Architectural Rhetoric and the Iconography of Authority in Colonial Mexico

Introduction; 1. The Casa de Montejo and Merida; 2. The Plateresque Facade and Communal Identity in Spain; 3. The Montejo Facade and the Position of Adelantado; 4. Tiho-Merida and the Casa de Montejo; 5. Gaspar Antonio Chi's Heraldic Imagery and the Casa de Montejo Facade; Conclusion

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• História da arquitetura
• Arte colonial
• História dos estilos de arte e design: ~ 1400 até ~ 1600

Benson Latin American Collection;Casa de Montejo;Chi De;Yucatan;Santa Clara De;Merida;Archivo General De Indias;Mexico;Town Hall;Maya;Chilam Balam;Gaspar Antonio Chi;Wild Men;architectural history;Mignolo's Terms;architectural rhetoric;Consejo De Indias;Francisco de Montejo;Building's Creation;sixteenth century;Spanish Cultural;colonial Mexico;Author's Photo;colonial studies;Hispanic America;colonialism;Common Language;art history;Plaza Mayor;facade;Viceregal Government;Latin America;Visual Cultural Forms;Central America;Relaciones De;sculpture;Xiu Line;Renaissance;nobility;Guatemalan Court;Spain;Spanish empire;royalty;cultural identity;conquistador;visual culture;colonized peoples;plateresque;Diego de Sagredo;adelantado;Hispanic;Latino