Antebellum American Pendant Paintings

Table of Contents



List of Illustrations



Acknowledgments



Introduction



Opening the Space Between: Antebellum American Pendant Paintings



Chapter 1



Putting the "Rip" in Rip Van Winkle: Historical Absence in John Quidor's Companion Paintings



Chapter 2



Taking a Contemplative Look: Visual Devotion in Thomas Cole's Departure and Return



Chapter 3



The Missing Pacific: The Expeditionary Blank in Titian Ramsay Peale's Kilauea Landscapes



Epilogue



After the Antebellum: Pendants during the Civil War and Postbellum Era



Works Cited

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• História das Américas
• Artes: temas gerais
• Estilos de arte não definido por data
• Estudos regionais
• História moderna para o século 20: c1700 a c 1900
• Guerra Civil Americana
• História dos estilos de arte e design: ~1800 até ~1900
• Pintura e obras de pintura

Rembrandt Harmensz Van Rijn;Rembrandt;United States;Pendant Paintings;American art;Christ Child;nineteenth century;National Academy;John Quidor;William Sidney Mount;Thomas Cole;Winthrop Sargent;Titian Ramsay Peale;Irving's Story;American artists;Leonardo's Vitruvian Man;Pacific Rim;Moon Light;art history;Pendant Portraits;antebellum period;Van Rensselaer;civil war;Postbellum Period;Wendy N. E. Ikemoto;Appomattox Court House;Money Diggers;Cole's Pendant;Allegorical Journey;Antebellum Decades;Northern White Women;Contemporary History Painting;Pendant Pictures;Feature Pendant;Pendant Format;Larger Topography;Camera Lucida