Cultural History of Theatre in the Modern Age
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Cultural History of Theatre in the Modern Age
Solga, Kim
Bloomsbury Publishing PLC
01/2022
296
Mole
Inglês
9781350277779
15 a 20 dias
566
Descrição não disponível.
List of Illustrations
Notes on Contributors
Series Preface
Editor's Acknowledgements
Introduction: The Impossible Modern Age
Kim Solga, Western University, Canada
1 Institutional Frameworks: Theatre, State, and Market in Modern Urban Performance
Michael McKinnie, Queen Mary University of London, UK
2 Social Functions: Consumers and Producers
Nicholas Ridout, Queen Mary University of London, UK
3 Sexuality and Gender: New Stories and New Spaces on the Modern Stage
Kirsten Pullen, Texas A&M University, USA
4 The Environment of Theatre: 'Home' in the Modern Age
Kim Solga, Western University, Canada and Joanne Tompkins, The University of Queensland, Australia
5 Circulations: Visual Sovereignty, Transmotion, and Tribalography
Jill Carter, University of Tornoto, Canada, Heather Davis-Fisch,University of the Fraser Valley, USA and Ric Knowles, University of Guelph, Canada
6 Interpretations: The Stakes of Audience Interpretation in Twentieth-Century Political Theatre
Dassia N. Posner, Northwestern University, USA
7 Communities of Production: A Materialist Reading with an Offstage View
Christin Essin,Vanderbilt University, USA and Marlis Schweitzer, York University, Canada
8 Genres and Repertoires: Redressing the Nation in Ireland and Japan
Michelle Liu Carriger,University of California, Los Angeles , USA and Aoife Monks, Queen Mary University of London, UK
9 Technologies of Performance: Machinic Staging and Corporeal Choreographies
Ashley Ferro-Murray, University of California, Berkeley, USA and Timothy Murray, Cornell University, USA
10 Knowledge Transmission: Media and Memory
Sarah Bay-Cheng, Bowdoin College, USA
Notes
Bibliography
Index
Notes on Contributors
Series Preface
Editor's Acknowledgements
Introduction: The Impossible Modern Age
Kim Solga, Western University, Canada
1 Institutional Frameworks: Theatre, State, and Market in Modern Urban Performance
Michael McKinnie, Queen Mary University of London, UK
2 Social Functions: Consumers and Producers
Nicholas Ridout, Queen Mary University of London, UK
3 Sexuality and Gender: New Stories and New Spaces on the Modern Stage
Kirsten Pullen, Texas A&M University, USA
4 The Environment of Theatre: 'Home' in the Modern Age
Kim Solga, Western University, Canada and Joanne Tompkins, The University of Queensland, Australia
5 Circulations: Visual Sovereignty, Transmotion, and Tribalography
Jill Carter, University of Tornoto, Canada, Heather Davis-Fisch,University of the Fraser Valley, USA and Ric Knowles, University of Guelph, Canada
6 Interpretations: The Stakes of Audience Interpretation in Twentieth-Century Political Theatre
Dassia N. Posner, Northwestern University, USA
7 Communities of Production: A Materialist Reading with an Offstage View
Christin Essin,Vanderbilt University, USA and Marlis Schweitzer, York University, Canada
8 Genres and Repertoires: Redressing the Nation in Ireland and Japan
Michelle Liu Carriger,University of California, Los Angeles , USA and Aoife Monks, Queen Mary University of London, UK
9 Technologies of Performance: Machinic Staging and Corporeal Choreographies
Ashley Ferro-Murray, University of California, Berkeley, USA and Timothy Murray, Cornell University, USA
10 Knowledge Transmission: Media and Memory
Sarah Bay-Cheng, Bowdoin College, USA
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
List of Illustrations
Notes on Contributors
Series Preface
Editor's Acknowledgements
Introduction: The Impossible Modern Age
Kim Solga, Western University, Canada
1 Institutional Frameworks: Theatre, State, and Market in Modern Urban Performance
Michael McKinnie, Queen Mary University of London, UK
2 Social Functions: Consumers and Producers
Nicholas Ridout, Queen Mary University of London, UK
3 Sexuality and Gender: New Stories and New Spaces on the Modern Stage
Kirsten Pullen, Texas A&M University, USA
4 The Environment of Theatre: 'Home' in the Modern Age
Kim Solga, Western University, Canada and Joanne Tompkins, The University of Queensland, Australia
5 Circulations: Visual Sovereignty, Transmotion, and Tribalography
Jill Carter, University of Tornoto, Canada, Heather Davis-Fisch,University of the Fraser Valley, USA and Ric Knowles, University of Guelph, Canada
6 Interpretations: The Stakes of Audience Interpretation in Twentieth-Century Political Theatre
Dassia N. Posner, Northwestern University, USA
7 Communities of Production: A Materialist Reading with an Offstage View
Christin Essin,Vanderbilt University, USA and Marlis Schweitzer, York University, Canada
8 Genres and Repertoires: Redressing the Nation in Ireland and Japan
Michelle Liu Carriger,University of California, Los Angeles , USA and Aoife Monks, Queen Mary University of London, UK
9 Technologies of Performance: Machinic Staging and Corporeal Choreographies
Ashley Ferro-Murray, University of California, Berkeley, USA and Timothy Murray, Cornell University, USA
10 Knowledge Transmission: Media and Memory
Sarah Bay-Cheng, Bowdoin College, USA
Notes
Bibliography
Index
Notes on Contributors
Series Preface
Editor's Acknowledgements
Introduction: The Impossible Modern Age
Kim Solga, Western University, Canada
1 Institutional Frameworks: Theatre, State, and Market in Modern Urban Performance
Michael McKinnie, Queen Mary University of London, UK
2 Social Functions: Consumers and Producers
Nicholas Ridout, Queen Mary University of London, UK
3 Sexuality and Gender: New Stories and New Spaces on the Modern Stage
Kirsten Pullen, Texas A&M University, USA
4 The Environment of Theatre: 'Home' in the Modern Age
Kim Solga, Western University, Canada and Joanne Tompkins, The University of Queensland, Australia
5 Circulations: Visual Sovereignty, Transmotion, and Tribalography
Jill Carter, University of Tornoto, Canada, Heather Davis-Fisch,University of the Fraser Valley, USA and Ric Knowles, University of Guelph, Canada
6 Interpretations: The Stakes of Audience Interpretation in Twentieth-Century Political Theatre
Dassia N. Posner, Northwestern University, USA
7 Communities of Production: A Materialist Reading with an Offstage View
Christin Essin,Vanderbilt University, USA and Marlis Schweitzer, York University, Canada
8 Genres and Repertoires: Redressing the Nation in Ireland and Japan
Michelle Liu Carriger,University of California, Los Angeles , USA and Aoife Monks, Queen Mary University of London, UK
9 Technologies of Performance: Machinic Staging and Corporeal Choreographies
Ashley Ferro-Murray, University of California, Berkeley, USA and Timothy Murray, Cornell University, USA
10 Knowledge Transmission: Media and Memory
Sarah Bay-Cheng, Bowdoin College, USA
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
