Aesthetics, Philosophy and Martin Creed
portes grátis
Aesthetics, Philosophy and Martin Creed
Sasso, Davide Dal; Schellekens, Dr Elisabeth
Bloomsbury Publishing PLC
06/2022
192
Dura
Inglês
9781350009257
15 a 20 dias
Descrição não disponível.
Introduction, Elisabeth Schellekens (Uppsala University, Sweden) and Davide Dal Sasso (University of Turin, Italy)
Statements, Martin Creed
1. Where in the (Art)World is Martin Creed?, David Davies (McGill University, Canada)
2. Martin Creed's 'Workless' Works of Art, Karen E. Gover (Harvard Law School, USA)
3. S T U P I D A R T, Diarmuid Costello (University of Warwick, UK)
4. How Not to Be an Uncollectible Artist, Alessandra Donati (University of Milano-Bicocca and Nuova Accademia Belle Arti, Italy) and Anna Pirri Valentini (LUISS University and NABA-Nuova Accademia Belle Arti, Italy)
5. An Expression of the Essential: Martin Creed and the Celebration of the Ordinary, Davide Dal Sasso (University of Turin, Italy)
6. Martin Creed: Conceptual Art and More, Elisa Caldarola (University of Padova, Italy)
7. The Logical and The Phenomenological in Martin Creed's Chairs, Gregory Minissale (University of Auckland, New Zealand)
8. Which 'Martin Creed'? Or Switching from Insignificance to Significance, Clive Cazeaux (Cardiff Metropolitan University, UK)
9. Process Art as an Aesthetic Alternative: Martin Creed's Glasgow Connection, Diego Mantoan (Ca' Foscari University of Venice, Italy)
Bibliography
Index (name)
Index (topics)
Statements, Martin Creed
1. Where in the (Art)World is Martin Creed?, David Davies (McGill University, Canada)
2. Martin Creed's 'Workless' Works of Art, Karen E. Gover (Harvard Law School, USA)
3. S T U P I D A R T, Diarmuid Costello (University of Warwick, UK)
4. How Not to Be an Uncollectible Artist, Alessandra Donati (University of Milano-Bicocca and Nuova Accademia Belle Arti, Italy) and Anna Pirri Valentini (LUISS University and NABA-Nuova Accademia Belle Arti, Italy)
5. An Expression of the Essential: Martin Creed and the Celebration of the Ordinary, Davide Dal Sasso (University of Turin, Italy)
6. Martin Creed: Conceptual Art and More, Elisa Caldarola (University of Padova, Italy)
7. The Logical and The Phenomenological in Martin Creed's Chairs, Gregory Minissale (University of Auckland, New Zealand)
8. Which 'Martin Creed'? Or Switching from Insignificance to Significance, Clive Cazeaux (Cardiff Metropolitan University, UK)
9. Process Art as an Aesthetic Alternative: Martin Creed's Glasgow Connection, Diego Mantoan (Ca' Foscari University of Venice, Italy)
Bibliography
Index (name)
Index (topics)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Introduction, Elisabeth Schellekens (Uppsala University, Sweden) and Davide Dal Sasso (University of Turin, Italy)
Statements, Martin Creed
1. Where in the (Art)World is Martin Creed?, David Davies (McGill University, Canada)
2. Martin Creed's 'Workless' Works of Art, Karen E. Gover (Harvard Law School, USA)
3. S T U P I D A R T, Diarmuid Costello (University of Warwick, UK)
4. How Not to Be an Uncollectible Artist, Alessandra Donati (University of Milano-Bicocca and Nuova Accademia Belle Arti, Italy) and Anna Pirri Valentini (LUISS University and NABA-Nuova Accademia Belle Arti, Italy)
5. An Expression of the Essential: Martin Creed and the Celebration of the Ordinary, Davide Dal Sasso (University of Turin, Italy)
6. Martin Creed: Conceptual Art and More, Elisa Caldarola (University of Padova, Italy)
7. The Logical and The Phenomenological in Martin Creed's Chairs, Gregory Minissale (University of Auckland, New Zealand)
8. Which 'Martin Creed'? Or Switching from Insignificance to Significance, Clive Cazeaux (Cardiff Metropolitan University, UK)
9. Process Art as an Aesthetic Alternative: Martin Creed's Glasgow Connection, Diego Mantoan (Ca' Foscari University of Venice, Italy)
Bibliography
Index (name)
Index (topics)
Statements, Martin Creed
1. Where in the (Art)World is Martin Creed?, David Davies (McGill University, Canada)
2. Martin Creed's 'Workless' Works of Art, Karen E. Gover (Harvard Law School, USA)
3. S T U P I D A R T, Diarmuid Costello (University of Warwick, UK)
4. How Not to Be an Uncollectible Artist, Alessandra Donati (University of Milano-Bicocca and Nuova Accademia Belle Arti, Italy) and Anna Pirri Valentini (LUISS University and NABA-Nuova Accademia Belle Arti, Italy)
5. An Expression of the Essential: Martin Creed and the Celebration of the Ordinary, Davide Dal Sasso (University of Turin, Italy)
6. Martin Creed: Conceptual Art and More, Elisa Caldarola (University of Padova, Italy)
7. The Logical and The Phenomenological in Martin Creed's Chairs, Gregory Minissale (University of Auckland, New Zealand)
8. Which 'Martin Creed'? Or Switching from Insignificance to Significance, Clive Cazeaux (Cardiff Metropolitan University, UK)
9. Process Art as an Aesthetic Alternative: Martin Creed's Glasgow Connection, Diego Mantoan (Ca' Foscari University of Venice, Italy)
Bibliography
Index (name)
Index (topics)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
