversal: from Absence of Origin to Deterritorialized Future
VI. Kafka's Castle: A Case Study-Conceptual Inexistence & Obscure Value

PART THREE: Cinema
VII. Cinematic Worlds of Truth and Reality: Deleuze's Movement Image via Foucault
VIII. Radical Reversals of Cinematic Art: The Dissociative Force of Blanchot's Outside in Deleuze's Time-Image
IX. "Is Anyone Seeing This?"

Conclusion: Artistic Fiction and the Thought of Eternal Return

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• Teorias literárias
• Teoria de arte
• Filosofia social e política
• Teoria e crítica de filmes