1964, A Year in African American Performance History

1. Introduction: Why 1964? 2. Words of Fire: Malcolm X, Fannie Lou Hamer, Martin Luther King, and the Rhetoric of African American Performance 3. Performing Manhood: Muhammad Ali and the 1964 Heavyweight Championship 4. Expectation, Melancholy, and Loss: Intellectualism in Funnyhouse of a Negro and Dutchman 5. Neorealism and Cinematic Love: Nothing but a Man, One Potato, Two Potato, and the Working Class 6. Romare Bearden, the 1964 Photomontage Projections, and the Art of "Making Strange" 7. Heat Wave: Feminism, Crossover, and Motown Music 8. Conclusion: Change Is a Long Time Coming

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• Direitos cívicos e cidadania
• História do século 20 do pós-guerra, de c 1945 a c 2000
• Artes de representação (performativas)
• Estudos teatrais
• História das Américas
• Direitos humanos

Civil Rights;African American History;Performance