An Introduction to the Phenomenology of Performance Art

Acknowledgements

Foreword: Enduring Reorientations: Self, Time, and Space in Performance

Author's Note

Introduction

- Phenomenology

- Eidetic Reduction

- Self

- Dasein





Section One: Embodied Experience

- Exercise 1

- Flesh

- Gestalt

- Exercise 2

Identity, Sexuality, and Gender

- Exercise 3

Lori Baldwin

Anne Bean

- Intersubjectivity

- Intercorporeality

Rosana Cade and Will Dickie

- Korper and Leib

- World and Being

Esther Marveta Neff

- Reciprocity

Niko Wearden

- Mineness

- Exercise 4

Cultural Contexts

- Fundierung

- Exercise 5

Jamal Harewood

- Exercise 6

Regina Jose Galindo

Health and Dis/Ability

- Exercise 7

Katherine Araniello

Kamil Guenatri

- Givenness





Section Two: The Rapture and Rupture of the Lived Body

- Cartesianism

- Exercise 8

Rapture

- Exercise 9

Rocio Boliver

Louis Fleischauer

Weeks and Whitford

- Befindlichkeit

Rupture

- Aletheia

Hellen Burrough

Arianna Ferrari

- Exercise 10

Ernst Fischer

- Exercise 11





Section Three: The Intersubjectivity and Intercorporeality of Noise and Sonic Arts

- Exercise 12

Sound through the Body

Sarah Glass

Joke Lanz

- Punctum

- Mother Disorder

Sound through Collaboration

FK Alexander

Clive Henry and Yol

- Exercise 13





Section Four: The Perception of Self/s

- Exercise 14

Vulnerability

- Exercise 15

Helena Goldwater

Natalie Ramus

Helen Spackman

Failure

- Exercise 16

Chelsea Coon

Selina Bonelli

Heather Sincavage

- Augenblick

- Exercise 17 (Part 1 of 2)

- Exercise 17 (Part 2 of 2)

Extremis

- Exercise 18

tjb

Hancock and Kelly

Niko Raes

- Exercise 19





Postface: The Argument for Queering 'The Origin of the Work of Art'

- Manifesto for Performance Artist as Artwork





Notes

Bibliography

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• Técnicas de representação
• Artes de representação (performativas)
• Formas de arte
• Os estudos de gênero, grupos de gênero

live art; performance; philosophy; phenomenology; gender; practice as research; queer theory; acting; self