Arts-Based Methods for Decolonising Participatory Research
portes grátis
Arts-Based Methods for Decolonising Participatory Research
Sarantou, Melanie; Miettinen, Satu; Seppaelae, Tiina
Taylor & Francis Ltd
04/2021
264
Dura
Inglês
9780367513276
15 a 20 dias
740
Descrição não disponível.
1. Introduction: Arts-Based Methods for Decolonising Participatory Research SECTION I: Co-Creation, Collaboration, Movement 2. Co-Creation Through Quilting: Connected Entanglements and Disruptions With Care 3. In Touch With the Mindful Body: Moving With Women and Girls at the Za'atari Refugee Camp 4. Towards Just Dance Research: An uMunthu Participatory and Performative Inquiry Into Malawian-Norwegian Entanglements 5. Participatory Photography With Women's Rights Activists in Nepal: Towards a Practice of Decolonial Feminist Solidarity? SECTION II: Participatory Service Design 6. Archipelagos of Designing Through Ko -Ontological Encounters 7. Building a Community Through Service Design and Responsiveness to Emotions 8. Developing the Relational Dimension of Participatory Design Through Creativity-Based Methods 9. Navigating Uncertainty: Developing the Facilitator's Role Through Participatory Service Design Workshops SECTION III: Artistic Research and Practice 10. Decoloniality of Knowing and Being: Artistic Research Through Collaborative Craft Practice 11. The Flying Ants and the Beauty of Ice 12. Paint That Place With Light! Light Painting as a Means of Creating Attachment to Historical Locations-An Arts-Based Action Research Project 13. John Savio's Art as a Part of Early Sami Decolonisation in the 1920s and 1930s
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Participatory Photography;Decolonial Approach;academia;Light Painting;collaborative;Service Design;community;Community Based Participatory Research;the arts;Research Participant;moral;Face To Face;power;Arts Based Research Methods;legitimacy;Common Language;justice;Decolonial Perspective;diversity;Decolonial Artist;intersectionality;Stop Moments;decolonial;Abr;colonialism;Capoeira Classes;postcolonialism;Performative Inquiry;decolonizing;Artistic Research;decolonisation;South African San Institute;decolonization;Research Activism Collaboration;methodology;Dance Education;feminism;PARTY Project;multivocality;Participatory Design;pluralism;Decolonial Theory;politics;Resonant Responsiveness;theory;Bead Art;refugee camp;Reindeer Herding;Nepal;Malawi;Norway;workshops;fieldwork;Social sciences;Decolonising participatory research;Arts-based methods
1. Introduction: Arts-Based Methods for Decolonising Participatory Research SECTION I: Co-Creation, Collaboration, Movement 2. Co-Creation Through Quilting: Connected Entanglements and Disruptions With Care 3. In Touch With the Mindful Body: Moving With Women and Girls at the Za'atari Refugee Camp 4. Towards Just Dance Research: An uMunthu Participatory and Performative Inquiry Into Malawian-Norwegian Entanglements 5. Participatory Photography With Women's Rights Activists in Nepal: Towards a Practice of Decolonial Feminist Solidarity? SECTION II: Participatory Service Design 6. Archipelagos of Designing Through Ko -Ontological Encounters 7. Building a Community Through Service Design and Responsiveness to Emotions 8. Developing the Relational Dimension of Participatory Design Through Creativity-Based Methods 9. Navigating Uncertainty: Developing the Facilitator's Role Through Participatory Service Design Workshops SECTION III: Artistic Research and Practice 10. Decoloniality of Knowing and Being: Artistic Research Through Collaborative Craft Practice 11. The Flying Ants and the Beauty of Ice 12. Paint That Place With Light! Light Painting as a Means of Creating Attachment to Historical Locations-An Arts-Based Action Research Project 13. John Savio's Art as a Part of Early Sami Decolonisation in the 1920s and 1930s
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Participatory Photography;Decolonial Approach;academia;Light Painting;collaborative;Service Design;community;Community Based Participatory Research;the arts;Research Participant;moral;Face To Face;power;Arts Based Research Methods;legitimacy;Common Language;justice;Decolonial Perspective;diversity;Decolonial Artist;intersectionality;Stop Moments;decolonial;Abr;colonialism;Capoeira Classes;postcolonialism;Performative Inquiry;decolonizing;Artistic Research;decolonisation;South African San Institute;decolonization;Research Activism Collaboration;methodology;Dance Education;feminism;PARTY Project;multivocality;Participatory Design;pluralism;Decolonial Theory;politics;Resonant Responsiveness;theory;Bead Art;refugee camp;Reindeer Herding;Nepal;Malawi;Norway;workshops;fieldwork;Social sciences;Decolonising participatory research;Arts-based methods
