Angela Carter's Pyrotechnics
portes grátis
Angela Carter's Pyrotechnics
A Union of Contraries
Crofts, Charlotte; Mulvey-Roberts, Marie
Bloomsbury Publishing PLC
02/2022
280
Dura
Inglês
9781350182721
15 a 20 dias
Descrição não disponível.
Foreword
Gina Wisker (University of Brighton, UK)
Pyrotechnics: Angela Carter's Incendiary Imagination
Charlotte Crofts (UWE Bristol, UK) & and Marie Mulvey-Roberts (UWE Bristol, UK)
SIGNS & OBJECTS
1. Carter and the Japanese Signs: Bunraku, Mishima, Irezumi and Sozo Araki
Natsumi Ikoma (International Christian University, Tokyo, Japan)
2. Some Kinds of Love: Angela Carter, Art and Objects
David Punter (University of Bristol, UK)
3. The Chance Encounter of a Stuffed Dodo, a Fallen Star, and a Fruit Woman Automaton... The Secret Life of Things Queering the Museal Gaze in Angela Carter's Curiosity Cabinets
Anna Kerchy (University of Szeged, Hungary)
MUSIC, PERFORMANCE & FAIRYTALE
4. 'Down to the Greenwood': Angela Carter and Traditional Folksong
Hippolyta C. M. Paulusma (University of Cambridge, UK)
5. From Grizelda's Patience to Feminist Grit: Angela Carter's 'The Patience of Grizelda' as a Hidden Intertext to 'The Bloody Chamber'
Martine Hennard Dutheil de la Rochere (University of Lausanne, Switzerland)
6. Of Tales, Tragic Opera, Transformation and 'Tongues': Tristan und Isolde in Angela Carter's The Bloody Chamber
Ashley Riggs (University of Geneva, Switzerland)
7. Theatre, Adaptation, Angela Carter: A Case Study
Belinda Locke (PhD Queensland University of Technology, Brisbane Australia 2018; Malthouse Theatre, Melbourne, Victoria Australia)
WAYS OF SEEING
8. 'What Then?' Apocalypticism and Angela Carter's Surrealist Aesthetics
Scott A Dimovitz (Regis University, Denver, USA)
9. Kaleidoscopes, Stereoscopes and Phantasmagoria: Critical and Creative Ways of Seeing in the Work of Angela Carter
Caleb Sivyer (UWE Bristol, UK)
10. 'The Strangeness of the World Made Visible': Reading Alignments between Angela Carter and Paula Rego
Beatrice Bijon (Australian National University, Canberra Australia)
MATERIAL BODIES
11. Perceiving Pleasures and Appetites in The Bloody Chamber: 'Surprise me for dessert with every ice-cream in the ice box' Maria Jose Pires (University of Lisbon Centre for English Studies, Portugal)
12. The Skin that Holds You In: States of Dress and Undress in Angela Carter's Animal/Human Transformation Stories
Carys Crossen (University of Manchester, UK)
13. Angela Carter's Questioning of 'Age-appropriate' Appearance and Behaviour in Wise Children
Zoe Brennan (UWE Bristol, UK)
Gina Wisker (University of Brighton, UK)
Pyrotechnics: Angela Carter's Incendiary Imagination
Charlotte Crofts (UWE Bristol, UK) & and Marie Mulvey-Roberts (UWE Bristol, UK)
SIGNS & OBJECTS
1. Carter and the Japanese Signs: Bunraku, Mishima, Irezumi and Sozo Araki
Natsumi Ikoma (International Christian University, Tokyo, Japan)
2. Some Kinds of Love: Angela Carter, Art and Objects
David Punter (University of Bristol, UK)
3. The Chance Encounter of a Stuffed Dodo, a Fallen Star, and a Fruit Woman Automaton... The Secret Life of Things Queering the Museal Gaze in Angela Carter's Curiosity Cabinets
Anna Kerchy (University of Szeged, Hungary)
MUSIC, PERFORMANCE & FAIRYTALE
4. 'Down to the Greenwood': Angela Carter and Traditional Folksong
Hippolyta C. M. Paulusma (University of Cambridge, UK)
5. From Grizelda's Patience to Feminist Grit: Angela Carter's 'The Patience of Grizelda' as a Hidden Intertext to 'The Bloody Chamber'
Martine Hennard Dutheil de la Rochere (University of Lausanne, Switzerland)
6. Of Tales, Tragic Opera, Transformation and 'Tongues': Tristan und Isolde in Angela Carter's The Bloody Chamber
Ashley Riggs (University of Geneva, Switzerland)
7. Theatre, Adaptation, Angela Carter: A Case Study
Belinda Locke (PhD Queensland University of Technology, Brisbane Australia 2018; Malthouse Theatre, Melbourne, Victoria Australia)
WAYS OF SEEING
8. 'What Then?' Apocalypticism and Angela Carter's Surrealist Aesthetics
Scott A Dimovitz (Regis University, Denver, USA)
9. Kaleidoscopes, Stereoscopes and Phantasmagoria: Critical and Creative Ways of Seeing in the Work of Angela Carter
Caleb Sivyer (UWE Bristol, UK)
10. 'The Strangeness of the World Made Visible': Reading Alignments between Angela Carter and Paula Rego
Beatrice Bijon (Australian National University, Canberra Australia)
MATERIAL BODIES
11. Perceiving Pleasures and Appetites in The Bloody Chamber: 'Surprise me for dessert with every ice-cream in the ice box' Maria Jose Pires (University of Lisbon Centre for English Studies, Portugal)
12. The Skin that Holds You In: States of Dress and Undress in Angela Carter's Animal/Human Transformation Stories
Carys Crossen (University of Manchester, UK)
13. Angela Carter's Questioning of 'Age-appropriate' Appearance and Behaviour in Wise Children
