Brazilian Cinema and the Aesthetics of Ruins

Figures
Acknowledgements
Introduction: In search of Brazilian ruins
Part One
Framing the ruins: From Cinema Novo to contemporary Brazilian documentary
1: A realm for the ruins of Brazil
2: Cinema Novo: A country in crisis
3: Documentary in the wake of Cinema da Retomada
Part Two
The other side of progress: Cinematic (re)constructions of Brasilia
4: A controversial spatiality: Myth and apartheid
5: Realism under erasure or not quite: New imagery and storytelling
6: The Age of Stone : The uchronic mode of a monument
7: White Out, Black In : Exploding the Third World from a laje point of view
Part Three
Constructing ruins in Rio de Janeiro: An intermedial visualization of failing projects
8: Tropicalia: An intermedial counterculture
9: The rubble as the legacy: A ruin for the World Cup and the Olympics
10: The Carmen Miranda ruinous spaceship in Tropical Curse
11: A lame-leg architecture: Half-hospital, half-ruin in H U Enigma
Part Four
The long-standing ruination: Indigenous territory in dispute
12: Setting the ground: Cinema Novo and indigenous representation
13: The Video nas Aldeias case: For an indigenous media to emerge
14: 'Here, in this scenario of destruction ...': Territory of ruins in Corumbiara
15: Made of stone and ruins: Indigenous filmmaking in Tava, The House of Stone, Two Villages, One Path and Guarani Exile
Conclusion: A walk amid the cinematic ruins
Notes
References
Filmography
Index

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• Teoria e crítica de filmes
• Documentários
• Estudos étnicos