Audience and Reception in the Early Modern Period
portes grátis
Audience and Reception in the Early Modern Period
Kirkland-Ives, Mitzi; Decker, John R.
Taylor & Francis Ltd
09/2021
408
Dura
Inglês
9780367676261
15 a 20 dias
930
Descrição não disponível.
1. Introduction: Audiences and Reception: Readers, Listeners, and Viewers 2. To Compliment a Musical Friend: Amateur Musicians and Their Audiences in France, ca. 1650-1700 3. Elizabethan Audience Gaze at History Plays: Liminal Time and Space in Shakespeare's Richard II 4. The Commedia dell'Arte from Marketplace to Court 5. Spreading the Word: Theatre, Religion and Contagious Performances 6. "Sedicious" Sermons: Preaching, Politics, and Provocation in Reformation England, 1540-1570 7. The Rotterdam Inquisitor and the False Prophet of Antwerp: Religious Disputation and Its Audiences in the Seventeenth-Century Low Countries 8. Relational Performances and Audiences in the Prologue of John Gower's Confessio Amantis 9. George Turberville, Constancy and Plain Style 10. "Assi de doctos como de indoctos": A Poet-Translator Discovers His Audience in the Spain of Philip II 11. Female Audiences and Translations of the Classics in Early Modern Italy 12. Women Are from Venus: Addressing Female Agency with Classical Allegory 13. Domenico Ghirlandaio's High Altarpiece for Santa Maria Novella and the Pre-Tridentine Audience of Italian Altarpieces 14. Guides Who Know the Way 15. Beyond the Doctrine of Merit: Philips Galle's Prints of the Sacraments and Works of Mercy
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Men;Vice Versa;Shakespeare's Richard II;Confessio Amantis;High Altar Chapel;Richard II;High Altarpiece;Giovanni Tornabuoni;Ottava Rima;Galle's Prints;Early Modern Public Sphere;Van Beverwijck;Vox Clamantis;Commission Scene;Renaissance Altarpieces;Domenico Ghirlandaio;Se Lo;Sabadino Degli Arienti;Garcilaso De La Vega;Classical Trope;Court Prophets;Evangelical Preachers;Laudomia Forteguerri;Accession Day Tilts;Petrarchan Style
1. Introduction: Audiences and Reception: Readers, Listeners, and Viewers 2. To Compliment a Musical Friend: Amateur Musicians and Their Audiences in France, ca. 1650-1700 3. Elizabethan Audience Gaze at History Plays: Liminal Time and Space in Shakespeare's Richard II 4. The Commedia dell'Arte from Marketplace to Court 5. Spreading the Word: Theatre, Religion and Contagious Performances 6. "Sedicious" Sermons: Preaching, Politics, and Provocation in Reformation England, 1540-1570 7. The Rotterdam Inquisitor and the False Prophet of Antwerp: Religious Disputation and Its Audiences in the Seventeenth-Century Low Countries 8. Relational Performances and Audiences in the Prologue of John Gower's Confessio Amantis 9. George Turberville, Constancy and Plain Style 10. "Assi de doctos como de indoctos": A Poet-Translator Discovers His Audience in the Spain of Philip II 11. Female Audiences and Translations of the Classics in Early Modern Italy 12. Women Are from Venus: Addressing Female Agency with Classical Allegory 13. Domenico Ghirlandaio's High Altarpiece for Santa Maria Novella and the Pre-Tridentine Audience of Italian Altarpieces 14. Guides Who Know the Way 15. Beyond the Doctrine of Merit: Philips Galle's Prints of the Sacraments and Works of Mercy
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Men;Vice Versa;Shakespeare's Richard II;Confessio Amantis;High Altar Chapel;Richard II;High Altarpiece;Giovanni Tornabuoni;Ottava Rima;Galle's Prints;Early Modern Public Sphere;Van Beverwijck;Vox Clamantis;Commission Scene;Renaissance Altarpieces;Domenico Ghirlandaio;Se Lo;Sabadino Degli Arienti;Garcilaso De La Vega;Classical Trope;Court Prophets;Evangelical Preachers;Laudomia Forteguerri;Accession Day Tilts;Petrarchan Style