Zoe Brennan (UWE Bristol, UK)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Foreword
Gina Wisker (University of Brighton, UK)
Pyrotechnics: Angela Carter's Incendiary Imagination
Charlotte Crofts (UWE Bristol, UK) & and Marie Mulvey-Roberts (UWE Bristol, UK)
SIGNS & OBJECTS
1. Carter and the Japanese Signs: Bunraku, Mishima, Irezumi and Sozo Araki
Natsumi Ikoma (International Christian University, Tokyo, Japan)
2. Some Kinds of Love: Angela Carter, Art and Objects
David Punter (University of Bristol, UK)
3. The Chance Encounter of a Stuffed Dodo, a Fallen Star, and a Fruit Woman Automaton... The Secret Life of Things Queering the Museal Gaze in Angela Carter's Curiosity Cabinets
Anna Kerchy (University of Szeged, Hungary)
MUSIC, PERFORMANCE & FAIRYTALE
4. 'Down to the Greenwood': Angela Carter and Traditional Folksong
Hippolyta C. M. Paulusma (University of Cambridge, UK)
5. From Grizelda's Patience to Feminist Grit: Angela Carter's 'The Patience of Grizelda' as a Hidden Intertext to 'The Bloody Chamber'
Martine Hennard Dutheil de la Rochere (University of Lausanne, Switzerland)
6. Of Tales, Tragic Opera, Transformation and 'Tongues': Tristan und Isolde in Angela Carter's The Bloody Chamber
Ashley Riggs (University of Geneva, Switzerland)
7. Theatre, Adaptation, Angela Carter: A Case Study
Belinda Locke (PhD Queensland University of Technology, Brisbane Australia 2018; Malthouse Theatre, Melbourne, Victoria Australia)
WAYS OF SEEING
8. 'What Then?' Apocalypticism and Angela Carter's Surrealist Aesthetics
Scott A Dimovitz (Regis University, Denver, USA)
9. Kaleidoscopes, Stereoscopes and Phantasmagoria: Critical and Creative Ways of Seeing in the Work of Angela Carter
Caleb Sivyer (UWE Bristol, UK)
10. 'The Strangeness of the World Made Visible': Reading Alignments between Angela Carter and Paula Rego
Beatrice Bijon (Australian National University, Canberra Australia)
MATERIAL BODIES
11. Perceiving Pleasures and Appetites in The Bloody Chamber: 'Surprise me for dessert with every ice-cream in the ice box' Maria Jose Pires (University of Lisbon Centre for English Studies, Portugal)
12. The Skin that Holds You In: States of Dress and Undress in Angela Carter's Animal/Human Transformation Stories
Carys Crossen (University of Manchester, UK)
13. Angela Carter's Questioning of 'Age-appropriate' Appearance and Behaviour in Wise Children
Zoe Brennan (UWE Bristol, UK)
Gina Wisker (University of Brighton, UK)
Pyrotechnics: Angela Carter's Incendiary Imagination
Charlotte Crofts (UWE Bristol, UK) & and Marie Mulvey-Roberts (UWE Bristol, UK)
SIGNS & OBJECTS
1. Carter and the Japanese Signs: Bunraku, Mishima, Irezumi and Sozo Araki
Natsumi Ikoma (International Christian University, Tokyo, Japan)
2. Some Kinds of Love: Angela Carter, Art and Objects
David Punter (University of Bristol, UK)
3. The Chance Encounter of a Stuffed Dodo, a Fallen Star, and a Fruit Woman Automaton... The Secret Life of Things Queering the Museal Gaze in Angela Carter's Curiosity Cabinets
Anna Kerchy (University of Szeged, Hungary)
MUSIC, PERFORMANCE & FAIRYTALE
4. 'Down to the Greenwood': Angela Carter and Traditional Folksong
Hippolyta C. M. Paulusma (University of Cambridge, UK)
5. From Grizelda's Patience to Feminist Grit: Angela Carter's 'The Patience of Grizelda' as a Hidden Intertext to 'The Bloody Chamber'
Martine Hennard Dutheil de la Rochere (University of Lausanne, Switzerland)
6. Of Tales, Tragic Opera, Transformation and 'Tongues': Tristan und Isolde in Angela Carter's The Bloody Chamber
Ashley Riggs (University of Geneva, Switzerland)
7. Theatre, Adaptation, Angela Carter: A Case Study
Belinda Locke (PhD Queensland University of Technology, Brisbane Australia 2018; Malthouse Theatre, Melbourne, Victoria Australia)
WAYS OF SEEING
8. 'What Then?' Apocalypticism and Angela Carter's Surrealist Aesthetics
Scott A Dimovitz (Regis University, Denver, USA)
9. Kaleidoscopes, Stereoscopes and Phantasmagoria: Critical and Creative Ways of Seeing in the Work of Angela Carter
Caleb Sivyer (UWE Bristol, UK)
10. 'The Strangeness of the World Made Visible': Reading Alignments between Angela Carter and Paula Rego
Beatrice Bijon (Australian National University, Canberra Australia)
MATERIAL BODIES
11. Perceiving Pleasures and Appetites in The Bloody Chamber: 'Surprise me for dessert with every ice-cream in the ice box' Maria Jose Pires (University of Lisbon Centre for English Studies, Portugal)
12. The Skin that Holds You In: States of Dress and Undress in Angela Carter's Animal/Human Transformation Stories
Carys Crossen (University of Manchester, UK)
13. Angela Carter's Questioning of 'Age-appropriate' Appearance and Behaviour in Wise Children
Zoe Brennan (UWE Bristol, UK)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
