Beyond the Bandstand
portes grátis
Beyond the Bandstand
Paul Whiteman in American Musical Culture
Doktor, Stephanie; Howland, John; Tackley, Catherine; Sheppard, W. Anthony; Leo, Katherine M.; Conathan, Lisa; Sheppard, W. Anthony; Banagale, Ryan R.; Provost, Sarah C.; Wells, Christi J.
University of Illinois Press
11/2024
336
Mole
9780252088209
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Acknowledgments
A Note on the Paul Whiteman Collection at Williams College Lisa Conathan
Introduction: Naming and Placing Whiteman W. Anthony Sheppard
Black Music, White Bodies, Paul Whiteman's Body Stephanie Doktor
Paul Whiteman, Cultural Ownership, and Jazz Historiography in Dave Peyton's "The Musical Bunch" Christi Jay Wells
Paul Whiteman and Modern Metropolitan Music, 1927-1940 John Howland
Arranging Orientalism for Whiteman Ryan Raul Banagale
Concertized Jazz: The Divergent Motives of Whiteman (1924) and Goodman (1938) Sarah Caissie Provost
"Symphonised Syncopation": Paul Whiteman in the United Kingdom and Europe in the 1920s Catherine Tackley
RCA v. Whiteman and the Case for Radio Broadcast Rights Katherine M. Leo
Integration and Segregation in Whiteman's Music Television, 1948-1955 W. Anthony Sheppard
Afterword Elijah Wald
Contributors
Bibliography
Index
A Note on the Paul Whiteman Collection at Williams College Lisa Conathan
Introduction: Naming and Placing Whiteman W. Anthony Sheppard
Black Music, White Bodies, Paul Whiteman's Body Stephanie Doktor
Paul Whiteman, Cultural Ownership, and Jazz Historiography in Dave Peyton's "The Musical Bunch" Christi Jay Wells
Paul Whiteman and Modern Metropolitan Music, 1927-1940 John Howland
Arranging Orientalism for Whiteman Ryan Raul Banagale
Concertized Jazz: The Divergent Motives of Whiteman (1924) and Goodman (1938) Sarah Caissie Provost
"Symphonised Syncopation": Paul Whiteman in the United Kingdom and Europe in the 1920s Catherine Tackley
RCA v. Whiteman and the Case for Radio Broadcast Rights Katherine M. Leo
Integration and Segregation in Whiteman's Music Television, 1948-1955 W. Anthony Sheppard
Afterword Elijah Wald
Contributors
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
bandleader; racism; jazz; popular culture; American music; middlebrow; radio; film; television; 'The King of Jazz'; Dave Peyton; Chicago Defender; James Reese Europe; Rhapsody in Blue; Chicago; New York City; Hollywood; Louis Alter; Manhattan Serenade; Robbins Music; "Modern American Music; Jack Hylton; " Orientalism; Ferde Grofe; Experiment in Modern Music; Arthur Lange; RCA; Fred Waring; American Bandstand; National Association of Performing Artists NAPA; Goodyear Revue; George Gershwin; Benny Goodman; " Carnegie Hall; arranging; United Kingdom; British jazz; Savoy Orpheans; copyright; recording; radio broadcasting; TV Teen Club; segregation; integration; teenagers
Acknowledgments
A Note on the Paul Whiteman Collection at Williams College Lisa Conathan
Introduction: Naming and Placing Whiteman W. Anthony Sheppard
Black Music, White Bodies, Paul Whiteman's Body Stephanie Doktor
Paul Whiteman, Cultural Ownership, and Jazz Historiography in Dave Peyton's "The Musical Bunch" Christi Jay Wells
Paul Whiteman and Modern Metropolitan Music, 1927-1940 John Howland
Arranging Orientalism for Whiteman Ryan Raul Banagale
Concertized Jazz: The Divergent Motives of Whiteman (1924) and Goodman (1938) Sarah Caissie Provost
"Symphonised Syncopation": Paul Whiteman in the United Kingdom and Europe in the 1920s Catherine Tackley
RCA v. Whiteman and the Case for Radio Broadcast Rights Katherine M. Leo
Integration and Segregation in Whiteman's Music Television, 1948-1955 W. Anthony Sheppard
Afterword Elijah Wald
Contributors
Bibliography
Index
A Note on the Paul Whiteman Collection at Williams College Lisa Conathan
Introduction: Naming and Placing Whiteman W. Anthony Sheppard
Black Music, White Bodies, Paul Whiteman's Body Stephanie Doktor
Paul Whiteman, Cultural Ownership, and Jazz Historiography in Dave Peyton's "The Musical Bunch" Christi Jay Wells
Paul Whiteman and Modern Metropolitan Music, 1927-1940 John Howland
Arranging Orientalism for Whiteman Ryan Raul Banagale
Concertized Jazz: The Divergent Motives of Whiteman (1924) and Goodman (1938) Sarah Caissie Provost
"Symphonised Syncopation": Paul Whiteman in the United Kingdom and Europe in the 1920s Catherine Tackley
RCA v. Whiteman and the Case for Radio Broadcast Rights Katherine M. Leo
Integration and Segregation in Whiteman's Music Television, 1948-1955 W. Anthony Sheppard
Afterword Elijah Wald
Contributors
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
bandleader; racism; jazz; popular culture; American music; middlebrow; radio; film; television; 'The King of Jazz'; Dave Peyton; Chicago Defender; James Reese Europe; Rhapsody in Blue; Chicago; New York City; Hollywood; Louis Alter; Manhattan Serenade; Robbins Music; "Modern American Music; Jack Hylton; " Orientalism; Ferde Grofe; Experiment in Modern Music; Arthur Lange; RCA; Fred Waring; American Bandstand; National Association of Performing Artists NAPA; Goodyear Revue; George Gershwin; Benny Goodman; " Carnegie Hall; arranging; United Kingdom; British jazz; Savoy Orpheans; copyright; recording; radio broadcasting; TV Teen Club; segregation; integration; teenagers
